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Non-Review Review: District 9

It was good, but not great. That’s about it. I was somewhat underwhelmed by what is being hailed as the most fresh and original science fiction film since… well, Moon way back in June. Maybe I’m being harsh though. A lot of it was very good, some of it was great, but some of it made my very uncomfortable. And not in the way that social commentary is meant to make you feel uncomfortable.

Illegal aliens...

Illegal aliens...

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Going Nutz Over Nazis…

Ah, Nazis. The most typical of Hollywood villains. It seems that whenever you want the audience to cheer at what your morally ambiguous hero is up to, just stick his opponent in a Nazi uniform and you can guaruntee that the viewers will know which side they’re on. It used to be in the old days that simply putting a villain in a Nazi uniform was a regular past time for any big director. You didn’t need characterisation or complexity. If they’re German between 1941 and 1945, they’re a bad guy. Well, at least that used to be the way. In recent years it seems that we have accepted that things may be slightly more complex than those black and grey uniforms that they wore. There are many shades. So much so that the ‘thoughtful Nazi flick’ has pretty much become guarunteed Oscar bait. Given the minor furore which surrounded the release of Inglourious Basterds, is the time of the one-dimensional cardboard cutout passed into history? And has political correctness gone too far?

Don't make a song and dance about it...

Don't make a song and dance about it...

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Should Harvey Dent Return in Batman 3?

I’m having what might be termed ‘a Batman day’. I finally managed too tear open and read my copy of Absolute Batman: The Long Halloween and I’m a little giddy about it – and the fact Batman was just named Britain’s favourite superhero. In fact, it reminds me of just how much I want a sequel to The Dark Knight to at least be announced officially – the steady stream of increasingly inane rumours (Eddie Murphy, Megan Fox, yeesh) aren’t quite satiating my thirst. There’s been (understandably) a lot of discussion about the villains in the new film. I honestly don’t know who Nolan will pick (though my money is on Catwoman if only to adjust the gender ratio), but I am fascinated by the on-line discussion surrounding whether the characters of Harvey Dent and The Joker will (or should) return. My opinion of the Joker is simply: if he does, he does. Heath Ledger won an Oscar and gave us a fantastic portrayal of the character. If Nolan wants to bring him back recast, I’m cool. On Dent, I’m more sure: I don’t want to see him again.

Bringing back Harvey is a half-brained idea...

Bringing back Harvey is a half-brained idea...

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Non-Review Review: X-Files – I Want to Believe

The title just about says it all. I want to believe in The X-Files. I want to believe in Mulder and Scully. I want to believe in Chris Carter. But I’m looking for proof. Proof that the franchise that held the entire world’s attention for a few minutes in the mid- to late-nineties still has some life in it. Proof that a ridiculous complicated and illogical and poorly written final few seasons on the air had not sucked the marrow entirely from the bones of a once unique pop cultural entity. So, what does the movie give me? Not concrete proof, but a little hint of faith. The film is not as bad as the final two years of the show. That’s the good news. The bad news is that it isn’t as good as the first five.

"X" doesn't mark the spot...

"X" doesn't mark the spot...

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It Was the Summer of ’09… BIGGEST. SUMMER. EVER…

Well, at least one of my predictions worked out. Waaaay back when this blog was just starting I called this year to be the biggest summer at the American Box Office ever and – with one weekend still to go – I was right about that one.

Well, I was due after Shutter Island was moved to February scuttling my Oscar forecast. Now, if the Academy could come around to nomination Inglourious Basterds (yeah, right!), I might forgive them for that whole fiasco with The Reader.

I’m quite proud of myself, but that isn’t really a good enough reason to post (at least on its own), so I’ve brought some facts and figures and observations below.

Christian Bale isn't going to happy about this...

Christian Bale isn't going to happy about this...

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Non-Review Review: X-Men II

I wrote in my review of the original X-Men that the first film in the saga still holds up quite well, even after a decade of superhero movies built off the back of it. It is by no means as spectacular as some of those that followed, nor is it as bad as some of those that followed. X-Men II is something similar. It wasn’t quite as revolutionary, but it did jumpstart another style of summer blockbuster, arguably a subgenre of the type sparked by the original film: the bigger and better superhero sequel.

No need to get your claws out...

No need to get your claws out...

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What a Basterdly Ending…

Alright, since the entire point of this post is spoilers, consider yourselves duly warned. I don’t like spoiling films, but I also really think that there is a lot of discussion to be had about the end of Inglourious Basterds. Only read on if you have seen the film, or know you won’t. Because there’s no going back. Seriously. It’s something you should really see for yourself before you make up your mind on it. Anyway, those disclaimers out of the way, here we go…

I've got an axe to grind...

Shoshanna's got an axe to grind...

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Non-Review Review: Inglourious Basterds

I went to see Inglourious Basterds with my brother last night at the cinema in Swords. I’m not sure what either of us was expecting – I’d read enough reviews and opinion articles and am well-versed in the knowledge that trailers always lie to know that it wouldn’t be a straight-up Nazi-killing flick. In fairness to the misdirecting marketing campaign though, I’m not sure how you could advertise what Tarantino has produced here. What we’ve got is a film possibly unlike any other you’ve ever really seen. I’m still not entirely sure what to make of it, which is certainly a big indicator in the film’s favour.

Tarantino, you magnificent basterd, you...

Tarantino, you magnificent basterd, you...

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Magneto’s Magnetism…

Another day, another superhero movie. Still, the long-rumoured X-Men Origins: Magneto is a project which has aroused quite a bit of my interest, if only because it has the potential to be unlike any other film in that genre. And if – as it appears – the superhero film is here to stay, we should at least welcome those that are willing to deviate from the norm, even a little bit and even if they don’t work out. Still, I wholeheartedly accept that it could end up being as pointless and soulless as Wolverine was, so I won’t be priming my hopes too much.

"You shall not recast!"

"YOU SHALL NOT RECAST!"

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What Constitutes a Spoiler?

What constitutes a spoiler? I mean, really? Is discussing anything about the ending of a film a spoiler? What about talking about a twist earlier on, or an underlying theme or premise that pays off at the end? Is that a spoiler? How long does a movie have to be out before you can talk about it without worrying that you’ll spoil the ending for some poor unsuspecting individual who deserves to see the movie and take it in without having their perception coloured? Some stuff got me thinking about this and I’m not really sure I know where the line falls.

I see a twist coming...

I see a twist coming...

Spoiler: This article contains spoilers. Lots and lots of spoilers. But that was kind of obvious from the header, wasn’t it? I wonder if anyone ever actually heeds these warnings. Tell you what, cycle down to the end of the article and leave a comment if you do. Nah, I’m just kidding, but still… spoilers ahoy!

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