Mel Brooks | the m0vie blog

384. Spaceballs (#—)

Posted on July 27, 2024 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Donal Sweeney, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, a special commentary on Mel Brook’s Spaceballs.

A long time ago in a franchise not so far away, the evil Spaceballs travel from planet to planet, harvesting their atmospheres to sustain their own lifestyle. They kidnap Princess Vespa from the Planet Druidia, prompting her father to hire the devilish rogue Lone Star to rescue her. So begins an epic adventure about the power of Schwarz.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: bill pullman, comedy, donal sweeney, imdb, John Candy, live commentary, Mel Brooks, mockery, podcast, rick moranis, satire, spaceballs, spoof, star wars, The 250 | Leave a comment »

238. To Be Or Not To Be – w/ The Movie Palace (#199)

Posted on June 12, 2021 by Darren

Hosted by Andrew Quinn and Darren Mooney, with special guest Carl Sweeney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, a crossover with The Movie Palace, Ernst Lubitsch’s To Be Or Not To Be.

War rages across Europe. Hitler is on the march. In Poland, a troupe of actors find themselves cast as the most unlikely heroes in a daring mission to prevent vital intelligence from making its way to the Nazi authorities. Saving the day will require courage, guile and the ability to hit their marks.

At time of recording, it was ranked 199th on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: american cinema, Billy Wilder, carl sweeney, carole lombard, comedy, ernst lubitsch, europe, fascism, film, genre, history, holocaust, imdb, jack benny, jewish, jewishness, Mel Brooks, Movies, Nazism, podcast, Poland, spoof, the movie palace, to be or not to be, tragedy, world war ii | Leave a comment »

Non-Review Review: Blancanieves

Posted on February 22, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Blancanieves feels like either a film that has its finger firmly on the pop culture zeitgeist, or the victim of the worst timing. It appears less than a year after The Artist won the Best Picture Oscar, becoming a massive critical and popular success. Given the relative dearth of high-profile silent black-and-white films, Blancanieves is somewhat trapped within that shadow. More than that, though, it emerges following a year that demonstrated popular culture’s fixation on the Snow White story. 2012 saw the release of both Mirror Mirror and Snow White & The Huntsman, both reimaginings of the classic tale. Blancanieves is, for its own part, an adaptation of the fairy tale, and it seems like the story was weighing on the popular imagination.

In any other context, Blancanieves would seem like a breath of fresh air. An affectionate homage to the classic era silent cinema, retelling the Snow White story in an unfamiliar setting, there’s a lot to recommend it. Indeed, Blancanieves is easily the best Snow White adaptation of the past year. Unfortunately, it suffers because it’s not quite as charming, witty and well-constructed as The Artist.

Dark materials…

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Filed under: Non-Review Reviews | Tagged: Aki Kaurismäki, art, Blancanieves, Film festival, jameson dublin international film festival, Jameson Dublin International Film Festival 2013, Maribel Verdú, Mel Brooks, Movie, Pablo Berger, Race and ethnicity in the United States Census, Ryan Gosling, silent film, snow white, spain, United States | Leave a comment »

Fresh Perspectives: Classic Directors and Not-so-Classic Films…

Posted on November 15, 2011 by Darren

I caught Mel Brooks’ High Anxiety at the weekend, and I have to admit, I liked it. I’d only heard the movie mentioned in passing from time to time, never discussed with the same reverence as Space Balls or Blazing Saddles or Young Frankenstein, but never with the same bitterness as Dracula: Dead and Loving It. It never really made it on to any conscious “to see” list with any of the great works from iconic directors. However, I really enjoyed it. Don’t get me wrong – I don’t consider it a forgotten classic, or a misunderstood gem overlooked in Brooks’ impressive filmography. It has its flaws and problems, but I enjoyed it. In fact, while I wouldn’t consider on par with some of his stronger films, I dare say that I actually enjoyed it more than some of them, despite the fact I hadn’t heard that much about it. In fact, I can’t help but wonder if I enjoyed it more because I hadn’t heard that much about it.

High expectations can lead to monstrous results...

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Filed under: Movies | Tagged: Annie Hall, arts, DVD, Mel Brooks, Movies, Social Network, the godfather, Woody Allen, Young Frankenstein | 33 Comments »

Non-Review Review: High Anxiety

Posted on November 15, 2011 by Darren

I quite enjoyed High Anxiety, even if it didn’t rank quite as high as some of Brooks’ other efforts. While it still possesses the same wonderful wry moments, High Anxiety is a Mel Brooks film that arguably works better as a farce than as a parody. I suspect that this has something to do with the director’s intended target. While Westerns were ripe for mockery in Blazing Saddles and old horror films were perfectly suited to the sense of humour in Young Frankenstein, it always seemed like Alfred Hitchcock was aware of his own filmmaking style, and seemed to occasionally be gently mocking it himself, rather than playing his heightened suspense with a po-faced sincerity. I think that parody and satire work best when they represent an attack on a target that suffers from a little bit too much self-importance, while Hitchcock’s films are generally a little more self-aware than that.