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New Escapist Column! On “Ted Lasso” and How We Watch (and Discuss) Television…

I published a new column at The Escapist today. With the end of the second season of Ted Lasso, and with the ongoing discussion around the show, it seemed like a good opportunity to take a look back at the evolving conversation around the series.

The discussion around Ted Lasso has followed an interesting arc. It premiered to lukewarm reviews, that seemed almost grudgingly positive. However, the first season seemed to find its audience in hindsight. Once it was completed, the season drew both serious consideration and enthusiastic praise from a variety of outlets. Many viewers came to the first season as a complete object, a collection of episodes that they could binge at their own pace. In contrast, this growing audience watched the second season week-on-week. It’s interesting to wonder if this shaped the more divisive response to the second season.

You can read the piece here, or click the picture below.

New Escapist Column! On “Rogue One” as “Star Wars” for the Twenty-First Century…

I published an In the Frame piece at Escapist Magazine a little while ago, looking at Rogue One: A Star Wars Story.

Like most films, the original Star Wars was a product of its time. It spoke to simmering tensions and traumas related to the late seventies, from lingering atomic anxieties to the horrors of the Vietnam War. However, a lot of time has passed since the original trilogy, and our cultural anxieties have changed over the intervening years. Since the purchase of Lucasfilm by Disney, the Star Wars franchise has been fixated and focused on the original trilogy. However, Rogue One: A Star Wars Story is the only film to make an effort to ask what those tropes and conventions mean moved to the present day.

You can read the piece here, or click the picture below.

Does Cabin in the Woods Out- “Hunger Games” The Hunger Games?

Sometimes I form weird movie connections in my head – tying two particular films together even if there’s very little common ground on which to link them. For example, I sat through quite a bit of Shame thinking of Collateral, a film linked tangentially thematically, as both offered rather scathing portraits of anomie against the backdrop of a major American city. On the other hand, I also formed a rather strong connection between the superb Cabin in the Woods and the mega blockbusting phenomenon The Hunger Games. As I watched Joss Whedon and Drew Goddard’s powerful exploration of the horror genre, I couldn’t help but feel that this was exactly what The Hunger Games wanted to be, even if the film adaptation couldn’t quite manage it.

The show must go on!

Note: This article contains some background information on Cabin in Woods. Nothing too big, but I would honestly recommend that you see the film as blind as possible. It is, by some considerable margin, one of the best films of 2012, and entirely deserving of both your time and your money. This article will still be here when you get back.

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