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Moses Jones (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

The thing about Moses Jones is that it, quite simply, blaxploitation. I don’t mean that’s a comedy or a wry deconstruction, the BBC equivalent of Black Dynamite or Undercover Brother. It’s a modern example of blaxploitation rather than a post-modern examination. It offers serious issue-based drama, playing its subject matter with complete seriousness and utter respect. For most of its runtime, it actually works quite well as an attempt to pull the conventions of blaxploitation narratives into the twenty-first century and transport them from the mean American streets to inner-city London. While the ending falls apart under its own weight, and a desire to wrap up absolutely everything in a neat little bow, there’s quite a bit to like about this BBC detective show.

Holy Moses...

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Luther: Series 1 (Review)

You know, when I wonder why Irish television can’t produce quality drama, I am not looking across the pond towards our American cousins. I realise the sheer scale of the economy and the entertainment industry over there means that any possible point of comparison is just absurd. While the Great Britain is considerably larger, I look at the BBC and wonder why Irish television can’t even be nearly as good as that. After all, we have produced more than our fair share of Nobel laureates for literature, produce great artists, writers and actors in numbers quite disproportionate to our side. And I can’t point to a single Irish television show that is any way iconic – but perhaps that’s too much to expect.

Why can’t we even have something half as good as Luther?

I think he just copped it...

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