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Trailer for Seth McFarlane’s Ted

I know that Seth McFarlane is a bit of a controversial figure, with a lot of commentors quick to criticise his more recent output (and even some of his earlier work). While I don’t like The Cleveland Show, I’ve actually enjoyed the handful of American Dad episodes I’ve seen and I’m still quite fond of Family Guy. And I think that, even if some of his work might be a little unfocused (probably from spreading himself too thin), he’s a prodigious comedic talent. So I am actually quite looking forward to Ted, the actor/writer/singer/songwriter/comedian’s directorial debut. It will star McFarlane as a foul-mouthed teddy bear who has grown up with John, played by Mark Wahlberg, and causes friction in his best buddy’s love life. I’m very curious about this, I must confess.

Non-Review Review: Contraband

Contraband is a thoroughly enjoyable little thriller, albeit one with several significant flaws. Indeed, “thorough” seems to be quite the word to apply to this smuggling caper, as director Baltasar Kormákur and writer Aaron Guzikowski seem intent to wring every possible thrill from the basic plot. While it can lead to some seemingly disjointed tangents, it ensures that there is always something happening, even if it feels like the movie never really develops its core ideas. Still, it’s a solid thriller with a wonderful cast and an interesting enough central premise.

It'll counterfeit right in...

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Non-Review Review: Real Steel

Well, at the very least, Real Steel confirms that Hugh Jackman is a bona fides movie star (as if X-Men Origins: Wolverine didn’t already do that). It proves that the actor can pretty successfully anchor and ground any high concept blockbuster in a charming performance, one that’s engaging and witty enough to allow the audience to overlook some of the movie’s more obvious flaws. Still, despite the rather wonderful special effects and the strong cast, I left Real Steel feeling just a little bit strange, as if I’d been watching a movie that I appreciated, but never really engaged with.

And in the neon orange corner...

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Let’s be Franco: Actors Who Don’t Like the Interview Circuit…

I actually don’t feel strongly one way or the other about James Franco. I do kinda like that he was willing to experiment a bit by appearing as “Franco the performance artist” on General Hospital, respect the fact that he doesn’t care too much about his image to appear in films like Pineapple Express and Your Highness, but I also feel a little frustrated when I see how incredibly bored he seemed hosting the Oscars. There’s been a bit of on-line discussion about Franco’s public persona, and his perceived lack of interest in his own projects or in giving interviews, to the point where the actor has found himself being compared to Harrison Ford, one of the more notoriously difficult celebrity interviewees. However, despite all that, I find myself having quite a bit of sympathy for actors clearly not comfortable with dealing with the press circuit.

Going to great lengths to get away from it all...

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Metro Film Fight Club: The Fighter

The wonderful folks over at Ross v. Ross asked me to contribute a very special edition of Film Fight Club, going over the ten Best Picture nominees. I stood in the corner for The Fighter, Marky Mark and what is left of Christian Bale. You can pick up a copy in the morning, or check it out here.

I got this guy in my corner...

UPDATE: Guess what just got put on the IMDb Hitlist? If you guessed Robert Rodriguez’s shoe ad, you guessed correctly, but that’s beside the point. Yep, we’re up there. Thanks to everyone for inviting me to take part, and it was a pleasure to cover the race with a bunch as witty, clever and insightful as that selection.

Is There Method to the Madness: Christian Bale’s Weight & Method Acting

Christian Bale is losing a massive amount of weight again for his role in the upcoming Concrete Island. It’s rather topical, given that the actor took time out of an interview to lambaste those who would deride his massive amount of weight loss for The Fighter:

‘To be honest, I find it laughable that it’s considered to be some f—ing gimmick — it’s so patronizing. For God’s sake, do people not understand what a pain it is to do? It’s as though it’s some comment about, ‘Oh it’s easy for him, because he’s done it a bunch of times.’ It’s not easy, it’s not fun — it’s horrible.”

In fairness, I think Bale misses the general thrust of the argument when he makes the (entirely fair) point that it’s a very difficult process. I don’t think anybody will argue that such control over his own body mass is easy (as, if it were, I’d probably choose to be the epitome of physical fitness, but it doesn’t work that way). I think the general question is whether such a large fluctuation in weight adds a benefit to his roles that is worth the physical strain. Is there a gain for the pain, so to speak?

What's the skinny?

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Non-Review Review: The Fighter

The Fighter comes from a long line of Oscar-friendly boxing films. From Rocky through to The Cinderella Man to Raging Bull and beyond, filmmakers seem to see something poetic in the boxer. A figure in the ring, usually from a disadvantaged background, fighting because it’s the only thing that they know what to do. There’s a noble simplicity to the sport, a brutal honest that one seldom finds in football (American or otherwise), basketball or baseball. There’s always something touching about watching a protagonist beat the odds, and boxing films thrive on the literal nature of their conflict. I can’t say that The Fighter adds anything new to the long established “Oscar boxing film”, but it does have one advantage: the sheer volume of talent in its corner.

How does it measure up?

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Non-Review Review: The Other Guys

Have you ever watched Lethal Weapon and wondered what the cops in that precinct who aren’t Riggs and Murtagh get up to? Or watched Die Hard and wondered what John McClane’s deskmate might have been like? Well then, The Other Guys is the movie for you.

Top of the cops?

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Non-Review Review: The Lovely Bones

There are somethings you can’t put a positive spin on. The rape and murder of a fourteen-year-old girl is one of those things.

A little too lovely...

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Non-Review Review: The Happening

Something’s happening… And it’s happening all over the East Coast… And it’s just happening to people without a reason… And… oh, that’s what’s happening? What the hell was M. Night Shyamalan smoking? Probably some killer grass.

It's a car crash of a movie...

Note: This review contains spoilers. But I’ll flag them beforehand. Still – you have been warned. Oh, and – if you’re looking for a recommendation – the only appeal of the film is in the ‘so bad it’s good’ category. It’s the movie that Lesbian Vampire Killers wishes it were.

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