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Non-Review Review: Run Lola Run

Posted on September 16, 2011 by Darren

I really do have a great deal of affection for Run Lola Run, as a highly energetic and stylishly executed piece of cinema. It’s hard to think of a movie that can match the sheer intensity of the assault that the opening few moments make upon your senses, as the images flash across the screen, the heavy dance soundtrack kicks to life, and the camera dances and cuts like there’s no tomorrow. It’s a shame that the movie can’t really maintain that wonderful pace for the rest of its runtime, but perhaps it’s too much to ask for an eighty-minute sprint.

Betting it all on red...

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Non-Review Review: Harry Potter and the Philosopher’s (Sorcerer’s) Stone

Posted on July 25, 2011 by Darren

So, here we are, back at the beginning. The first movie in the eight-movie cycle about the boy wizard with the distinctive glasses. Harry Potter – “the boy who lived”, as he is described – and his eventful six-year stay at Hogwarts, with one final story to wrap it all up. To be honest, the first movie does benefit a lot from the movies that followed, giving the film a lot of retroactive weight as you can see the plot threads thrown out and suggested to be developed later – the countless little set-ups deployed by Rowling to pay off down the line. Which is handy, I suppose, because otherwise the instalment feels just a little bit too slow and convoluted for its own good.

The series has a bit of difficulty getting off the ground...

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Non-Review Review: Harry Potter and the Order of the Phoenix

Posted on July 21, 2011 by Darren

Truth be told, Harry Potter and the Order of the Phoenix has a lot of problems. It’s structurally the weakest of the films, existing as a bridge between what came before and what follows – but ultimately feels like treading water. One gets the sense that the ruthless editing that made Harry Potter and the Goblet of Fire work so well was sorely missing here. It literally feels more like a collection of subplots rather than a movie in its own right. And then there’s the ending, which is ridiculously weak, but also somewhat undermines the threat the last film spent so long building up.

It's not a knock-out success...

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Marvel 1602 (Review)

Posted on January 12, 2011 by Darren

After spending the tail end of last year looking at the tangled inter-continuity crossovers at Marvel, I thought I’d spend January looking at some of the looser “out of continuity” tales at the major companies.

Although DC invented the term “elseworlds” to describe alternative continuities featuring familiar characters in unfamiliar settings, it was really Marvel who ran with it. Even discounting the Ultimate line, Marvel has produced any number of alternative continuity worlds within the past decade or so – not stories or chapters, but worlds. Tales spin-off in so many different directions that these stories become viable alternative versions of the Marvel Universe, just with a variation upon a theme. Marvel Noir offers us the Marvel Universe as seen through a smokey glass-half-empty lens, with tales of Daredevil, X-Men and Spider-Man changed to fit in this strange new setting. Writer Neil Gaiman, however, crafted an especially interesting alternative to mainstream Marvel with 1602. It pretty much does exactly what it says on the tin, transposing the modern day Marvel Universe to 1602.

Take these broken wings...

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Doctor, Who?

Posted on January 4, 2011 by Darren

Believe me. Just believe me for twenty minutes…

My blu ray copy of Doctor Who arrived today and I am delighted. I’ve already written a review of the fifth season (and the Christmas special), but I loved it to pieces – despite its considerable flaws. I’ve done a bit of revisiting today and shall likely continue to view the episodes again later into the week. Anyway, just because I feel like celebrating, here’s a little piece of artwork I found on-line from artist Christopher Jones. I figured it was worth sharing.

Men and their screwdrivers...

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Annihilation: Conquest (Review/Retrospective)

Posted on November 17, 2010 by Darren

This is the tenth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

Perhaps it was the novelty of Marvel’s Annihilation crossover which lent the series its appeal. It took some of the more often overlooked space heroes of the Marvel Universe and tied them all together as part of a gripping narrative fighting against the extinction of life itself. It was loud and bright and colourful and frentic – it was perhaps the best crossover that Marvel have produced in the past five years or so. So I was very much anticipating the sequel, Annihilation: Conquest – hoping that it could be another breath of fresh air in this long trek through Marvel’s shared universe. Unfortunately, it seemed that a lot of energy of the original was gone – the series couldn’t help but feel somewhat anti-climactic.

Feel the Wraith...

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X-Men: Messiah Complex (Review/Retrospective)

Posted on October 27, 2010 by Darren

This is the seventh in a series of comic book reviews that will look at the direction of Marvel’s core continuity (and in particular their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

It has been commonly accepted that the “golden days” of X-Men crossovers are behind us. Of course, “golden days” is a subjective term – for every Age of Apocalypse, there was an Onslaught Saga – but there’s no way to argue that the mutants didn’t dominate Marvel’s output in the nineties. One would have thought that with Bryan Singer’s X-Men helping give birth to the superhero genre, this past decade might have been an even better one for the franchise, but it was not to be. In fact, The Avengers seem to have replaced the X-Men as the engine driving Marvel’s storytelling universe. Some might suggest that it is so blatant that it looks intentional (prompting a movie-related “conspiracy theory”), although Marvel have casually denied it – with vice president Tom Brevoort stating “these things tend to go in waves”. However, Messiah Complex is the first of a series of crossovers with the X-Men titles following House of Mwhich would chart the franchise’s gradual return to the status quo.

Cyclops has warmed to Ms. Frost…

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Marbles: The Movie! – The Poster!

Posted on July 9, 2009 by Darren

… aka, I love you even more, Roger Ebert!

That man really hates Transformers 2 – in case you didn’t read his response to those critics of critics. Or maybe it was the announcement of a Viewfinder and an Asteroids movie within the same week that led him to publish a list of his most-anticipated toyetic movies in the years to come. It is awesome and totally worth a look at the link. Anyway, one of his ideas was so fiendishly brilliant I couldn’t resist doing a draft mock-up of the poster…

I give you Marbles: The Movie, with Ebert plot summary below…

Alternative Tagline: "Get some balls"

Alternative Tagline: "Get some balls"

Marbles! Secret of the Universe! Nicolas Cage plays an astrophysicist at MIT who intercepts the feed from the Hubble Space Telescope and determines that the stars in the sky are in fact giant, brilliantly-glowing marbles. Enhancing the digital information, he discovers a giant thumb and forefinger in the abyss beyond space. They hold an aggie.

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