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Peter Tomasi & Fernando Pasarin’s Green Lantern: Emerald Warriors (Review/Retrospective)

Emerald Warriors suffers a bit from being a rather obvious lead-in series to the War of the Green Lanterns crossover than DC was pushing for its space cops to coincide with the release of the Green Lantern film. It’s very clear that the book is written with an editorial mandate to establish certain characters and dynamics, and I think it suffers to a certain extent, because of this – to the point where the series wasn’t renewed as part of the DCnU relaunch, which makes it seem like the series never really existed as anything more than a tie-in to a large event, rather than a cosmic comic book in its own right. It’s a shame, because Peter Tomasi has been one of the most consistant second-tier writers at DC, and his Guy Gardner is second-to-none. Also, you know, it looks incredible.

A breath of fresh air...

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Tony Bedard’s Run on Green Lantern Corps – Revolt of the Alpha Lanterns & The Weaponer (Review)

As with Green Lantern and Emerald Warriors before it, Tony Bedard’s run on Green Lantern Corps feels like it’s trapped between two larger events, flowing out of Blackest Night and into War of the Green Lanterns. I think Bedard suffers a lot more than Geoff Johns and Peter Tomasi from this, merely because he’s new to the franchise – he did great work on R.E.B.E.L.S., but this is first time working with the cast of characters from Green Lantern. So, while Johns and Tomasi fall comfortably into their familiar routines, Bedard seems to struggle to find his feet, while telling his own story and managing the obligatory set-up for the next large-scale event.

That's the last time Sinestro calls Kyle a second-stringer...

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Brightest Day (Hardcover Vol. 1-3) (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” This one’s not so much an “event” as a bi-weekly miniseries, but let’s count it anyway…

Balancing the internal storylines is a tough task for any anthology, especially one running over the course of an entire year. In this respect, 52 feels like the exception rather than the rule. It’s a fairly fundamental problem with Brightest Day that not all of the plotlines are interesting (and certainly not all of the time). It’s a rather strange phenomenon: the early issues try to balance the characters somewhat evenly across the issues, and feels somewhat awkward in trying to devote an equal amount of space to stories that aren’t equally compelling; on the other hand, the second and final thirds seems more comfortable devoting large stretches of single issues to certain characters (and to have other members of the ensemble go unheard from for issues at a time), which has the bizarre effect of meaning that a cliffhanger or two isn’t picked up for two or three chapters. It’s a tough balance to get right, and I’m sad to say that Brightest Day doesn’t acquit itself particularly admirably. It’s a shame, because there are some interesting ideas here.

Everything burns...

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Geoff Johns’ Run on The Flash – The Dastardly Death of the Rogues & The Road to Flashpoint (Review)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, following a week full of Flash stories.

It’s hard not to look at Geoff Johns’ return to The Flash and wonder what might have been. After all, his original run solidified Johns as a talent to watch in the superhero field, fed into his iconic Green Lantern run and paved the way to his ascent up the DC food chain. And it’s quite clear that DC were putting a lot of energy into pushing The Flash as the next “breakout franchise”, clearly hoping that Johns could find an angle on the character and mythos that would push the book up the sales charts to match the Batman and Green Lantern franchises. That obviously didn’t happen, but it feels like a shame because it very nearly could have happened, had things gone a little differently.

Flash! A-ha! He saves every one of us!

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Follow Me: The Lost Art of the Sequel Hook…

I had the pleasure of seeing David Fincher’s The Girl With the Dragon Tattoo on Friday, and it was a very good film. It smoothed out some of the issues I had with the original adaptation, was beautifully acted and directed, and was just a very nice piece of film. However, I was a bit disappointed with the ending of the film, which served as a twenty-minute trailer for the sequel. This is a sequel that hasn’t been greenlit yet, and hasn’t even been written. I appreciate the enthusiasm, but I do think there is a point where setting up a later instalment undermines the original film.

Leaving the series with snow where to go?

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“You Shiver In Such An-tici-pation”: Upcoming Releases and the Waiting Game…

It’s a bit of a defunct popular witticism that the actual purpose of the internet is not to increase global communication or facilitate and encourage the development and spread of ideas, but exists solely for pornography. I don’t think that’s necessarily true (in fact, it only accounts for 1% of the internet). Instead, I’d argue that the internet exists primarily to provide spoilers, casting calls, plot summaries, set pictures and gossip around all the upcoming releases. In an era where even fictitious characters have facebook and twitter accounts, it sometimes feels like information overload, with constant updates about the status of a given project and director and cast.

All at sea?

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Geoff Johns’ Run on Justice Society of America – The Next Age, Thy Kingdom Come (Parts I, II & III) & Black Adam and Isis

With the Justice Society of America perhaps the most high-profile title excluded from DC’s upcoming relaunch, I thought I’d bid them farewell by taking a look at writer Geoff Johns’ second run on the title.

The Justice Society of America is one of those titles that DC does so well, one based on legacy. Admittedly Marvel has made some attempts in recent years (The Immortal Iron Fist stands out as a big example, as does Ed Brubaker’s Marvels Project – focusing on the World War II heroes adopted into Marvel’s pantheon), but DC have always handled the nostalgia so well. In fact, the relaunch of the Justice Society of America was prompted by the outstanding success of James Robinson’s original superhero generational saga, Starman. This collection represents the first set of arcs from the third volume – writer Geoff Johns was a veteran from the second volume, which (along with his writing on Flash) brought him to mainstream attention. So he knows the cast of characters and their world inside out.

Pin-ups...

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Five More Creative Ways to Make Green Lantern 2 A Better Film (Rather Than Just “Darker and Edgier”)…

Green Lantern was a disappointment. Along with Marvel’s Daredevil, the Green Lantern series has been perhaps the strongest mainstream superhero title published in the past decade, and Warner Brothers couldn’t manage to produce a decent film. This was supposed to be the company’s first superhero franchise outside of the tried-and-tested Batman and Superman properties, and it fell flat. Nevertheless, Warners have vowed to press on with the sequel, daring to produce a “darker and edgier” follow-up to the film. Ignoring the fact that not all superheroes need to be “darker and edgier”, it still ignores the fact that the problems with Martin Campbell’s would-be franchise launcher had very little to do with being too light or soft. Here are five pieces of advice that the executive would do well to take on board, before deciding to simply “go darker.”

The sequel... Dark Green Lantern...

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Non-Review Review: Green Lantern – Emerald Knights

In many ways, Green Lantern: Emerald Knights can be seen as a counterpart to the earlier Batman: Gotham Knight. Beyond the fact that both contain “knight” in the title, both animated films were released as promotional tie-ins to major motion pictures featuring the characters in question, and both are structured as vignettes rather than one continuous storyline. Don’t let that fool you. Unlike the incredibly uneven Gotham Knight, Emerald Knights is actually quite a worthy little movie.

Good to the Corps...

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Justice League International: Volume 1 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

Once upon a time — there was a Justice League of America. But that was another era, when the world could afford borders and boundaries. When heroes could claim national loyalties and feel justified in their claims.

But in today’s world there’s no longer room for borders or boundaries. The walls between nations have to fall if our planet is to survive. So, for the new era — a new league: Justice League… International!

– Introducing the Justice League International, Justice League #7

Unlike the upcoming Johns/Lee relaunch of DC’s most famous superhero team, or even Grant Morrison’s tenure on JLA, it’s clear from the outset that Justice League: International was never going to be a powerhouse team. As the introduction states, in the wake of the massive restructuring of the DC Universe following the near-reboot of Crisis on Infinite Earths, many characters were tied up in events in their own titles. George Perez was working on Wonder Woman, while John Byrne was putting his own slant on Superman in Man of Steel. So the only returning iconic Justice League founding members were Batman and the Martian Manhunter. The team had to make do with Guy Gardner as the resident Green Lantern. It wasn’t exactly an all-star line-up, to be honest.

The Unusual Suspects?

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