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Non-Review Review: I Lost My Body

I Lost My Body is a stunning piece of animation.

In a Parisien hospital, a dismembered hand comes to life. Distracted and disoriented by memories of its previous life, it scrambles out of the fridge and out into the world. Making a daring escape from the inevitable fate of medical waste, this detached hand embarks on a journey across Paris. This adventure takes the body part from the roofs to the underground, through the gutters and into the air vents. It confronts rats and pigeons, but also encounters rare beauty and intimate insight. All of this is part of a primal urge to return to the body from which it was so cruelly severed.

Taking the matter in hand…

It is certainly an interesting and intriguing premise, and I Lost My Body lives up to the absurdity of that set-up. Jérémy Clapin’s animated film runs a tight eighty-one minutes, which means that it never overstays its welcome and that the central hook never has the opportunity to become distracting. I Lost My Body uses this absurd premise as a prism through which it might explore ideas of human connection, of the unlikely ways in which lives intersect and collide within the modern world. Some of its choices are inelegant and clumsy, but it never lacks ambition or insight.

I Lost My Body is a moving tale of what it’s like to feel truly disconnected.

Naofel me.

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Jessica Jones – AKA Smile (Review)

So Jessica Jones comes to an end.

AKA Smile accomplishes quite a lot, ably assisted by the narrative streamlining that took place from AKA 1,000 Cuts, AKA I’ve Got the Blues and AKA Take a Bloody Number. Indeed, many of the character’s find resolutions unfold in those episodes, leaving AKA Smile free to concentrate on wrapping up the arc. Jeri Hogarth’s arc is complete. Will Simpson has been handled. Robyn has found some measure of peace. Although Jessica and Luke spend a considerable portion of AKA Smile together, they do not actually have a conversation.

jessicajones-smile22a

As a result, AKA Smile has room to breath. There is time to focus on the conflict between Jessica and Kilgrave, to ruminate on the bond between Jessica and Trish. There is even time for a minor crossover from Daredevil, with Rosario Dawson dropping by in the character of Claire Temple. Oddly enough, there is even a slight sense of padding to all this. Kilgrave’s confrontation with Jessica in the hospital feels somewhat unnecessary, given their confrontation by proxy at the climax of AKA Take a Bloody Number and in person at the climax of AKA Smile.

At the same time, there is an endearing confidence to AKA Smile that ensure the finalé is never tied down or overwhelmed by the narrative weight that Jessica Jones has amassed over its thirteen episode season.

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