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New Escapist Column! On The Enduring Appeal of “Marvel Zombies”…

I published a new In the Frame piece at The Escapist on Friday. With the release of What If… Zombies!?, What If…? finally brought the Marvel Zombies into the larger continuity of the Marvel Cinematic Universe.

The Marvel Zombies are an interesting piece of Marvel Comics lore, essentially imagining a world where all the superheroes have been transformed into flesh-eating monsters. While these sorts of alternate universe stories are common enough in comic books, Marvel Zombies have endured much longer than the zombie movie revival that likely inspired them. So why did the Marvel Zombies catch on? Why do they endure? Why are audiences so compelled by them?

You can read the piece here, or click the picture below.

New Escapist Video! “A Marvelous Escape” – What If – “… Zombies!?”

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series

This week, I join KC Nwosu and Amy Campbell to talk about the fifth episode of What If…?, streaming on Disney+.

Mark Millar’s Run on Ultimate Fantastic Four – Vol. 3 (Hardcover) (Review/Retrospective)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

Mark Millar isn’t quite the tough guy he makes himself out to be. Asked a few years ago about whether the birth of his child might tame some of his more sensationalist tendencies, Millar replied that – if anything – he would be even more motivated to push the envelope in order to demonstrate he hadn’t mellowed. And, in fairness, the years since have seen ideas like Kick-Ass or Wanted or Nemesis, all excessively and ridiculously cynical, graphic and violent. However, I maintain that Millar is a stronger writer when he channels his inner softer romantic – for example, demonstrating the respect he showed Superman in Red Son. Taking over Ultimate Fantastic Four for a year (perhaps on a trial run before writing for regular Fantastic Four), you get a sense that Millar has a genuine affection for these characters and their world – too much to try to make them “darker and edgier”, for example. While his run on Ultimate Fantastic Four isn’t the best thing he’s written, it is sharp and entertaining – and delivered with enough energy that it can’t help but warm the reader’s heart.

Never a drag...

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