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Mark Millar’s Run on Ultimate Fantastic Four – Vol. 3 (Hardcover) (Review/Retrospective)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

Mark Millar isn’t quite the tough guy he makes himself out to be. Asked a few years ago about whether the birth of his child might tame some of his more sensationalist tendencies, Millar replied that – if anything – he would be even more motivated to push the envelope in order to demonstrate he hadn’t mellowed. And, in fairness, the years since have seen ideas like Kick-Ass or Wanted or Nemesis, all excessively and ridiculously cynical, graphic and violent. However, I maintain that Millar is a stronger writer when he channels his inner softer romantic – for example, demonstrating the respect he showed Superman in Red Son. Taking over Ultimate Fantastic Four for a year (perhaps on a trial run before writing for regular Fantastic Four), you get a sense that Millar has a genuine affection for these characters and their world – too much to try to make them “darker and edgier”, for example. While his run on Ultimate Fantastic Four isn’t the best thing he’s written, it is sharp and entertaining – and delivered with enough energy that it can’t help but warm the reader’s heart.

Never a drag...

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Mark Waid’s Run on the Fantastic Four – Vol. 1-3 (Hardcover) (Review/Retrospective)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

The Fantastic Four helped launch Marvel to publishing greatness over the 100+ issues drafted by Stan Lee and Jack Kirby, but they’ve seldom occupied a prominent place in their publishing line-up since that dramatic introduction. Sure, the title earned a place as one of the three Ultimate on-going titles (at least before Ultimatum) and sure, there were occasionally hugely successful and iconic runs like that of John Byrne, but these were the exception rather than the rule. The title never really reached a stage like the X-Men, Spider-Man or even Avengers books (in modern Marvel), where they were clearly the title to watch. While I’m not entirely convinced he succeeded, Mark Waid is consciously trying to find a definitive approach to the title. And I respect that.

The adoring public…

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Warren Ellis’ Run on Ultimate Fantastic Four – Vol. 1-2 (Hardcover) (Review/Retrospective)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

I have to admit that I’m quite surprised to see Warren Ellis writing for a year on Ultimate Fantastic Four. You could make the case for Ellis – an avowed technophile – as perhaps the perfect author for a high-concept series like the Fantastic Four. It was Mark Waid who dubbed the family “Imaginauts” – explorers of the imagination, rather than superheroes or guys in costumes. In a way, given how skilfully Ellis handled Tony Stark’s technological transformation in Extremis, you might not have been unreasonable in expecting he’d prove a deft hand with Marvel’s first family. However, reading the twelve issues he wrote for the title, it’s hard to get a sense that Ellis was ever really giving it his all – although he does play around a bit, it never feels like he’s genuinely pushing things to the limit and playing with all the associated toys. In fact, quite a lot of his run feels like it’s playing it safe.

See, the Thing is...

Note: Ellis’ run on the title picks up after the initial six issues written by Brian Michael Bendis and Mark Millar, and so is split over the second half of the first hardcover and the first half of the second. The second hardcover is rounded off by a two-part Think Tank story from Mike Carey (who would take over as regular writer after Mark Millar) and an annual written by Millar. So this review/retrospective just covers the issues written by Ellis.

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Why Does It Matter That Spider-Man is Black?

It’s interesting the odd way that comic books occasionally overlap with the mainstream. Mainly, it appears to be when a death is involved, like the coverage that Ed Brubaker’s The Death of Captain America inspired, or the pop culture impact of Grant Morrison’s Batman R.I.P. (or even Jonathan Hickman’s death of Johnny Storm in The Fantastic Four). These week, we’ve had a minor media storm over something a bit different: a new character taking an established identity. Most mainstream media outlets weren’t interested in the resurrection of Bucky Barnes to replace Steve Rogers, nor Dick Grayson donning the cowl in Batman & Robin. However, there’s been a storm in a teacup brewing over the fact that the new lead in Ultimate Spider-Man is black.

Why on Earth is this such a big deal?

The only colours I associate with Spider-man are blue and red...

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Non-Review Review: Captain America – The First Avenger

Captain America: The First Avenger doesn’t have the heart of X-Men: First Class or the wit of Thor, but the story of Marvel’s star-spangled superhero does have its own charms. Part of it reflects its lead, little Steve Rogers, an appealing and sincere earnestness in dealing with material that it would be too easy to cynically dismiss. The First Avenger embraces the cheesiness at its core, and offers a rather stunning version of THE great American myth. Zack Snyder would do well to play close attention when bringing that other America fable to the big screen.

Patriot games...

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Marvels by Kurt Busiek & Alex Ross (Review)

In celebration of the 4th of July and the release of Captain America: The First Avenger this month, we’re jumping into Marvel’s comic book alternate history and taking a look at the star-spangled avenger every Wednesday this month.

I think it’s safe to say that Marvels, the four issue miniseries from Marvel released during the nineties revolutionised the industry. An attempt to create something akin to a social history of the Marvel Universe from the perspective of “everyman” reporter Phil Sheldon charted the course of history in the fictional Marvel Universe from its humble beginnings in the adventures of the Human Torch and the Submariner through to the death of Gwen Stacey, wondering what ideas and themes could be derived from the evolution of this world populated with the magnificent and the ridiculous, the epic and embarrassing, the big and the small.

Something stuck about this miniseries...

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Captain America Lives! Omnibus (Review)

In celebration of the 4th of July and the release of Captain America: The First Avenger this month, we’re jumping into Marvel’s comic book alternate history and taking a look at the star-spangled avenger every Wednesday this month.

I have to say, I am genuinely quite pleased with how they’ve been chunking up Ed Brubaker’s well-loved run on Captain America for these oversized omnibus editions. Each of the three omnibus editions – Captain America, The Death of Captain America and, now, Captain America Lives! – represent an act in his over-arching story, with the status quo continually changing and shifting. The first set of issues closed with the assassination of Steve Rogers, while the second set saw Bucky Barnes assuming the mantle in Steve’s absence and defeating the Red Skull. So the third collection returns Steve Rogers to the Marvel Universe. Does it make me a bad person if I kinda don’t want the original character back so soon?

Stars and stripes...

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Ultimate Comics: Captain America (Review/Retrospective)

In celebration of the 4th of July and the release of Captain America: The First Avenger later this month, we’re jumping into Marvel’s comic book alternate history and taking a look at the star-spangled avenger every Wednesday this month.

I have a certain fondness for Jason Aaron. He’s a writer who has fantastic success in taking the more hardcore elements of the Marvel Universe and making them work. His Ghost Rider is acclaimed as one of the best runs ever on the character, while his Wolverine is considered some of the greatest work on the title in quite some time. Even his Punisher MAX run has enjoyed considerable success, despite following in the footsteps of the defining Garth Ennis run. So I was initially extremely excited when Aaron was given the job of writing the Ultimate Comics: Captain America miniseries. Unfortunately, I can’t help but feel a little disappointed with his work here. It’s still competent and engaging, but it lacks to sort of energy and focus that one associates with the writer.

Apocalypse... Now?

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The Marvels Project (Review/Retrospective)

hIn celebration of the 4th of July and the release of Captain America: The First Avenger later this month, we’re jumping into Marvel’s comic book alternate history and taking a look at the star-spangled avenger every Wednesday this month.

Truth be told, I’m not sure what to make of The Marvels Project, a miniseries from Ed Brubaker. Brubaker has been doing acclaimed work on Captain America for some years now, so I guess I almost figured that The Marvels Project would be an extension of that – a period piece set during the Second World War which would allow perhaps the definitive Captain America author to put his own stamp on that iconic comic book origin. For better or worse, this isn’t really that story – sure, Steve Rogers’ early career is covered, but as one small section of a much larger puzzle. Far more than the origin of Captain America, The Marvels Project is the origin of the Marvel Universe.

Carryin' the torch...

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I’m A Marvel… or Am I A DC? I Can Never Tell…

I’m about half-a-year behind on this, I must confess. Back in January, the wonderful Katie over at Stories That Really Mattered asked a bunch of bloggers to come out in favour of one of the two major comic book companies, with an open invitation for other members of the community to participate. I’d like to pretend that I took so long to consider my own response because I’m cool (and cool people arrive late to the hottest parties), but the truth is I’ve just been a bit run off my feet these past few months. I was never cool, but I’ve learned to accept that.

However, in this season of blockbuster comic book movies, I thought it might be interesting to reflect on whether I am a bigger fan of Marvel, or DC. Given how close both are to my heart, expect a fair bit of waffle. Okay, a bit morewaffle than usual.

Let's not cloud the issue...

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