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Star Trek: The Next Generation – The Best of Both Worlds, Part II (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Best of Both Worlds, Part II was always going to feel like a bit of an anti-climax. After all, the show had spent so much time building up the Borg as this implacable and undefeatable adversary. In Q Who?, it had taken the interference of a god-like entity to allow the Enterprise a chance to escape their unstoppable foe. In The Best of Both Worlds, Part I, the Enterprise had been able to run for a while – but the Borg eventually caught up with them and took what they wanted.

Since The Best of Both Worlds, Part II was never going to end with the Borg destroying Earth, and since Star Trek: The Next Generation was never going to be a show willing to exact a dramatic cost high enough to justify victory against such overwhelming odds, the resolution to the two-parter was never going to live up to the heightened drama and impossible stakes suggested by The Best of Both Worlds, Part I.

Still, the second part of the adventure is charming and exciting enough that it never completely falls apart. While the resolution to the crisis does seem a little trite and convenient, The Best of Both Worlds hangs together as the show’s best two-part adventure until at least Chain of Command in the sixth season.

A Number One fan?

A Number One fan?

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Doctor Who: Born Again (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Born Again originally aired in 2005.

Can you change back?

Do you want me to?

Yeah.

Oh.

Can you?

No.

– Rose and Doctor

Davies revived Doctor Who devoted considerable time to reintroducing the core concepts of the series. Unlike The TV Movie, Davies saw no need to over-complicate Rose by featuring the regeneration from the previous Doctor to the current lead. The Ninth Doctor was introduced as-is to an entire generation of new viewers. Only a quick examination of his features in Rose seemed to hint that he was getting used to his new face.

The prospect of “regeneration” hadn’t been flagged too heavily by the time The Parting of the Ways aired. This makes sense. For one thing, there’s a sense that Eccleston’s departure was not something that the production team had accounted for – which makes it even stranger that the whole first season seems to be building towards his redemption in death. For another thing, it’s very hard to drop “by the way, I change into somebody else when I die” casually into conversation.

So the regeneration at the end of The Parting of the Ways was kind of a big deal, and a huge moment for the series. After all, the classic Doctor Who had enjoyed more than three seasons with its lead character before having to swap him out – Hartnell being the last member of the original ensemble to depart. And, given the rules of television narratives in 2005, there was no way that the show’s first regeneration wasn’t going to be a pretty significant event.

Somebody needs a Doctor...

Somebody needs a Doctor…

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Non-Review Review: The Rite

The Rite has an interesting premise and a somewhat novel approach to its material within the first half. On the other hand, it seems to squander that potential with a disappointingly conventional second half, one falls prey to the clichés and conventions of exorcism movies that we’ve already seen replicated elsewhere countless times before. It starts out as an interesting exploration of religious faith, but it ends up feeling like a waste of some good ideas.

Don't cross him...

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Non-Review Review: The Devil Inside

The Devil Inside is a cocktail of fascination, frustration and infuriation. Unfortunately it’s not a balanced one – though there’s just enough interesting ingredients to pique our curiosity, but the delivery is so slapdash and haphazard that these intriguing elements are swiftly brushed aside. The Devil Inside confuses provocative drama with shallow sensationalism, but the biggest flaw with the film is that – quite simply – it doesn’t work. I don’t mean that it doesn’t work as a film. The problem is more fundamental than that. I mean that it doesn’t work as a story.

No need to get bent out of shape...

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Dude, Where’s My Midnight in Paris Blu Ray?

I own a blu ray player. I still like to buy my blu ray and DVDs, even if I accept that Netflix might render that a thing of the past. However, I can’t help but feel that some of the distributors are shooting themselves in the foot in how they are handling the medium. I mean, Criterion have suddenly decided to region-lock their blu ray releases, making the highest-quality home media releases less accessible than the DVD editions of the same films. Last week, I went to pick up a copy of Woody Allen’s Midnight in Paris from HMV, making my weekly trip and, while the DVD was present, there was no blu ray to be found.

A long, dark midnight of the format...

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Non-Review Review: Three Colours Blue

This week we’re taking a look at Krzysztof Kieślowski’s celebrated “Three Colours” Trilogy. We’ll be publishing reviews on Tuesday, Wednesday and Thursday, so check back and sound off.

Krzysztof Kieślowski’s Three Colours Trilogy is generally regarded as one of the landmarks of European cinema, one of the great cinematic accomplishments of the past few decades. I find it hard to disagree. A cynical and bittersweet (and, occasionally, just bitter) look at the ideals of the French Revolution (liberty, equality and fraternity) filtered through the three colours of the French flag, Kieślowski’s three films are powerful studies of human nature, exploring the way that we react and interact in this strange and surreal world that we share with everybody else.

Deep...

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Battlestar Galactica: Season 2

This isn’t about Sharon. It’s about something much bigger than that. It’s about the long term survival of the Fleet. It’s about the way we conduct ourselves in all of this.

Laura Roslin, Sacrifice

You know, when we fought the Cylons, we did it to save ourselves from extinction. But we never answered the question, why? Why are we as a people worth saving? We still commit murder because of greed, spite, jealousy. And we still visit all of our sins upon our children. We refuse to accept the responsibility for anything that we’ve done.

– Commander Bill Adama, Miniseries

This year, mankind is its own worst enemy. The remnants of humanity are driven to the bring of civil war not once, but twice. The series lands in its sophmore season running, though it seems to run into a bit of bother balancing itself over a full year. That isn’t to say that it isn’t still spectacular television – far from it – but that there are moments here when the series appears to lose focus (if only for an episode or two at a time). Still, it remains one of the most interesting and dynamic television dramas ever conceived.

bsgstorm

It's some kinda storm out there...

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