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Superman: The Animated Series – World’s Finest (Parts I, II & III)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. What with reviewing Superman/Batman: Public Enemies earlier, I figured it might be worth our time to take a look at the original Superman/Batman animated team-up. 

Thank you. I couldn’t have saved Lois without your help. 

I’m aware of that. 

– Superman and Batman share a moment of mutual Batman appreciation 

Superman: The Animated Series meets Batman: The Animated Series. How is that a tough sell? 

You can't outglower me, boy... in one of these animated movies I was played by Billy Baldwin...

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Non-Review Review: Superman/Batman – Public Enemies

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

Explain our guy love, that’s all it is.
Guy love; he’s mine, I’m his.
There’s nothing gay about it in our eyes. 

You ask me ’bout this thing we share…
…and he tenderly replies:
It’s guy love…
…between two guys. 

– Turk & JD explain “guy love” 

Superman/Batman: Public Enemies is essentially a superhero bromance. It’s part buddy cop movie, part long-term married couple, but all action. It’s not really anything more, but would you want it to be? 

He ain't heavy, he's my superpowered bro'...

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Non-Review Review: Green Lantern – First Flight

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

In case you weren’t aware, director Martin Campbell (the man who saved the Bond franchise twice – with both GoldenEye and Casino Royale) will be bringing a big screen adaptation of DC comic’s Green Lantern our way next summer. I am really looking forward to it, which might seem odd – Green Lantern has never really had the popular exposure that Superman, Batman, Wonder Woman or even Flash has had. Of course, that might be down to the fact that nobody has produced a television show based entirely around the character – hell, even Aquaman had that aborted Ving Rhames pilot and that fictional movie. So, it’s understandable if Green Lantern isn’t exactly lighting up the radar in the same way that, say, Kenneth Branagh’s Thor is. That said, if you’re looking to get a taste for the character, you could do a lot worse than checking out Green Lantern: First Flight.

Shoulda put a ring on it, indeed...

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The New Batman Adventures – Over The Edge (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. To tie into this morning’s review of Under the Red Hood, I thought I’d take a look at what might happen to Batman if he lost a partner.

Following the success of Superman: The Animated Series, a new bunch of Batman episodes were commissioned by Warner Brothers to compliment Batman: The Animated Series. However, this new series would be animated in the style of the Superman series – typically meaning a lighter animation and fewer lines. The transition was jarring, to say the least. Indeed, many commentators make the observation (whether fair or not) that The New Batman Adventures offered a “lighter and softer” approach to the Caped Crusader and his universe. Though I think that’s not an unfair description, it is also worth conceding that the season also gave us quite possibly the single darkest half-hour in the entire history of the DC animated universe. I refer to Over the Edge.

Those expecting a light story might want to look elsewhere…

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DCAU Fortnight Kicks Off!

Right, I am taking a little break from work and blogging and everything for the next little while, just trying to clear my head a bit, so I won’t be around quite as much as I would like to be. However, I do have a treat for the nerdier children of the nineties out there – I’m going to take a retrospective look at the animated DC universe, the Warner Brothers cartoons produced during the nineties and into the last decade which gave us Batman: The Animated Series among many other things. Anyone who grew up during the decade can’t possibly have missed these wonderful little shows, which perhaps got me interested in comic books in the first place.

And he always times it juuust right to catch the bolt of lightning...

Note: Over the course of this two week event (and a schedule can be found below), I will occasionally return to cover something big or huge (like our scheduled Tron: Legacy review, for example). I also hope to have more time to get back into reading and engaging with other bloggers. It has been far too long.

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Geoff Johns’ Run on The Flash – Wonderland, Blood Will Run & Iron Heights

Geoff Johns is pretty much on top of the world. He’s a renowned comic book writer, who has got to work on all his favourite childhood properties – in many cases making them as popular as they’ve been in decades. He’s in charge of DC’s multimedia approach – he’s the guy in charge of the movies and television shows based around the iconic properties. Without his work on the character, next year’s Green Lantern movie wouldn’t be happening. And yet he had to begin somewhere. Although it doesn’t represent his earliest work in comics by a long stretch, in 2000 he took over as writer on The Flash. Despite a string of solid work behind him – and a really successful run for Mark Waid on the title – it was this creative pairing which would arguably propel both writer and character into the spotlight like never before. A decade later, Johns has returned to the book which made him famous, so I think it’s time to begin a trip down memory lane.

Wally's going to have to think fast...

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Wednesday Comics

Hawkman unsheathes his knife and crawls into the gasping T-Rex’s jaws, thinking “Sadly, this is not the craziest thing I’ve ever done.”

– Hawkman

Wednesday Comics is an amazing little experiment, a bit of comic book nostalgia delivered by some of the most talented people in the business with a smile on their face and a skip in their step. For those who don’t know, DC Comics – always the more boldly experimental of the two major companies – ran a twelve-week collection of newspaper comic strips. Fifteen strips bundled together, the reader was offered one page of a given comic at a time on a super-sized newspaper sheet, with a full story told week-on-week. It was a bold little experiment and while the whole is almost certainly greater than the sum of its parts, there’s much to love here.

There in a Flash...

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Geoff Johns’ Run on Green Lantern – Blackest Night, Blackest Night: Green Lantern, Blackest Night: Green Lantern Corps & Blackest Night: Tales of the Corps (Review/Retrospective)

Wow. This is pretty much the climax of Geoff Johns’ five year run on Green Lantern, dating all the way back to Rebirth – where he reintroduced Hal Jordan, the original Silver Age version of the character. Since the very start of his run, he’s been dropping hints about the upcoming “war of light” and the prophecy first articulated in an Alan Moore short story decades ago – the prophecy of “blackest night”. Throughout his tenure on the title (and indeed his role shaping the DC Universe as a whole, as one of its guiding writers in the last decade), he has hinted again and again about big events looming on the horizon. Blackest Night is that event. And, in a way, it’s just as wild and crazy and huge as it should be.

Green Lantern reaches new heights...

Note: I am aware that the excellent Peter J. Tomasi wrote the Green Lantern Corps tie-in, but I thought it best to include it in the write-up here. I’ll actually be including my review of the tie-ins under the “Geoff Johns’ Run on Green Lantern” banner, even though he didn’t write all of them. If you’re looking for an opinion on Tomasi’s writing, it’s excellent and it’s highly recommended. Indeed, all four of these wonderful hardcovers are. Oops, did I just spoil my review?

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Absolute Kingdom Come

The nineties were a tough decade for the comic book medium. Violence sold. “Grim and gritty” represented the direction for most major comic books. Superman died. Batman was crippled. Green Lantern became a genocidal maniac. The Flash had long since abandoned the comic book universe. This was the era back-to-back Venom miniseries, the rise of Rob Liefeld and the lethal vigilante. A lot of people trace back this trend to the success of groundbreaking series like Watchmen or The Dark Knight Returns, which demonstrated that darker imaginings of conventional superhero comics could sell. Of course, that wasn’t the point of the comics at all, but such complexity is not the speciality of managers and executives. However, if the birth of that so-called “Dark Age” of comic books could be traced back to those roots, then perhaps Kingdom Come can be identified as the birth of a counter-movement against such trends.

Superman brings a lot to the table...

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Joker

Joker was released over the summer of 2008, and had the great fortune to closely mirror the Oscar-winning performance of Heath Ledger in The Dark Knight. Author Brian Azzarello claims that the similarities in the character here and on the big screen are a coincidence, but there’s something uncanny in watching this version of the character, with his Glasgow smile and foul teeth, attempt to take control of Gotham’s criminal underworld in a manner that his big screen counterpart would probably approve of. Azzarello paints a grim and gritty version of the Gotham City underworld, avoiding the more obvious superhero clichés and instead offering an exploration of the madness of one of the medium’s enduring antagonists.

This Joker has his own toxins...

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