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New Dark Knight Rises Trailer

Man, it is taking enormous self-restraint not to look at every single one of the TV spots being released for The Dark Knight Rises. With less than a month to go, I think I’m doing quite well, limiting myself to these larger trailers. Anyway, here’s the latest two-minute look at the film. It’s more action-packed than the last couple, and it has a lot more humour. (I’ve always felt that people overplay the seriousness of Nolan’s Batman films – yes, they are quite heavy, but they don’t take themselves too seriously.) And, I feel like an idiot, but I just got that “what are you?” and “I’m Gotham’s reckoning” are a conscious call back to “what are you?” and “I am Batman” from Batman Begins. D’oh.

Doing Justice to the Justice League: 10 Tips For Warner Brothers in Building the Justice League…

Rumour has it that Warners has made superheroes their top priority again. I wonder why that might be. Anyway, here’s 10 tips that might help them make the perfect Justice League film.

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Non-Review Review: Aliens (Theatrical Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I think Aliens might be my favourite James Cameron movie. Of course, the guy has any number of iconic movies vying for that position – The Terminator and Terminator 2 both come to mind, for example – but I can’t help but admire how efficiently the director constructed his first big budget motion picture. Regardless of its place within an iconic science-fiction franchise, Aliens is practically a guidebook on how to effectively construct a movie, from writing the script to directing the action and absolutely everything in between. It’s hard to look at Aliens as anything less than a complete triumph, no matter which angle you examine the film from.

Queen bee…

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Not Everything, Not Yet: Nolan’s Dark Knight Rises and the Prospect of Finality

Read our in-depth review of the film here.

It’s a funny thing watching The Dark Knight Rises trailer that was released earlier in the week. It seems that a lot of people had the same response that I did. Colleagues in work, friends and family members, all looked at the trailer for the third in Nolan’s trilogy that began with Batman Begins and seemed to have the same observation. “I think he might kill Batman,” a lot of people remarked on viewing the teaser for the film. Given how safe most major studio productions are, especially those that are part of a cash-cow franchise, it’s amazing that the possibility even exists at all, hovering faintly over the film.

Broken bat…

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New The Dark Knight Rises Trailer

You don’t owe these people any more. You’ve given them everything.

Not everything. Not yet.

-Selina and Bruce

The new trailer for The Dark Knight Rises has been released and it looks suitably epic. Hm. Looks like it really might be about “the idea of Batman” in a very Grant Morrison-esque sort of way. “I’m adaptable,” Selina boasts, but she could be speaking of Batman himself, who is capable of being anything pop culture wants him to be. I suspect Nolan will be hitting the idea of Batman as a mythic symbol quite hard, and I honestly think that’s the best way to cap off a trilogy that’s been about the notion of a “modern” Batman. In particular, it seems that it might be exploring the notion of Batman as an inspirational figure being more important than the man in the mask. I think my excitement just went off the scale.

What Does It Take To Get You To See a Movie Twice In the Cinema?

Going to the cinema is expensive. In fact, it’s been getting progressively more expensive these past few years, which seems to be a contributing factor in steadily decreasing theatre attendance. (The behaviour of fellow patrons and lax enforcement of basic cinema etiquette might be another.) Still, there’s something inherently romantic about a trip to the cinema, seeing the lights go dark and the images projected on a big screen, as they were intended to be seen. While a home cinema system offers its own perks, there’s just something inherently appealing about the real deal. Last Friday, I had the pleasure of seeing Cabin in the Woods with my better half – the second time I’d seen the film. I very rarely double-dip on cinema trips, but there were a variety of factors that alleviated my guilt. What does it take you to see a film more than once in a cinema?

Cinema is a cottage industry...

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The Prestige & Schrödinger’s Magician: Would the Real Robert Angier Please Stand Up?

No one cares about the man who disappears, the man who goes into the box. They care about the man who comes out the other side.

– Robert Angier

I am a big fan of Christopher Nolan. Anybody who regularly reads the blog will attest to that. I believe, genuinely, that he’s one of the best directors working today. However, my favourite Nolan film is a rather eclectic choice. I appreciate all his films, but I think that The Prestige stands as the pinnacle of the writer’s work to date. After all, in a career built around movies exploring the power of narrative, it’s hard to resist the film that compares cinema to magic. I think it’s a deftly-constructed and cerebral film, one of the few movies that still intrigues and confounds me when I stick it on. Of course, the narrative is relatively straight-forward once Nolan reveals the technique and the tricks in the final act, but I always find it rewarding to chew over the implications in the film, the story of two dueling magicians who take their rivalry as far as possible, and even beyond that.

Are you watching closely?

Note: By its nature, this post will include spoilers for the film. I have written a review of it, in case you are looking for a recommendation. It’s the most divisive of Christopher Nolan’s films, and I’d recommend seeing it at least once – love it or hate it, it’s a film that you won’t quite forget.

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Ten Most Anticipated Movies of 2012

Enough with the best of 2011! That was so last year. Let’s instead reflect on some of the films I am most anticipating in the year ahead. As noted elsewhere, this is all just my opinion, so it’s bound to be a bit crazy and off-the-wall, but hopefully it’s interesting enough.

Hopefully, 2012 isn't a cinematic disaster...

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My Best of 2011: The Artist, Tempering Nostalgia & Truly Accessible “True Art”…

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

The Artist is number three. Check out my original review here.

Spend a bit of time discussing film with people, and you’ll discover that a lot of prejudices exist about certain types of films and their audiences. For example, you’ll discover that some people cling to the believe that any film made on a budget of over six figures and released in the middle of summer is a brain-dead offense to the senses. On the other end of the scale, you’ll find those who protest that any narratively challenging or otherwise unconventional film is “pretentious” or “inaccessible.” These views don’t represent the majority opinion, but you’ll stumble across them if you converse about film enough. Thankfully, at least, The Artist puts paid to the idea that a black-and-white silent film is inherently “inaccessible.”

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Grant Morrison’s Run on Batman & Robin – Batman Reborn, Batman vs. Robin & Batman Must Die! (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. Every Wednesday this month, we’ll have a Grant Morrison related review or retrospective.

I am going to be honest. I didn’t love Grant Morrison’s tenure on Batman. It felt a bit awkward and continuity-heavy – don’t get me wrong, I appreciated his attempt to tie together just about every aspect and iteration of Batman ever, but it just felt a bit too much. Yes, Batman can be the grim avenger or the charming ladies’ man or the camp crusader or the superhero or the urban vigilante or the world’s greatest detective or a swinging icon, but – in reading Morrison’s run – it felt too awkward to make Batman all of these at the same time. Perhaps, then, it’s because Batman & Robin sets itself a more modest goal (in that it doesn’t attempt to reconcile every aspect of the character’s seventy-year history) or just because Morrison appears to be enjoying himself far more, but this second act in Grant Morrison’s epic Batman saga is a much more engaging read.

The run gets off to an explosive start…

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