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The House at the Abbey Theatre (Review)

Tom Murphy’s The House is big play with some clever ideas, but not quite enough to fill its somewhat extended run time. In fact, the first half of the play, as Murphy tries to settle into his groove, seems to run nearly forever – to the point where, sitting in my seat, I was starting to wonder if the actors had simply forgotten there was supposed to be an intermission. The second half, however, is much stronger and much more tightly focused. While the production itself is nothing less than impressive, one wonders if an editor might have been well-suited to take a hacksaw to Murphy’s script, or perhaps director Annabelle Comyn might have cut down on the staring into middle-distance.

House that now?

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See The Dictator First – The London Premiere Streaming Live to Selected Irish Cinemas

Read our review of The Dictator.

The lovely folks at Paramount sent around a release about the upcoming Sacha Baron Cohen comedy The Dictator, which is being released on May 16th. They are streaming the London premiere live to selected Irish cinemas, so if you are in Dublin, Galway, Cork or Belfast and want to get a sneak peak, the details (and links) are below:

For one night only, before the release of The Dictator hits cinemas ( May 16)  4 cinemas in Ireland will host special screenings with a live link  in to  the World Premiere screening in London at the Royal Festival,  The Eye Cinema in Galway, The Odyssey Cinema in Belfast, The Omniplex in Cork –  and limited number of tickets to  the Irish Premiere Screening at the Savoy. Doors open at 6pm and  there will be a live link in till 7.15pm where you can experience the red carpet and presenter Alex Zane will host  and then see the film first at this special event. For more details and to book tickets please check out their respective  websites  and box office

I’ve already nipped down to the Savoy and picked up a ticket. At the very least, it looks to be one of the more interesting blockbuster releases this summer.

Please note that the trailer below is kinda spoiler-y.

Non-Review Review: Seamonsters

Seamonsters makes for an interesting feature film directorial debut from Julian Kerridge, Kerridge has a long and distinguished filmography as an actor, and has directed a pair of short films before this, but Seamonsters stands out as a fascinating first feature-length effort. Working from a script by Kerridge and co-writer Martin Sadofsky, the film offers an exploration of teenage life in a quiet seaside town. While Kerridge does seem to lose a grip on the plot during the second half, Seamonsters benefits from a wonderful young cast, a mostly light approach to its subject matter and an endearing almost ethereal atmosphere, perfectly capturing the idleness of teenage life.

All at sea...

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My Heart Will Go On: Titanic & We Need to Talk About Calvert…

It’s funny the things we pick up on after seeing a movie a few times. I had the pleasure of attending a preview of Titanic 3D last week, and Cameron’s film still holds up as an epic romance in a style that Hollywood simply doesn’t do anymore. It still has its problems, but it is one hell of a cinematic accomplishment. Still, as I was watching the film, my attention may have wandered a bit, and I found myself thinking about things that were unseen, as opposed to those moments Cameron had explicitly shown. Specifically, I thought about Rose Dawson’s life after the sinking of the ocean liner but before her trip to the salvage crew. In fact, I thought quite a bit about Calvert. Who is Calvert, you might ask? Calvert is her husband, the father to her children and the grandfather to her granddaughter, who is entirely absent from the film as we pay homage to the love story between Jack and Rose.

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Non-Review Review: Titanic (3D)

James Cameron’s Titanic is still a breath-taking production, even sixteen years after the fact. Sure, its huge budget and even bigger box office returns, coupled with its enormous pop culture impact, have all combined to make it a bit of a target for movie critics in the years following its initial release. To be honest, while I wouldn’t rank it as anywhere near Cameron’s finest accomplishment, I’ve always admired it for what it was: a romantic historical epic, perhaps the most recent film like that which Hollywood has produced. Even a decade and a half later, Titanic remains one hell of spectacle and a well-constructed piece of cinema, with Cameron displaying a mastery of form and an innate skill for story-telling. Couple with the best post-conversion 3D that I have ever seen, there’s no reason for anybody with a genuine interest in the film to stay away from the big re-release.

Her heart will... go on, finish it...

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Done in 60 Seconds: An Interview with Andrew Norton

We might not be the best team in the world at soccer, we might not be the favourites to take home a record-shattering amount of gold medals in London, but the Irish have always had a bit of a cultural charm. This year, we were lucky enough to be represented at the final of the Jameson Empire Done in 60 Seconds competition, with Andrew Norton’s condensed spoof of the iconic District 9 landing a place among 29 international contenders on a shortlist including entries from Kazakhstan, Russia, Latvia, Israel, Sweden and the Ukraine, among others. I had the pleasure of chatting very briefly about putting the sixty-second clip together, breaking into short-film making and the perils of looking like a security guard on the red carpet.

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Moses Jones (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

The thing about Moses Jones is that it, quite simply, blaxploitation. I don’t mean that’s a comedy or a wry deconstruction, the BBC equivalent of Black Dynamite or Undercover Brother. It’s a modern example of blaxploitation rather than a post-modern examination. It offers serious issue-based drama, playing its subject matter with complete seriousness and utter respect. For most of its runtime, it actually works quite well as an attempt to pull the conventions of blaxploitation narratives into the twenty-first century and transport them from the mean American streets to inner-city London. While the ending falls apart under its own weight, and a desire to wrap up absolutely everything in a neat little bow, there’s quite a bit to like about this BBC detective show.

Holy Moses...

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Equus at the Mill, Dundrum (Review)

London Classic Theatre have brought Sir Peter Shaffer’s classic 1973 play to the Mill Theatre in Dundrum, and I had the pleasure of attending on Friday night. I must admit that it was my first time to see Equus, although I couldn’t help but be aware of the headline-grabbing aspects of the play.  I wonder exactly how much work Daniel Radcliffe has done to popularise the play, using a West End run as an attempt to divorce himself from his most iconic role, and the media revelling at the details of the show. While I was impressed with what London Classic Theatrebrought to the stage, I couldn’t help but be disappointed by the play itself.

Easy rider...

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Non-Review Review: Black Gold

This film was seen as part of the Jameson Dublin International Film Festival 2012.

The problem at the heart of Black Gold is that its politics are too simple to fit within the confines of the epic sand-swept adventure that it sets out to tell. It’s hard to construct a standard epic when there’s no clear delineation between the forces of good and evil. While the stylish direction, larger-than-life performances and James Horner’s classic score may point to an old-fashioned adventure film, the fact we’re asked to sympathise with a protagonist burning men alive in tanks or engaging in terrorist tactics creates a surreal dissonance that the movie never quite gets past.

Riders in the sandstorm...

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Non-Review Review: The Best Exotic Marigold Hotel

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Coming from director John Madden, The Best Exotic Marigold Hotel is fairly straight-forward in what it offers audiences. Unlike Dev Patel’s entrepreneurial “Sonny”, who lures foreign tourists to his Indian hotel using a carefully photoshopped image, there’s no sense that the movie is in any way misleading. It’s a feel-good travel comedy-drama that throws together a wealth of experienced British talent in a story about embracing life and change and various other wonderful aspects of existence. It’s always thrilling to see these sorts of actors afforded the opportunity to shine, and a huge amount of the appeal of The Best Exotic Marigold Hotel is in watching its veteran thespians just cut loose and have a bit of fun.

Lounging around...

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