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Non-Review Review: I Lost My Body

I Lost My Body is a stunning piece of animation.

In a Parisien hospital, a dismembered hand comes to life. Distracted and disoriented by memories of its previous life, it scrambles out of the fridge and out into the world. Making a daring escape from the inevitable fate of medical waste, this detached hand embarks on a journey across Paris. This adventure takes the body part from the roofs to the underground, through the gutters and into the air vents. It confronts rats and pigeons, but also encounters rare beauty and intimate insight. All of this is part of a primal urge to return to the body from which it was so cruelly severed.

Taking the matter in hand…

It is certainly an interesting and intriguing premise, and I Lost My Body lives up to the absurdity of that set-up. Jérémy Clapin’s animated film runs a tight eighty-one minutes, which means that it never overstays its welcome and that the central hook never has the opportunity to become distracting. I Lost My Body uses this absurd premise as a prism through which it might explore ideas of human connection, of the unlikely ways in which lives intersect and collide within the modern world. Some of its choices are inelegant and clumsy, but it never lacks ambition or insight.

I Lost My Body is a moving tale of what it’s like to feel truly disconnected.

Naofel me.

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Iron Fist – The Blessing of Many Fractures (Review)

As “The Last Defender”, Iron Fist bears the burden of tying most heavily into The Defenders.

This is not a surprise. This has been a large part of the Marvel Studios model, with productions teasing concepts and characters that will not arrive for quite some time. By the time that Thanos moves against Earth’s Mightiest Heroes in Avengers: Infinity War, it will have been more than half a decade since the stinger at the end of The Avengers teased his looming threat. Even since Samuel L. Jackson appeared at the end of Iron Man and Robert Downey Jr. dropped by the stinger in The Incredible Hulk, these teases have been a way of doing business.

Glowing yellow peril.

As such, it makes sense that the company would put a lot of groundwork into setting up the summer’s big-ticket crossover between the four different Marvel Netflix shows. Jessica Jones and Luke Cage had largely been their own thing, while Daredevil had devoted a considerable amount of time and effort to introducing concepts and ideas that would pay off down the line. However, as the last of the shows to be released before the big summer event series, Iron Fist carries a heavier burden than any of its predecessors.

Unfortunately, Marvel and Netflix seem to have wholeheartedly committed to the idea of the Hand as the enemy of choice for this eight-part crossover miniseries. And so Iron Fist gets burdened with the Hand.

“Time for snooping.”

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