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Jessica Jones – AKA Smile (Review)

So Jessica Jones comes to an end.

AKA Smile accomplishes quite a lot, ably assisted by the narrative streamlining that took place from AKA 1,000 Cuts, AKA I’ve Got the Blues and AKA Take a Bloody Number. Indeed, many of the character’s find resolutions unfold in those episodes, leaving AKA Smile free to concentrate on wrapping up the arc. Jeri Hogarth’s arc is complete. Will Simpson has been handled. Robyn has found some measure of peace. Although Jessica and Luke spend a considerable portion of AKA Smile together, they do not actually have a conversation.

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As a result, AKA Smile has room to breath. There is time to focus on the conflict between Jessica and Kilgrave, to ruminate on the bond between Jessica and Trish. There is even time for a minor crossover from Daredevil, with Rosario Dawson dropping by in the character of Claire Temple. Oddly enough, there is even a slight sense of padding to all this. Kilgrave’s confrontation with Jessica in the hospital feels somewhat unnecessary, given their confrontation by proxy at the climax of AKA Take a Bloody Number and in person at the climax of AKA Smile.

At the same time, there is an endearing confidence to AKA Smile that ensure the finalé is never tied down or overwhelmed by the narrative weight that Jessica Jones has amassed over its thirteen episode season.

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Jessica Jones – AKA Sin Bin (Review)

Kilgrave lies.

To be fair, that much should be obvious. Kilgrave is a character whose power hinges upon his ability to manipulate people using words. Of course he lies. Even his name is a lie. He lied to Jessica about the effectiveness of his powers, revealing that his decision not to control Jessica against her will wasn’t really a decision. He lies to everyone about his past, painting his concerned parents as cliché monsters. He lies to himself about his motivations, genuinely believing he is a victim in all of this.

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He also lies to the audience about his character, as AKA Sin Bin reveals Kilgrave is not a tragic and sympathetic antagonist with an explanatory childhood trauma after all. He is not the archetypal sympathetic bad guy whose actions can be explained away as the result of the horrible things that happened to him when he was a child. He is not the version of Wilson Fisk presented in Shadows in the Glass, a man who might have been a hero under other circumstances. Kilgrave is an unrepentant self-serving sociopath.

One of the joys of Jessica Jones is that the revelation that Kilgrave is unquestioning evil does not in any way make him a less complicated or compelling character.

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Jessica Jones – AKA WWJD? (Review)

AKA WWJD?, AKA Sin Bin and AKA 1,000 Cuts represent the emotional climax of Jessica Jones.

The key is in handing the show over to its two strongest performers. Whether together or separately, Krysten Ritter and David Tennant are always engaging to watch. These three episodes push Jessica and Kilgrave into a sequence of tight interactions with one another. The dynamic between the two characters is constantly evolving and reversing, but the two actors are strong enough that every second is riveting television. While AKA Smile brings the season to an exciting close, there is nothing quite as powerful as watching Ritter and Tennant play off one another.

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Jessica Jones has a very good ensemble, with a lot of the roles cast very carefully and most the supporting players sketched out and developed. However, the core of the season is about Jessica Jones confronting and vanquishing Kilgrave, the man who abused her and countless others. It is highly debatable whether Kilgrave needed to be the focus of the season, particularly in the earlier episodes where he didn’t really have much to do, but Jessica Jones has reached the point where it can throw Jessica and Kilgrave into direct confrontation with one another.

AKA WWJD? makes it clear that the confrontation between Jessica and Kilgrave will not be physical in nature. This is not a conventional super hero battle; Jessica will not be using her power to smash Kilgrave, and Kilgrave cannot use his mind control to manipulate Jessica. Instead, AKA WWJD? confirms that the confrontation between Jessica and Kilgrave will be emotional and psychological in nature; a victim confronting her accuser in pursuit of closure and satisfaction.

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