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Justice League International: Volume 4 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

Hm. Typical. Just as DC stops collecting Justice League International in these nice little hardcovers, I find that the series is getting back into the sort of swing and rhythm that I really loved about the superb first volume, but which became hard to maintain in equilibrium through the second and third collections. The last two books have veered just a little bit too much into sit-com territory for me. Don’t get me wrong, I like the humour that Giffen and deMatteis bring to the book, but I think it works better as a counterbalance to some nice superhero spectacle or drama, rather than being allowed to run free. The wonderfully wicked, occasionally subversive and often amusing sense of humour is in full effect in this collection, but it also features some nice character-centred storytelling, the type of refreshingly not-too-serious, but never completely out of control, approach that made the first few issues so damn appealing.

The new line-up...?

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Non-Review Review: Green Lantern – Emerald Knights

In many ways, Green Lantern: Emerald Knights can be seen as a counterpart to the earlier Batman: Gotham Knight. Beyond the fact that both contain “knight” in the title, both animated films were released as promotional tie-ins to major motion pictures featuring the characters in question, and both are structured as vignettes rather than one continuous storyline. Don’t let that fool you. Unlike the incredibly uneven Gotham Knight, Emerald Knights is actually quite a worthy little movie.

Good to the Corps...

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Non-Review Review: Green Lantern

Green Lantern is solidly middle of the road as far as superhero movies go. Perhaps in a less crowded (and less high quality) summer action season it would seem a stronger contender, but the film really shows as Warner Brothers’ first major attempt to produce a big-budget superhero film not directly related to Superman or Batman. It’s perfectly functional, managing to do everything it sets out to in a relatively efficient manner, but there’s never really a sense that the film exists as anything more than a series of plot points that need be checked in order for the movie to cross the finish line. Given the potential of the source material, as well as its relatively unique nature amongst the slew of generic superheroes, a functioning and formulaic adventure can’t help but feel like a bit of a disappointment.

Hal Jordan: Space Cop? It has a nice ring to it...

Note: We also have an introduction to the Green Lantern mythos available, if you’re interested in checking it out.

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Green Lantern’s Light: Why I’m Holding Out For a Hero…

You know, I’m actually really impressed with how this summer’s slate of superhero-themed blockbusters are coming together. Despite fears about market saturation, I honestly think that the four big pictures this summer offer enough distinct flavour to avoid generation some superhero fatigue coming in. X-Men: First Class is a Cold War Civil Rights action adventure. Thor the story of a god, humbled. Captain America: The First Avenger is a bit of pulpy history set against a World War II backdrop. Green Lantern is an epic space opera about an intergalactic police squad. There’s enough variety there that it isn’t just wave after wave of people in silly costumes.

Still, Green Lantern holds particular interest to me. It’s been interesting to watch the buzz on-line, following the seemingly disappointed first trailer through the four minutes of footage from Wonder Con towards the well-received second and third trailers. Still, my affection for the character and the movie aren’t necessarily drawn from Warner’s publicity campaign.

You see, Green Lantern was really the character that introduced me to modern comics.

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Final Crisis: Legion of Three Worlds

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

They call themselves Legionnaires. There are so many of these guys I can’t keep track of them all.

– Superboy Prime. I can empathise.

The tie-ins to Final Crisis were an interesting bunch. They weren’t, for the most part, your usual comic book event tie-ins. Then again, Final Crisis was hardly your usual comic book event. Indeed, the handful of essential reading material was included in Grant Morrison’s Final Crisis hardcover. The remaining hardcovers didn’t exist to plug holes in the story, nor to showcase particular characters interacting with the crisis du jour. So, while Final Crisis: The Legion of Three Worlds does little to tie-in plot-wise to the main miniseries (save, perhaps, setting up a tiny scene), it’s interesting that Geoff Johns elected to have is story reflect the themes and core ideas of Grant Morrison’s epic event.

And the Legion shall be many...

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The Starman Omnibus, Vol. 6 (The Grand Guignol) (Review/Retrospective)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. Earlier today we reviewed the New Krypton crossover, which was largely driven by author James Robinson, so we thought we’d end the day by taking a look at the final collection of Robinson’s work on Starman.

This volume represents perhaps my favourite stories that James and the wonderful group of artists he worked with created because it has something that nearly every on-going superhero series doesn’t have – a definitive ending – and a whole satisfying one at that.

– Geoff Johns’ introduction

We’ve come a long way, baby. 80 issues, six hardcover collections, countless extras (including supplements, specials and miniseries). A collection of diaries written by James Robinson documenting his time writing the saga, collected in the back of each collection. Starman has been collected nearly perfectly, and the sixth volume is no exception. It’s still something of a mixed blessing, because – no matter how much I appreciate the sense of closure – I’m still sad to see the series end.

Birds of a feather...

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Superman – New Krypton (Vol. I-IV), Last Stand of New Krypton (Vol. I & II) & War of the Supermen (Review/Retrospective)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

In fairness, it was too great an idea to ever ignore. At some point in the character’s publishing history, it was inevitable that Superman would be reunited with his people – the long dead planet Krypton. This storytelling opportunity forms the basis of the whole New Krypton saga, which crossed through the Superman line of comic books for well over a year. Unfortunately, despite having a rather wonderful core idea, it’s a ll a bit of a waste.

Up in the sky...

Note: This review contains what might be considered spoilers. But the title of the second sets of books in the header kinda give the game away.

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Superman: Secret Origin (Review/Retrospective)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

I have to admit that I quite enjoyed Geoff Johns’ run on Action Comics. Johns has been one of the most influential writers working at DC over the past couple of years, so it felt right to see him tackling Superman, after years of working on titles like The Flash and Green Lantern. It was an extra special treat because he brought Richard Donner with him for the introductory arc, which restored a sense of continuity between the comic book superhero and his cinematic iteration. You ask anybody to picture Superman, and I promise you that they will imagine Christopher Reeve with his cape flapping in the wind – it feels like the definitive version of the character. And I felt that Johns really tapped into that aspect of the icon. So, I have to admit that I was pretty excited when it was announced that Geoff Johns would be returning to tell the character’s origin story, his Secret Origin, if you will.

That's one super life he's lived...

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Geoff Johns’ Run on The Flash – Rogues, Crossfire & Blitz

What with Geoff Johns returning to write The Flash, I figured I’d dig out some of the old collections of his first run on the title – arguably the run which brought the writer to the attention of comic book readers everywhere. In a run spanning five years, Johns managed to not only offer a suitably impressive successor to Mark Waid’s run on the title, but also tell his own boldly unique story. In a way, the writer’s time on the title can be broken down into two distinct halves – in fact, the final issue collected here is consciously a transition, with the universe being massively re-written and the status quo irrevocably altered. This collection represents the end of that first half, in which Johns was paired with artist Scott Kolins. I think it’s fair to say that the pair made magic on the title.

The Rogues take the opportunity to chill out...

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Flashpoint

After spending the tail end of last year looking at the tangled inter-continuity crossovers at Marvel, I thought I’d spend January looking at some of the looser “out of continuity” tales at the major companies.

Flashpoint is the first big event of Geoff Johns’ relaunched run on The Flash. If Flash: Rebirth was intended to echo Green Lantern: Rebirth, fan anticipation and speculation suggest that his Flashpoint – a five-part miniseries – will serve as a counterpart to Sinestro Corps War on his Green Lantern run. However, the title Flashpoint has connotations for the character – it was the title of a relatively recent story featuring the character, one of DC Comic’s Elseworlds. I figured, with the big event coming it up, it might be worth a bit of a retroactive review of the title which perhaps inspired the event.

He moves like lightening...

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