bruce wayne | the m0vie blog

Batman Beyond – Meltdown (Review)

Posted on September 20, 2012 by Darren

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

I was less than impressed with Victor Fries’ last appearance on Batman: The Animated Series in Cold Comfort, written by Hilary J. Bader. So I’ll admit to being quite surprised when she produced the story for Meltdown, a fairly effective conclusion to Mister Freeze’s character arc. Perhaps it’s a result of the bold new setting, or perhaps Alan Burnett’s work on the teleplay, but Meltdown does a rather excellent job wrapping up all sorts of loose ends and fairly effectively using Freeze as an unlikely, yet effective, counterpart to Bruce Wayne.

He never lost his head, and he always kept his cool…

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Filed under: Television | Tagged: art, batman, batman animated series, Batman Beyond, Bruce, bruce wayne, Christopher Nolan, comic book, dc animated universe, Freeze, Michael Ansara, Nora Fries, paul dini | 2 Comments »

Batman: The Animated Series – Perchance to Dream (Review)

Posted on September 14, 2012 by Darren

Given how much care Batman: The Animated Series put into crafting and caring for the Caped Crusader’s iconic selection of bad guys, it’s often easy to overlook just how skilfully the series handled its central character. Batman has frequently been accused of being far less interesting than his costumed adversaries – particularly in Batman and Batman Returns – so it’s reassuring to note that Bruce Tim and his stable of writers had a very firm grasp on the character of Gotham’s Dark Knight. Perchance to Dream is one of the stories that offers perhaps the greatest insight into who Bruce Wayne is and what he wants. And, perhaps, why he could never have it.

Sweet dreams…

Note: This review contains spoilers. Given the episode aired twenty years ago, I consider it fair game. If you haven’t seen it already, please feel free to come back when you have. It is very good.

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Filed under: Television | Tagged: alfred, alfred pennyworth, batman, batman animated series, Bruce, bruce wayne, Christopher Nolan, dark knight returns, Dark Knight Rises, dc animated universe, FrankMiller, Hatter, Lucius Fox, robin, Selina, superman, thomas wayne, Warner Bros, Wayne Enterprise, Wayne Enterprises | 4 Comments »

The New Batman Adventures – Cold Comfort (Review)

Posted on September 12, 2012 by Darren

As wonderful as Heart of Ice was, offering a classic origin to a bad guy who would have otherwise been a footnote, there is a sense that the reimagining of Victor Fries hemmed the character in a bit. By giving him a moving origin story based around his wife, it meant that the character’s arc would be dictated by Nora. As such, it limits the story-telling opportunities, because there are really only so many stories you can tell. Fries can be seeking revenge (Heart of Ice) or striking a deal to preserve here (Deep Freeze) or responding to her loss (as here), but that’s pretty much it.

Cold Comfort is the first episode featuring the character without the direct involvement of writer Paul Dini. It certainly shows, as it feels like a fairly wasted chapter in the character’s arc.

Has Freeze flipped his lid?

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Filed under: Television | Tagged: arts, batman, batman animated series, Bruce, bruce timm, bruce wayne, Clayface, comic book, Comics, Dark Knight Rises, dc animated universe, Freeze, gotham, mad hatter, Michael Ansara, Nora, paul dini, Television | 4 Comments »

The Adventures of Batman & Robin – Riddler’s Reform (Review)

Posted on September 10, 2012 by Darren

Batman: The Animated Series always did a great job with villain origins. Heart of Ice gave us the best Mister Freeze story ever told, The Clock King made the eponymous third-stringer a credible threat and Mad as a Hatter reimagined the Mad Hatter as a deeply tragic figure. That said, I don’t think that the show got a proper handle on the Riddler until his third appearance in Riddler’s Reform. The green-suited trickster has long been one of my favourite Batman bad guys, and while I mostly blame Frank Gorshin’s manic portrayal from the sixties Batman! television show, Riddler’s Reform played a pretty significant part in that as well.

Knight caller…

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Filed under: Television | Tagged: animation, art, arts, batman, batman animated series, bruce wayne, comic book, Comics, Dark Knight Rises, dc animated universe, riddler, two face | 2 Comments »

Batman: The Animated Series – On Leather Wings (Review)

Posted on September 3, 2012 by Darren

I suppose we should start at the beginning. It’s hard to believe that it has been twenty years since Batman: The Animated Series first appeared on television. I think that it’s had a fairly massive impact – both on superheroes in animation, but also back in the original source material. Although On Leather Wings was not the first episode of the show to be broadcast (it was beaten by The Cat and the Claw, Part I), it was the first produced. While the episode itself falls quite short of greatness, it’s interesting to note just how many of the show’s successful ingredients were clearly present from the outset.

I can’t stay silent on the matter…

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Filed under: Television | Tagged: alfred pennyworth, batman, Blimp, Bruce, bruce wayne, danny elfman, Dark Knight Rises, Shirley Walker | 3 Comments »

Peter Tomasi & Patrick Gleeson’s Run on Batman & Robin – Born to Kill (Review)

Posted on July 30, 2012 by Darren

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

DC’s “new 52” was a fairly massive success. Hoping to re-energise their line, the company launched a massive retooling following their crossover Flashpoint. Some characters had their history radically reworked and altered – Morrison’s work on Action Comics standing as perhaps the most obvious example. However, some characters transitioned through the change with relative ease. Geoff Johns’ Green Lantern pretty much continued from where War of the Green Lanterns left off, and the entire Batman line was pretty much business as usual, save for the return of Bruce Wayne to the centre of the stage and Dick Grayson’s return to the role of Nightwing.

Peter Tomasi and Patrick Gleason took over as the regular creative team on Batman & Robin, a book that had been launched by Grant Morrison only two or three years earlier. The book originally focused on the dynamic between Dick Grayson as Batman and Damian Wayne as Robin, so there’s a fairly fundamental shift in the tone of the book as Bruce Wayne is teamed up with his own son. While the set-up might seem to take a while to find its feet, there’s certainly no shortage of intriguing ideas here.

A Boy Wonder…

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Filed under: Comics | Tagged: batman, Bruce, bruce wayne, caped crusader, damian wayne, Dark Knight Rises, dick grayson, frank miller, gotham city, Grantmorrison, patrick gleason, peter tomasi, robin, year one | Leave a comment »

Judd Winick’s Run on Batman & Robin – Streets Run Red (Review)

Posted on July 25, 2012 by Darren

Today we’re taking a look at three of the authors who followed Grant Morrison’s groundbreaking Batman & Robin run. And, rounding off our day of reviews, is Judd Winick’s three-issue arc.

I can’t help but feel a bit disappointed at how DC editorial handled Batman & Robin after Morrison departed. In hindsight, it’s apparent that they were waiting until the high-profile post-Flashpoint DCnU to relaunch the title with its new creative team of Peter Tomasi and Patrick Gleason, but that still means there were ten issues between the end of Morrison’s run and the proper start of Tomasi and Gleason’s. While using fill-in writers and artists might have seemed logical, I can’t help but feel like there should have been tighter editorial control of the book.

While Paul Cornell and Tomasi both maintained some association with Morrison’s well-loved run, Judd Winick uses the title to tell a three-issue story arc that doesn’t necessarily fit. Instead, this three issue story-arc feels like it should have been a miniseries or featured in an anthology title, fitting more easily within the character continuity of Winick’s resurrected Jason Todd than within any framework of Batman & Robin.

All good for the Hood?

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Filed under: Comics | Tagged: batman, batman & robin, batman & robin: streets run red, bruce wayne, damian wayne, Dark Knight Rises, dc comics, dick grayson, grant morrison, Grantmorrison, IGN, Jason Todd, judd winick, morrison, patrick gleason, peter tomasi, robin, robin (jason todd), streets run red, under the red hood, Winick | 2 Comments »

Paul Cornell’s Run on Batman & Robin – The Sum of Her Parts (Review)

Posted on July 25, 2012 by Darren

Today we’re taking a look at three of the authors who followed Grant Morrison’s groundbreaking Batman & Robin run. We’ll start with Paul Cornell.

I’m going to be entirely honest here. I am very disappointed that Paul Cornell hasn’t really got a shot at an on-going Batman book. The author has been something of a rising star at DC comics for what seems like years, and recently provided the best Superman run in recent memory with his wonderful Lex Luthor story in Action Comics. He’s a writer who is astutely aware of the genre conventions, while being shrewd enough to exploit them to his advantage. He writes distinctly “comic book!” comic books, but without following the standard plot patterns just for the sake of adhering to formula. His three-issue Batman & Robin fill-in arc might not be his best work, or the best work on the title, but I do admire Cornell’s willingness to provide a compelling criticism of the Batman mythos instead of merely offering a generic paint-by-numbers treading-water adventure. Even if it doesn’t quite stick the landing, Cornell’s story is certainly ambitious.

Drilling it into them…

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Filed under: Comics | Tagged: Action Comics, alfred, batman, batman & robin, batman & robin: the sum of her parts, Bruce, bruce wayne, Comics, Cornell, damian wayne, Dark Knight Rises, dc comics, feminism, Grantmorrison, lex luthor, morrison, Paul Cornell, peter tomasi, robin, sexism, the sum of her parts | 1 Comment »

Non-Review Review: Batman! (1966)

Posted on July 24, 2012 by Darren

I have to confess, I think that Adam West’s Batman! gets a bit of an unfair time from comic book aficionados, movie fans and even casual pundits. In the years since the iconic movie and television show, fans have acted like camp and comedy are elements that have no place in the world of the Caped Crusader. There is – of course – a reason for that. Darker portrayals have since come dominate Batman’s characterisation, from Tim Burton’s Batman to Frank Miller’s The Dark Knight Returns to Christopher Nolan’s The Dark Knight. However, I think one of the most endearing aspects of Batman as a pop culture icon is his ability to adapt. “I’m whatever Gotham needs me to be,” Batman tells Gordon at the climax of The Dark Knight. Sure, sometimes we need him to be a staunch and iconic hero triumphing against adversity. Other times we simply need him to whip out the Bat Shark Repellent.

Batman was “Urk-ed” by the Penguin’s plan…

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Filed under: Non-Review Reviews | Tagged: adam west, batman, bruce wayne, Christopher Nolan, ChristopherNolan, dark knight returns, Dark Knight Rise, Dark Knight Rises, DarkKnight Rises, film, gotham city, joker, Movie, non-review review, Penguin, review, riddler, robin, tim burton | 14 Comments »

Batman: Vampire Trilogy – Red Rain, Bloodstorm & Crimson Mist (Review/Retrospective)

Posted on July 24, 2012 by Darren

I’m going to be entirely honest. I’m not completely sure what to make of Doug Moench and Kelley Jones’ Batman: Vampire trilogy. A collection of three Elseworlds stories, all following a Batman who confronted Dracula early in his career, they initially seem like grim and dark comics from the nihilistic nineties. There’s a lot of violence, a lot of cynicism, and a lot of gore. As with a lot of Batman written around that time (and arguably beyond), The Dark Knight Returns seems like a major influence, presenting a progressively darker and unhinged Dark Knight and an increasingly brutal war on Gotham’s crime. However, there were times, reading the trilogy, that I couldn’t help but read it as a sort of an implicit criticism of these sorts of excessively dark and edgy comics.