gotham | the m0vie blog

Non-Review Review: Batman – Mask of the Phantasm

Posted on July 9, 2012 by Darren

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

There is a legitimate argument to be made that Batman: Mask of the Phantasm is the best Batman movie produced prior to Christopher Nolan taking over the film franchise. While I narrowly prefer Batman Returns, it’s hard to deny that this animated take on the character from the creator behind Batman: The Animated Series isn’t a superb exploration of the Caped Crusader and his world. Kevin Conroy is still, after all these years, my favourite actor to play Batman, and I can’t help but feel like the movie deserves a lavish re-release to celebrate the pending release of The Dark Knight Rises.

You’d have to finally go batty to do this in the long-term…

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Filed under: Non-Review Reviews | Tagged: alfred pennyworth, Andrea, batman, Bruce, bruce wayne, Christopher Nolan, danny elfman, Dark Knight Rises, Dick Sprang, film, frank miller, gotham, gotham city, Harley Quinn, joker, kevin conroy, Movie, non-review review, Phantasm, review, Shirley Walker, tim burton | 2 Comments »

Grant Morrison’s Run on Batman & Robin – Batman Reborn, Batman vs. Robin & Batman Must Die! (Review/Retrospective)

Posted on December 28, 2011 by Darren

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. Every Wednesday this month, we’ll have a Grant Morrison related review or retrospective.

I am going to be honest. I didn’t love Grant Morrison’s tenure on Batman. It felt a bit awkward and continuity-heavy – don’t get me wrong, I appreciated his attempt to tie together just about every aspect and iteration of Batman ever, but it just felt a bit too much. Yes, Batman can be the grim avenger or the charming ladies’ man or the camp crusader or the superhero or the urban vigilante or the world’s greatest detective or a swinging icon, but – in reading Morrison’s run – it felt too awkward to make Batman all of these at the same time. Perhaps, then, it’s because Batman & Robin sets itself a more modest goal (in that it doesn’t attempt to reconcile every aspect of the character’s seventy-year history) or just because Morrison appears to be enjoying himself far more, but this second act in Grant Morrison’s epic Batman saga is a much more engaging read.

The run gets off to an explosive start…

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Filed under: Comics | Tagged: andy clarke, batman, batman & robin, batman & robin must die, Batman and Robin, batman and robin must die!, batman forever, batman must die, batman reborn, batman vs. robin, blackest knight, bruce wayne, cameron stewart, Christopher Nolan, damian wayne, dick grayson, doctor hurt, frank quitely, frazer irving, gotham, grant morrison, Grantmorrison, philip tan, professor pyg, Red Hood, revenge of the red hood, robin, the flamingo, the jokre, the revenge of the red hood, thomas wayne, tim burton | 2 Comments »

Gotham After Dark: Batman Noir

Posted on February 19, 2011 by Darren

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “comics noir” – noir filtered through comic book panels.

More than any other mainstream superhero, Batman is strongly linked with the film noir tradition. Dating back as early as his first appearances, straight through to Christopher Nolan’s The Dark Knight, the Caped Crusader has always inhabited a world which seems as fragile and broken as any noir protagonist. Just because he trades a trench coat for a cape (which, you’ll note, he makes a point to wear around him rather than just behind him) and a fedora for a cowl, don’t underestimate Bruce Wayne’s flirtation with the darker side of cinema.

The Dark Night?

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Filed under: Comics, Movies | Tagged: batman, batman begins, Bob Kane, bruce wayne, burton, Christopher Nolan, dark knight returns, Film noir, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, gotham, gothic, Hugo Strange, joker, Martha Wayne, noir, Sound of Fury, The Dark Knight | 8 Comments »

Superman: The Animated Series – World’s Finest (Parts I, II & III)

Posted on December 9, 2010 by Darren

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. What with reviewing Superman/Batman: Public Enemies earlier, I figured it might be worth our time to take a look at the original Superman/Batman animated team-up.

Thank you. I couldn’t have saved Lois without your help.

I’m aware of that.

– Superman and Batman share a moment of mutual Batman appreciation

Superman: The Animated Series meets Batman: The Animated Series. How is that a tough sell?

You can't outglower me, boy... in one of these animated movies I was played by Billy Baldwin...

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Filed under: Television | Tagged: batman, batman/superman, batman: the animated series, bruce timm, crossover, dc, dc animated universe, dcau, gotham, joker, lex luthor, lois lane, metropolis, paul dini, robots, superman, superman/batman, superman: the animated series, the batman/superman movie, the joker, world's finest | 4 Comments »

Batman: Arkham Asylum – A Serious House on a Serious Earth

Posted on September 8, 2010 by Darren

Batman’s not afraid of anything.

It’s me. I’m afraid.

I’m afraid that the Joker might be right about me. Sometimes… I question the rationality of my actions. I’m afraid that when I walk through those asylum gates… When I walk into Arkham and the doors close behind me…

It’ll be just like coming home.

– Batman explains his unease at going into Arkham Asylum to Jim Gordon

I have to admit, I was somewhat surprised to hear recently that Grant Morrison’s Arkham Asylum is a somewhat “divisive” book. It is, one hand, highly critically praised and the best-selling graphic-novel of all time, yet Morrison scholars are quick to describe it as “much maligned”. I’ll admit that I took my time getting around to reading it – partially due to the fact that DC refused to keep the hardcover in print – but I eventually buckled and got myself the softcover 15th Anniversary Edition. What I found was one of the most densely challenging, cleverly constructed and brilliantly gothic depictions of the Dark Knight I have ever encountered (indeed, it might even be “simply the most” rather than a safer “one of the most”). It’s beautiful, it’s dark and it’s tough – but it’s also immensely rewarding. Come with me into the Asylum.

Batman comes home…

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Filed under: Comics | Tagged: arkham asylum, asylum, batman, batman:arkham asylum, bruce wayne, coin, dave mckean, dc comic, dreams, gotham, grant morrison, graphic novel, joker, lewis carroll, mad hatter, psychology, two face | 16 Comments »

Building a Better Batman: Is The Dark Knight a Deconstruction or a Reconstruction?

Posted on July 14, 2010 by Darren

This article is part of the really wonderful Christopher Nolan Blogathon, which is being run by Bryce over at Things That Don’t Suck. It’s a week of Nolan-related madness in the run-up to the release of Inception this weekend. Pop on over you daily fix.

Day 1
Day 2
Day 3
Day 4

Christopher Nolan’s new film Inception is being released this week, and I’m pretty excited, I’m not going to lie to you. Anyway, I figured that the release of Nolan’s latest summer blockbuster justified a retrospective look back at his earlier summer success story, the rather wonderful The Dark Knight. In particular whether, whether the film, which stands as perhaps the most defining example of the superhero in cinema. However, is it a successful deconstruction of the genre, or an attempted reconstruction of the superhero on film?

Nolan certainly took Batman under his wing...

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Filed under: Movies | Tagged: batman, batman begins, Christopher Nolan, deconstruction, film, gotham, Movies, reconstruction, The Dark Knight, things that don't suck | 21 Comments »

Joker

Posted on June 15, 2010 by Darren

Joker was released over the summer of 2008, and had the great fortune to closely mirror the Oscar-winning performance of Heath Ledger in The Dark Knight. Author Brian Azzarello claims that the similarities in the character here and on the big screen are a coincidence, but there’s something uncanny in watching this version of the character, with his Glasgow smile and foul teeth, attempt to take control of Gotham’s criminal underworld in a manner that his big screen counterpart would probably approve of. Azzarello paints a grim and gritty version of the Gotham City underworld, avoiding the more obvious superhero clichés and instead offering an exploration of the madness of one of the medium’s enduring antagonists.

This Joker has his own toxins...

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Filed under: Comics | Tagged: batman, brian azzarello, comic book, Comics, dc, dc comics, gotham, graphic novel, joker, jonny frost, lee bermejo | 12 Comments »

Gotham Central – In The Line of Duty & Jokers And Madmen (Review)

Posted on October 27, 2009 by Darren

Just when you think there isn’t an original concept left in comic book storytelling, Ed Brubaker and Greg Rucka come up this ingenious concept: what is it like to police a comic book city – and the one populated with the same sorts of loons which give Batman a headache? Brubaker and Rucka construct a truly surprisingly awesome noir police procedure that takes a gutter’s-eye view of one of the darkest cities ever to appear in comic books. It manages to combine the two aspects brilliantly, simultaneously bringing a fresh perspective to both the Batman mythos and the police procedural.

The joke's on Gotham...

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Filed under: Comics | Tagged: batman, comic books, dc comics, ed brubaker, gotham, gotham central, gotham city, greg rucka, half a life, in the line of duty, motive, review, soft targets, unresolved | Leave a comment »

Batman and the Mad Monk

Posted on October 4, 2009 by Darren

With all the Silver Age love that Grant Morrison is giving Batman and Geoff Johns is showing Hal Jordan, it’s nice to see a little reflection back towards the Golden Age, which is generally forgotten (it helps that many of the comic book heroes that we have today only really emerged during that Silver Age, and that the writers would have grown up during it). Here we have a contemporary retelling of one of the early Batman stories, as reimagined by Matt Wagner in a follow-up to another Golden Age adaptation, Batman and the Monster Men. It’s a lovely little fun story that stands tall among the many, many early adventures in Batman’s career.

Who let the dogs out?

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Filed under: Comics | Tagged: batman, batman and the mad monk, comic books, dark moon rising, dc comics, gotham, james gordon, matt wagner, review, the monk | Leave a comment »

Absolute Batman: The Dark Knight (Returns) (Review/Retrospective)

Posted on October 3, 2009 by Darren

The Absolute Edition also collects The Dark Knight Strikes Again. Miller’s belated sequel is worthy of discussion on its own terms, and I plan to revisit it at some point. For the moment, however, here is the review of the original Dark Knight Returns.

It’s really quite difficult to discuss The Dark Knight Returns today. Part of the reason is because of the massive influence that Frank Miller’s Batman epilogue had on the medium, and part of it is because Miller himself has done a fairly efficient job at deconstructing his own definitive Batman work in stories like The Dark Knight Strikes Again and All-Star Batman and Robin the Boy Wonder. It’s impossible to approach Miller’s work here entirely divorced from either reality, and the result is a rather strange and dramatic legacy for one of the most iconic Batman stories ever told. It remains fairly essential reading for anybody even remotely interested in the Caped Crusader, the superhero genre or even the medium as a whole. It’s a classic, albeit one that is sometimes quite difficult to pin down.