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Non-Review Review: People Like Us

People Like Us has an endearingly earnest premise and a solid enough cast, but it’s let down by clumsy writing and somewhat awkward direction. People Like Us is never sure whether it’s only getting started or nearing an emotional resolution, to the point where it seems like there’s a string of false endings in this under-two-hour feature. Chris Pine and Elizabeth Banks make for two endearing leads, but they find themselves struggling against an overly melodramatic script and direction that never seems to entirely trust the cast.

A close shave…

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Non-Review Review: Cowboys & Aliens

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

It’s a testament to Jon Favreau’s skills as a filmmaker that Cowboys & Aliens ends up as a watchable, if entirely forgettable, addition to an ever-growing summer schedule. The movie is plagued by fairly fundamental problems, from a miscast lead to a failure to follow through on an interesting premise, right down to being one of the more blandly predictable blockbusters in quite some time. Favreau plays the best hand he can with the cards he has been dealt, offering a passable imitation of Steven Spielberg, but the problem is that none of it adds up to a win.

Not quite a blast...

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Farewell to Nerds: The Big Studios & Comic Con…

Last year, around this time, I was discussing how great it was to be a nerd or a geek. Hell, Comic Con in San Diego seemed like an obligatory stop-off point for the major studios promoting their latest blockbusters to an overly geeky crowd, debuting the trailer for Tron: Legacy or announcing the cast of The Avengers, not to mention footage and panels based around any number of big-screen blockbusters designed to cater towards the geeks and nerds in the movie-going audience. So it feels like a rather dramatic shift that very few of the major movie studios appear to be planning much for the iconic (or, at least, briefly iconic) Hall H in San Diego this year.

Does this mean that the era of the geek is over?

Will Stars stop Trekking to Hall H?

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Iron Man 3: Tony Stark to Face Real World Baddies…

You know what? I was sad to hear that Jon Favreau wasn’t coming back to direct Iron Man 3, especially after Marvel so thoroughly mucked with his vision of Iron Man 2 – turning the second act into an extended infomercial for The Avengers. However, I was kinda glad to see Shane Black come on board, if only because his last collaboration with Robert Downey Jr. (Kiss Kiss Bang Bang) was pure gold. Anyway, Black – as a screenwriter – will be writing the new Iron Man film, and he’s promising a Tom Clancy plot and “real world villains.” So what exactly does that mean?

The other "Man of Steel" (well, gold-titanium alloy)...

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Iron Man: Extremis (Review/Retrospective)

John Pillinger says the Iron Man suit is a military application. I told him he was wrong. I’m trying to decide if I was lying. I’ve never sold any element of the Iron Man to the military. It’s used for extraordinary rescue and response situations. Iron Man saves lives. Iron Man used to represent the future.

– Tony Stark considers his legacy

What’s the Iron Man for, Tony?

– Sal cuts straight to the heart of the matter

The more Iron Man stories I read – and the more movies I see as well – it appears that Tony Stark as a lost individual isn’t a metaphor, it’s more of a metaphysical observation. He’s typically well written and carefully considered (of course, there are glaring exceptions), but he rarely seems to find himself involved in any particularly strong narratives. His appeal is centred entirely on the character’s charm, charisma and pride of place as one of fiction’s most famous and prestigious futurists. I don’t mean this as a slight on Extremis by any means – in fact, Warren Ellis’ revised mission statement for the true man of tomorrow may be the best Iron Man story I’ve read.

What is Tony Stark made of?

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The Mandarin Candidate: Legacies From A By-Gone Era

Jon Favreau has effectively confirmed that “the Mandarin” will be the villain for Iron Man 3. Of course, the fact that this particular opponent has been the character’s arch nemesis means that we would have expected him on celluloid long before this – most superhero movies take great joy in using the archnemesis for the original film, after all (Batman Begins managed to just about do without the Joker, but arguably only because he’d already done Batman). Part of the reason it may have taken so long to transition this particular character to the big screen may have something to do with his origins: essentially the character is a yellow peril villain (as the name implies), who was arguably long out of date when he was introduced, let alone now. Favreau has, diplomatically, acknowledged that the character is going to take great care to get ready for a film role, and it got us thinking: how do we deal with long term and iconic characters who may reflect concepts that we aren’t particularly comfortable with right now?

Yep, this doesn't conjure up any unfortunate implications at all...

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Non-Review Review: Iron Man 2

Legacy. It’s all about legacy. What we leave for our children and what we inherit from our parents. Sometimes it’s bitterness and hatred, sometimes it’s more than we think. Iron Man as a concept is inherently linked to the Cold War and American foreign policy, so it’s a fitting theme for the sequel to tackle. Fathers and sons dominate the film, as does the simple and haunting fact that the now is shaped by the then. Some of us get to change the world, some of us simply leave big smoking craters behind us. Even the bad guy, a Russian, consciously evokes conflicts fading from memory that shaped our modern world.

Sometimes you just need to slow down and take a break...

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Iron Man 3 Before The Avengers?

A geek bombshell has landed. Apparently Iron Man 3 may be arriving in 2012. Not that it’s coming at us out of nowhere. Iron Man and Iron Man 2 were two years apart. There’s no reason to believe the same wouldn’t be true of Iron Man 2 and Iron Man 3. Also, The Avengers was the only major Marvel film planned for 2012… well, before the Spider-Man reboot got moved back to 2012, but that’s a co-production with Sony. Marvel have strived to get a bit of momentum going – Iron Man and The Incredible Hulk were released in 2008 as a double-act and Thor and Captain America will have the same partnership next year. The Avengers is big enough to open by itself, but it seemed likely that Marvel would have some other support feature designed to lead into it a month or two before release (in case audiences forgot about Captain America: The First Avenger in the year since its release). I like the idea of Iron Man3 in 2012.

Looks like Tony might not be taking any well-deserved time off...

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Is Iron Man 2 a thematic successor to The Dark Knight?

As anyone who reads this blog is probably aware, we’re still eagerly awaiting news of any sort of announcement about Batman 3, the sequel to Christopher Nolan’s The Dark Knight that was rumoured to arrive this January. Be it that he was leaving or staying or what have you. Still, part of me wonders if there might be quite a significant amount of stuff in Iron Man 2 for those looking for a further exploration of the themes in the 2008 blockbuster. With recent discussions about the project and the first trailer, I can’t help but get the fantastic feeling that the second Iron Man movie may pick up and explore some of the wonderful threads which Nolan’s dark epic set up. That’s not to say that there isn’t reason to get excited for the film in it’s own right – Robert Downey Jnr! Sam Rockwell! Mickey Rourke! Jon Favreau! – but it’ll be interesting to see if the themes overlap or echo with the film’s 2008 summer rival as well.


Who says darker and edgier is the way forward?

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Is It Ever Appropriate to Slam a Movie Because of a Star’s Appearance?

Hmmm… Okay, maybe this isn’t entirely a fair example, but the thought occurred to me while reading the Guardian’s review of Couples’ Retreat and the reviewer spent his first paragraph critising Vince Vaugn’s weight. I wish I were kidding, but here’s the quote:

Favreau was always on the chunky side, to be fair, and he’s been doing fine behind the camera with the Iron Man movies, but back in Swingers, Vaughn had the requisite skinniness to persuade us he really was a half-starved young Hollywood actor. Now he has boy boobs, love handles and back fat. And all this (a lot of this) in a movie that requires him to wear a swimsuit most of the time.

The review then goes on to make a somewhat valid criticism of his current career choices (while kicking Jennifer Aniston, which is just mean – if a little bit justified), but speaks little about the offending movie in general. I know that it isn’t really fair to complain about a review criticising a guy’s appearance – I acknowledge that woman are probably more affected by our image-conscious society – but is it ever really fair to slam a movie based upon the lead actor’s appearance?

Phat or fat?

Phat or fat?

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