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My Heart Will Go On: Titanic & We Need to Talk About Calvert…

It’s funny the things we pick up on after seeing a movie a few times. I had the pleasure of attending a preview of Titanic 3D last week, and Cameron’s film still holds up as an epic romance in a style that Hollywood simply doesn’t do anymore. It still has its problems, but it is one hell of a cinematic accomplishment. Still, as I was watching the film, my attention may have wandered a bit, and I found myself thinking about things that were unseen, as opposed to those moments Cameron had explicitly shown. Specifically, I thought about Rose Dawson’s life after the sinking of the ocean liner but before her trip to the salvage crew. In fact, I thought quite a bit about Calvert. Who is Calvert, you might ask? Calvert is her husband, the father to her children and the grandfather to her granddaughter, who is entirely absent from the film as we pay homage to the love story between Jack and Rose.

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The Very British Mr. Bond: The Habits of Empire & The American Fixation on Bond

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

James Bond is a peculiarly British phenomenon. He’s a charmingly debonaire socialite with great taste in women and suits, but also a coldly professional killer. I’ve had debates on him where I’ve classified him as a gentleman, a sociopath, a sexist, a piece of nostalgia in a tuxedo, one of the last true cinematic heroes and the very distillation of cinematic class – sometimes within the context of the same argument. Why is Bond so fascinating? What makes him so gripping? Is it perhaps the fact that Bond is, in all his personas, so incredibly British?

Is he mostly armless?

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