This week we’re taking a look at Krzysztof Kieślowski’s celebrated “Three Colours” Trilogy. We’ll be publishing reviews on Tuesday, Wednesday and Thursday, so check back and sound off.
Three Colours Red has been described as “the best film among equals”, and it’s a position I can’t quite bring myself to disagree with. While I adore the beautiful synergy between the colour, the imagery and the mood of Three Colours Blue, I think that the final film in the trilogy perfectly captures the essence of what director Krzysztof Kieślowski seems to have been trying to accomplish. Three Colours Red beautifully ties together his central themes about the way that people relate to and interact with each other. It’s a film that works well be itself, viewed in isolation, but it’s also a fitting end to a piece of cinematic history. And, like so much of Kieślowski’s work, it’s dense without being oblique and elegant without being exclusive. For all we talk about the depth of meaning in the work, it’s just an astoundingly well-made piece of cinema.
A model citizen?
Filed under: Non-Review Reviews | Tagged: 3 Colours Red, action, art, Color, film, games, Irène Jacob, Kieślowski, Krzysztof Kieślowski, Peter Bradshaw, Secondary color, The Three Colors Trilogy, Three Colors: Blue, Three Colors: White, three colours blue, three colours red, trois couleurs rouge, Valentine, video games, voyeurism | Leave a comment »
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