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Non-Review Review: The Muppets

It’s interesting to imagine what the reaction in the room must have been after Jason Segal was asked to name his next project, building off the success of Forgetting Sarah Marshall. The fast-rising actor and writer could have had his pick of any number of features, and yet he chose to work on a revival of The Muppets. After all, these were a group of characters who had enjoyed a reasonable revival with The Muppets Christmas Carol and Muppet Treasure Island in the early-to-mid-nineties, but had seen their fame quickly eroded with a string of poorly-received television and movie projects. It’s easy to imagine discussions being had about the “relevance” of the Muppets in the era of reality television and pandering television, as the film portrays with a fictional executive portrayed by Rashida Jones. It seemed like there was a lot of weight riding on the project, both for Segal and the studio, and for Jim Henson’s creations themselves.

I think they can all be extremely proud. I think it’s safe to describe the finished product as the best family film of the past year.

Brush with greatness?

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Non-Review Review: The Woman in Black

The Woman in Black is a stately, old-fashioned horror film – the kind of Victorian era ghost story that I honestly feared had vanished from the multiplex. James Watkins’ adaptation of Susie Hill’s cult 1983 horror novel revels in the classic horror conventions, complete with jump scares, a stylish atmosphere and a hyperactive orchestral string section. It’s very much a loving resurrection of the type of classy conventional scary movies that have been replaced by serial killer or found footage films. There are moments when the movie might stick a little bit too close to that classic formula, and it feels a little brisk in the middle, but it’s a hugely enjoyable and thrilling experience.

Potter at the gates at dawn?

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For the Love of Film 2012: Alfred Hitchcock Film Preservation Blogathon

I’m delighted to announce that I’ll be taking part in this year’s For the Love of Film blogathon, organised by the Self-Styled Siren, Ferdy on Films and This Island Rod. A celebration of classical cinema, the event hopes to raise money to preserve and restore classic films that would otherwise be lost to the ages. This year, from the 13th May through to the 18th, bloggers from around the world will contribute articles on classic film, hoping to raise awareness and to raise $15,000 to make The White Shadow available to stream live for anybody with internet access. I am honoured to announce that the m0vie blog shall be proudly participating.

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Non-Review Review: Wayne’s World 2

I have to admit I have a soft spot for Wayne’s World 2. It’s not a patch on the original film, but there’s something so charming about Mike Myers’ creations that it’s hard not to enjoy the film, even if the number of misfiring jokes is compounded by a sense of “been there and done that.” More than that, though, the sequel features any number of original and hilarious moments that have managed to bleed out into wider popular culture. While it’s nowhere near as brilliant as the first film, it’s a still a fairly entertaining watch.

There's no need to feel down...

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Non-Review Review: Man on a Ledge

I was at the launch of the Jameson Film Fest last night, so Ciaran bravely jumped in to review Man on a Ledge for me. What a ledge(nd).

Man on a Ledge has a fairly simple premise. Nick Cassidy (Sam Worthington), a former policeman, is pushed to the ledge of a Manhattan hotel in an attempt to clear his name after he was convicted of stealing a 40M$ diamond from David Englander (Ed Harris), a well established real estate investor. Nick demands to talk to officer Lydia Nercer (Elizabeth Banks), who was unsuccessful in her last negotiation with a suicidal cop, in order to form a large crowding the street below. This crowd acts as a distraction while Nicks brother, Joey (Jamie Bell), and Joey’s girlfriend Angie (Genesis Rodriguez) break into one of David Eglander’s buildings, which is located across the road. The plan is to steal the diamond and prove Nick’s innocence.

Exactly what it says on the tin...

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Non-Review Review: Chronicle

Chronicle is a fascinating deconstruction of the American superhero myth – the notion that “with great powers comes great responsibility”, as Stan Lee once wrote (albeit in a more convoluted fashion). Much like Fox’s other major release this week (Martha Marcy May Marlene), it represents an impressive theatrical debut from a young director who hopefully has a long and distinguished future ahead of him. While there are elements of Chronicle that do lack a bit of polish, it’s a compelling and engaging film, one that succeeds at picking apart some of the core assumptions of the superhero genre.

He's got the power!

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Non-Review Review: Martha Marcy May Marlene

The feature debut from director Sean Durkin, Martha Marcy May Marlene, is a shockingly powerful piece of cinema. Deeply unpleasant and uncannily unsettling, Durkin’s debut is occasionally a bit awkwardly paced, but is intensely gripping for most of its runtime. While the film is making waves for a breakout performance from Elizabeth Olsen, it’s John Hawkes who steals the show as the enigmatic and sinister cult leader, known only as Patrick.

A cult film...

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Non-Review Review: Young Adult

Young Adult is a good film, even if it falls short of greatness. It has a wonderfully engaging premise, and a set of truly wonderful leading performances from Patton Oswalt and Charlize Theron. It is also, for most of its runtime, a very compelling and brave examination of a very flawed protagonist. For the first two-thirds of the film, it invites us to follow a truly loathsome lead character, one with very few redeeming features. Unfortunately, this rather gutsy set-up is undermined by a fairly shallow attempt to justify and rationalise her flaws in the movie’s third act.

Homecoming queen?

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Going Against the Grain: Unpopular Movie Opinions…

I quite liked J. Edgar. Don’t get me wrong, I didn’t think it was perfect or anything like that, but I thought it was an interesting piece of cinema that clearly articulated Eastwood’s views on twentieth century America, fitting as part of a tapestry the director had crafted exploring the country’s history. However, I still feel a little uncertain about my opinion. After all, it seems that most critics quite disliked it. I know that anybody writing or discussing film is required to formulate their own opinion, but there is a strange feeling that comes with disagreeing with the majority opinion. While the world wouldn’t be an interesting place if we all agreed, it’s sometimes hard to reconcile the individual’s opinion against that of the critical majority.

Suits you, sir...

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Non-Review Review: Tucker and Dale vs. Evil

Tucker and Dale vs. Evil is probably the funniest movie I’ve seen in a long time. I’ll admit that I probably skew a little bit towards it, what with being a fan of cheesy horror movies and a sucker for a high concept comedy, but Eli Craig’s cinematic debut feature is a masterful comedic deconstruction of the conventional horror film, daring to turn genre conventions on their head and ask: why do we always side with the college students in these sorts of films?

What a waist...

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