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Superman Returns & The Question of Consent…

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. I figured that, today, I’d take a look at Superman-related movies.

As I was watched Superman Returns again for the first time in what seemed like years, a question occurred to me. It wasn’t exactly one that the plot addressed, but it was probably one of those idle little thoughts which is best reserved for the late hours, as one enjoys a pre-bed snack, or fodder for a wandering mind on a long bus journey. The title of this post kinda gives the game away, but read on for more.

A super night...

Note: This article contains fairly basic spoilers for Superman Returns, but I think you probably already know what I’m going to talk about.

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Kevin Smith’s Superman Lives! Script

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. I figured that, today, I’d take a look at Superman-related movies.

But Superman was one that I was kind of intrigued by, because of my love for comic books and because I read the script they were working from at that time and hated it. Batman is about angst; Superman is about hope. That was the thing that bothered me about Greg Poirier’s draft: they were trying to give Superman angst. They had Clark Kent going to a psychiatrist at one point. Superman’s angst is not that he doesn’t want to be Superman. If he has any, it’s that he can’t do it all; he can’t do enough and save everyone. It’s not enough to make him want to quit being Superman; it’s enough to make the guy stay up at night so he’s out doing shit constantly.

– Kevin Smith on the script he was handed

I figured, with all this talk about Zack Snyder’s Superman reboot, I might as well take a look at some of the other productions that have brought the Man of Steel to the big screen in recent years. Superman never had quite the box office traction of Batman, and so never really went through that many big-screen iterations – while there’s a notable change in aesthetic between the Batman films of Burton, Schumacher and Nolan, Superman’s movies have been fairly consistent. I took a look at Superman Returns earlier today, but I thought I might take a look at Kevin Smith’s unproduced script for an earlier iteration of that particular film, Superman Lives!

Now, before you read my thoughts on the script, you should really watch the below clip, where Kevin Smith talks about writing Superman, and the various difficulties and demands that he faced.

Note: You can check out the script yourself, here.

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Superman: Secret Origin (Review/Retrospective)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

I have to admit that I quite enjoyed Geoff Johns’ run on Action Comics. Johns has been one of the most influential writers working at DC over the past couple of years, so it felt right to see him tackling Superman, after years of working on titles like The Flash and Green Lantern. It was an extra special treat because he brought Richard Donner with him for the introductory arc, which restored a sense of continuity between the comic book superhero and his cinematic iteration. You ask anybody to picture Superman, and I promise you that they will imagine Christopher Reeve with his cape flapping in the wind – it feels like the definitive version of the character. And I felt that Johns really tapped into that aspect of the icon. So, I have to admit that I was pretty excited when it was announced that Geoff Johns would be returning to tell the character’s origin story, his Secret Origin, if you will.

That's one super life he's lived...

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Superman: The Animated Series – The Late Mr. Kent

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. With the review of Superman: Doomsday yesterday, I thought it might be worth taking a look at some of the other times Superman has “died” in these animated stories.

Superman: The Animated Series wasn’t quite the huge success that the earlier Batman: The Animated Series had been. It was still a superb animated adaptation of an iconic comic book property, but perhaps Superman is just a tougher character to get a handle on than the Dark Knight – there’s no denying the popular perception that Superman is “boring” by virtue of the fact that he can do just about anything. We can debate that idea back and forth, but I’d argue that the a really good Superman story makes his powers irrelevant by avoiding (or at least downplaying) the physical threat. The character isn’t necessarily defined by how hard he can hit things or how fast he can fly, but by who he is. (Of course, this doesn’t really excuse the “emo-Superman” approach DC seem to be so fond of with Superman Returns and all that.) The Late Mr. Kent is – for my money – one of the most fascinating episodes of the animated series by virtue of the fact that it finds a rather interesting and deeply personal angle on the Man of Steel, without feeling the need to be “grand” or “epic”. Sometimes it’s enough to be intimate.  

Clark was blown away by the story he uncovered...

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Green Lantern 101: A Beginner’s Guide to The Green Lantern Mythos…

The trailer for Green Lantern arrived yesterday. I’m already excited about the release. However, I acknowledge that Hal Jordan isn’t quite the household name that Bruce Wayne or Clark Kent is. So I put together this collection of frequently asked questions about Green Lantern, which will hopefully give you a bit of an introduction to the character. If this proves popular, I might do the same for Thor or Captain America, the other major comic book releases of next year. Check out the trailer below.

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Thoughts on Snyder’s Superman

It has been over a week since the news that Zack Snyder would be directing the Superman reboot was announced. And what a week it has been. No sooner was the movie announced than details started flooding in – Luthor would not be the main villain, it would be an origin story of sorts, it would not share continuity, Zod would be the primary antagonist, Brandon Routh would not return. That’s quite a bit of news to get straight out of the gate, and I took a while to really shape my opinion of it all. And I’m optimistic, just very cautiously so.

Look! Up in the sky!

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Richard Donner & Geoff Johns’ Run on Action Comics – Last Son, Escape from Bizarro World, Superman & The Legion of Superheroes & Brainiac

In light of the recent announcement that the villain of Christopher Nolan and Zack Snyder’s Superman reboot will be General Zod (brought to the screen by Terrence Stamp in Superman II), we thought we might take a look at the run which reintroduced Zod to comic book audiences (written by the director of the first two films).

You kinda figure that Geoff Johns would be the perfect fit for Superman as a character. I mean, no character needs to re-engage with his roots while seeming fresh and renewed quite like the modern Superman. Despite his iconic status, the character hasn’t really registered on global pop culture since Richard Donner brought him to life in Superman, the first of the modern superhero films. Fittingly enough, legendary director Donner joins Geoff Johns as co-writer for the first half of the run – if you needed any more indication that this was a pairing to be excited about, consider the fact that Donner gave Johns his first “in” in show business, working as the director’s assistant. If you needed any more, take a look at how perfectly illustrator Gary Frank draws the Man of Steel, making him look like Christopher Reeve. However, although the run is entertaining and engaging, it can’t help feeling a little incomplete – as if Johns is spending more times aligning the pieces on his board rather than playing with them. Still, it’s a pretty damn good collection of Superman stories that Johns and Donner have put together here.

Superman is adrift no more...

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Non-Review Review: Superman II (The Richard Donner Cut)

Superman II has had a somewhat rocky production history. Essentially conceived as the “second half” of the original Superman film, it was all beautifully and carefully mapped out since before the original was released – in fact, Donner had done most of his work on the sequel before the original saw the light of day, and Gene Hackman didn’t even officially work on the second film (his filming blocks overlapped). It was a bold gambit, but one which could have returned an almost infinite reward. Instead, the producers of the film – the Salkinds – would fire director Richard Donner before he could finish his work and hire Richard Lester to come in a film some replacement footage. Perhaps the most telling thing about Lester is that, on viewing Donner’s epic take on the Man of Steel, the replacement dismissively stated that he wanted to stay away from “the whole David Lean thing”. Because the last thing he’s want to do is make a good movie. However, Donner would eventually get an opportunity to tell his version of the story – or as close to it as possible. Although there’s only so much editting can do, Superman II: The Richard Donner Cut makes almost as solid a case for its director’s vision as Superman III and Superman IV do for his successor’s lack of same.

Let's put this to bed...

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Looking for Christopher Nolan’s Superman…

Superman is a tough character to get right. In any format. I remarked earlier in the week that there are very few truly classic stories featuring the character. While I’m more than a little delighted that Christopher Nolan has been handed the reigns to the franchise, I’m also a little bit nervous. Is there a way to make Superman a viable commercial franchise for the twenty-dirst century? I’d argue there is, if we look in the right place. Here’s my opinion: Look! Up in the skies! I think that the place to look to take the character back to his roots is the sort of wonderful ‘out there’ science fiction of the fifties. Batman does noir, so let Superman do hokey sci-fi.

"You will always be a child of two worlds..." Wait, sorry, wrong monologue...

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Whatever Happened to the Man of Tomorrow?

Released in a Deluxe Edition hardback format to compliment Neil Gaiman’s farewell to the Caped Crusader, this collection of Alan Moore Superman stories is a pretty cool purchase, and one significantly better than the Batman equivalent it is published alongside. A fond goodbye to the Silver Age of Superman (and comics as a whole), it reads fantastically well in retrospect as a goodbye in many ways to the innocence of the earlier superhero four-colour tales. The fact that it’s accompanied by arguably an even better Superman story is just icing on the cake.

"I can't stand to fly..."

"I can't stand to fly..."

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