Advertisements
    Advertisements
  • Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

  • Advertisements

Doctor Who: Born Again (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Born Again originally aired in 2005.

Can you change back?

Do you want me to?

Yeah.

Oh.

Can you?

No.

– Rose and Doctor

Davies revived Doctor Who devoted considerable time to reintroducing the core concepts of the series. Unlike The TV Movie, Davies saw no need to over-complicate Rose by featuring the regeneration from the previous Doctor to the current lead. The Ninth Doctor was introduced as-is to an entire generation of new viewers. Only a quick examination of his features in Rose seemed to hint that he was getting used to his new face.

The prospect of “regeneration” hadn’t been flagged too heavily by the time The Parting of the Ways aired. This makes sense. For one thing, there’s a sense that Eccleston’s departure was not something that the production team had accounted for – which makes it even stranger that the whole first season seems to be building towards his redemption in death. For another thing, it’s very hard to drop “by the way, I change into somebody else when I die” casually into conversation.

So the regeneration at the end of The Parting of the Ways was kind of a big deal, and a huge moment for the series. After all, the classic Doctor Who had enjoyed more than three seasons with its lead character before having to swap him out – Hartnell being the last member of the original ensemble to depart. And, given the rules of television narratives in 2005, there was no way that the show’s first regeneration wasn’t going to be a pretty significant event.

Somebody needs a Doctor...

Somebody needs a Doctor…

Continue reading

Advertisements

Doctor Who: Rose (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Rose originally aired in 2005.

So, I’m going to go up there and blow them up, and I might well die in the process, but don’t worry about me. No, you go home. Go on. Go and have your lovely beans on toast. Don’t tell anyone about this, because if you do, you’ll get them killed.

(beat)

I’m the Doctor, by the way. What’s your name?

Rose.

Nice to meet you, Rose. Run for your life!

– the Doctor and Rose

It’s amazing to think of the pressure weighing down on Rose. Sure, Doctor Who has gone from strength-to-strength since its revival in 2005, but there was a time when its resurrection seemed unlikely, to say the least. Although fans had kept the show alive in various media, it must have seemed highly unlikely that they show would ever return to television, let alone as a massive success. Producer Russell T. Davies might have seemed like an unlikely choice. Although he had written some spin-off material, like other British television writers including Steven Moffat and Paul Cornell, Davies was best known for producing shows like Queer as Folk and The Second Coming. Nevertheless, he had been campaigning to bring the show back for quite some time, notably in 1998 and 2002, before finally bringing the revived show to screen in late March 2005.

Although the edges are still a bit rough in places, Rose serves as an effective introduction to the Russell T. Davies, and contains the seeds of what would become the show’s success. Borrowing (and reinventing) heavily from perhaps the last seismic re-tooling of the series in Spearhead from Space, the show presents a version of Doctor Who for a new generation.

Run!

Run!

Continue reading