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The Doctor Is In? Is Doctor Who “Too British” For American Audiences?

Posted on November 22, 2011 by Darren

Well, it’s been about a week since the news broke that David Yates would be directing the new Doctor Who movie, being produced by the BBC, aimed at American audiences. Perhaps Steven Moffat’s rumoured commentary was perfectly apt: it seems that neither the director nor the studio have any idea what exactly they are planning, and the announcement might have been more than a little preemptive. There’s a lot of chatter out there about what this means for the television show, which is rumoured to be running severely over-budget and under pressure from the BBC executives. Because, you know, it’s not like the show makes enough to justify its costs.

I don’t know if this means potential cancellation or a reboot after the fiftieth anniversary, or even if the show and the movie will run alongside in two distinct continuities (and people said Moffat’s “timey-wimey” plots were too complicated!). Being entirely honest, I’m not sure if Yates knows either. However, something does fascinate me about this. Bringing Yates on-board represents a vote of confidence, suggesting that Doctor Who could be somewhere in the region of “Harry Potter” success stateside.

I can’t help but wonder if Doctor Who is simply “too British” for mainstream American audiences, and if launching a movie franchise to appeal to the demographics will be able to keep the core of the character and the show, while courting North American movie-goers.

States of play?

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Filed under: Movies, Television | Tagged: bbc, Bean, Christmas Invasion, David Yates, doctor who, Doctor Who: The Movie, DoctorWho, harry potter, Johnny English, martin scorsese, matt smith, Moffat, steven moffat, Tom Baker, United States | 4 Comments »

Doctor Who: The Wedding of River Song (Review)

Posted on October 1, 2011 by Darren

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Wedding of River Song originally aired in 2011.

“I had to die. I didn’t have to die alone.”

– The Doctor

That was a really crammed 45 minutes. If I’m ever looking for an example of how much plotting Steven Moffat can fit into a single regular-sized episode of Doctor Who, I think I only need to look back at The Wedding of River Song. It’s a piece of very smart science-fiction writing, bristling with ideas and tying up quite a lot of the questions that Moffat raised over the course of the last two years, while raising even more.

It’s something that Moffat’s Doctor Who seems to struggle with, balancing the show’s appeal and accessibility with long-term arc-based story telling. It’s a conflict that’s playing out across a variety of television shows, building off the massive success of Lost, and demonstrating that television shows with serialised plot elements can draw (and, for the most part, keep) large audiences.

It’s still a risky gambit for any television show, particularly one like Moffat’s Doctor Who, where the episodes are so few and so far spaced across the television season. Arcs like this run the risk of extending some of the problems with the season as a whole, rather than playing up the individual strengths of the episodes.

Death of the Doctor…

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Filed under: Television | Tagged: amy, amy pond, bbc, doctor, DoctorWho, Girl Who Waited, God Complex, Moffat, River Song, rory, russell t. davies, star trek, steven moffat, the wedding of river song, Wedding of River Song, White Guardian | 10 Comments »

Tinker, Tailor, Soldier, Spy (BBC) (Review)

Posted on September 26, 2011 by Darren

Let’s not be melodramatic. Control would disapprove.

– Smiley sums it up

It’s odd coming to the BBC’s 1979 adaptation of Tinker, Tailor, Soldier, Spy in the opposite direction of most fans. I’ve never read la Carre’s original novel, and I saw Tomas Alfredson’s movie before watching the miniseries. So my perspective is slightly askew, as if I’m moving in the wrong direction. My viewing of the miniseries is informed more by the 2011 movie than by the book that inspired it. Still, it’s very hard not to be impressed by the television adaptation, which really seems like it pulled out all the stops in translating the story from page to screen, featuring an all-star cast, of which Sir Alec Guinness is only the front man.

Smiley fellow, eh?

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Filed under: Television | Tagged: Alec Guinness, bbc, gary oldman, George Smiley, John le Carré, Joss Ackland, Peter Guillam, review, Smiley, Television, Tinker Tailor Soldier Spy, Tomas Alfredson | 1 Comment »

Doctor Who: Closing Time (Review)

Posted on September 24, 2011 by Darren

Look! They gave me a badge with my name on it, in case I forget it… Which is very thoughtful, because that does happen.

– The Doctor shows off his name badge

I have to admit, I liked Closing Time. It wasn’t quite as good as The Lodger, but it was an entertaining diversion at the end of what has been a pretty gloomy run of episodes for Doctor Who. And based on the previews for The Wedding of River Song, it isn’t going to get any lighter next week. I do have to admit, I kinda like the idea of Craig as an almost “stationary” companion – one whose life is constantly interrupted by the return of the Doctor to his relatively quiet existence, something that works quite well in contrast to the relationship between Amy and the Doctor.

It's all under (remote) control...

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Filed under: Television | Tagged: amy pond, bbc, Closing time, Craig, cybermen, doctor, DoctorWho, Lodger, matt smith, Pandorica Opens, rory williams, russell t. davies, Shopping, steven moffat, Television, Time Lord | 6 Comments »

Non-Review Review: Tree of Life

Posted on September 18, 2011 by Darren

Terence Malick’s Tree of Life stems from the beginning of the universe to “the end of time.”It’s hard to imagine any film with a similar scope, let alone one focused on the troublesome relationship between a nuclear family in the mid-to-late-twentieth century. The easiest way to summarise Malick’s epic yet intimate drama is describe it as a profound meditation on the history of the cosmos, reflected through a child’s coming-of-age tale. Confused? I don’t blame you. I’m slightly confused and I just watched the damn thing.

A beautiful sequence of images...

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Filed under: Non-Review Reviews | Tagged: bbc, Book of Job, christianity, Father, film, Filmmaking, god, Koyaanisqatsi, Movies, non-review review, Old Testament, Religion and Spirituality, review, Terrence Malick, theology, Tree of Life | 5 Comments »

Doctor Who: The God Complex (Review)

Posted on September 17, 2011 by Darren

The God Complex originally aired in 2011.

It’s time we saw each other as we really are.

– The Doctor

It really is like the McCoy era all over again, isn’t it? The Impossible Astronaut gave us a scheming and manipulative Doctor. Night Terrors felt like it was drawn from the same cloth as Survival, with the faintest trace of Paradise Towers. Here, we get to revisit the ideas at the heart of The Curse of Fenric. Moffat’s second season has really been about the writer defining his own way of making Doctor Who, following a debut season that followed the same structure as the four years overseen by Russell T. Davies.

Here, Moffat is deconstructing the myth of the Doctor, in a way that draws on and contrasts with Davies’ “the Lonely God”, without going to the excess of “the Time Lord Victorious.” Indeed, with the whole dynamic between the Doctor and Amy drawing on one careless miscalculation the character made, changing a young girl’s life forever, one can’t help but wonder if there was more than a hint of truth in what the Doctor confessed to Amy to break her faith in him. “I took you with me because I was vain,” he tells her, “because I wanted to be adored.”

More than ever, it seems there’s a bit of truth in the Doctor’s admission that, “I’m not a hero.” Russell T. Davies has the Doctor follow a similar trajectory, albeit on a larger scale – episodes like Midnight and The Waters of Mars represented massive failings on the part of the Doctor. Moffat draws on the same sort of idea, but renders the Doctor’s failures much more intimate. It isn’t so much that the Eleventh Doctor fails to save the world or defeat the monster, it’s that he fails the people close to him so frequently and thoroughly.

You can check out any time you like, but you may never leave…

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Filed under: Television | Tagged: amy, Amy's Choice (Doctor Who), bbc, doctor, Doctor (Doctor Who), doctor who, Doctor's Wife, DoctorWho, matt smith, Moffat, Paradise Towers, review, rory, russell t. davies, Sarah Jane Smith, tardis, Television, The God Complex, the God Complex (Doctor Who), Vampires of Venice | 5 Comments »

Non-Review Review: Jane Eyre

Posted on September 10, 2011 by Darren

This latest in the long line of Jane Eyre adaptations stands quite well among them. My better half, whom I readily defer to in matters of culture (if not, sadly, also taste), assures my that it represents a relatively faithful and incredibly thorough exploration of the classic gothic romance, condensed down into a relatively short two-hour-and-ten-minute film. It really is a well-made film, produced with genuine skill and class from everybody on board, and I’d go so far as to suggest that the few problems I had with it stemmed directly from its source material.

Love is in the Eyre...

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Filed under: Non-Review Reviews | Tagged: bbc, Brontë family, Charlotte Brontë, colin firth, films, frankenstein, Jane Eyre, Mia Wasikowska, Michael Fassbender, Movies, non-review review, reviews, Wuthering Heights | 6 Comments »

Doctor Who: Let’s Kill Hitler (Review)

Posted on August 27, 2011 by Darren

Let’s Kill Hitler originally aired in 2011.

You’ve got a time machine, I’ve got a gun. What the hell. Let’s kill Hitler.

– Mels drops a title

Well, Steven Moffat made it quite clear from the outset that he was going to play with the structure of his second season as executive producer. The show was split and broadcast in two blocks, straddling the summer. It opened with a rather epic two-part adventure that seemed to show us the end of the Doctor’s journey. Let’s Kill Hitler is positioned in a very strange way. It is simultaneously the light and quirky opening episode of the season’s second block, and also the hour devoted to resolving a lot of the lingering questions overshadowing the arc-driven sixth season of the revived Doctor Who.

It is, in short, a mess. It’s a confident and occasionally brilliant mess, but a mess nonetheless.

Crashing the Nazi Party…

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Filed under: Television | Tagged: a good man goes to war, Adolf Hitler, bbc, BBC America, doctor, DoctorWho, Donna Noble, Eleventh Doctor, Good Man Goes to War, Jon Pertwee, Kill Hitler, let's kill hitler, Moffat, review, River Song, steven moffat, Television, time travel | 7 Comments »

Luther: Series 2 (Review)

Posted on August 4, 2011 by Darren

I loved the first series of Luther. I genuinely adored it. It was a wonderful six-episode arc following the perils of DCI John Luther as he walked a thin line between, as Ripley remarks here, “being dirty and being willing to get your hands dirty”, all of which culminated in a rather fantastic final two episodes that explored the implications of that sort moral corruption in law enforcement. So the follow-up season had a lot to live up to, and – while it’s still well-written, well-acted and solidly entertaining – it can’t help but feel a little disappointing. While there are other considerations, the most damning one is this: two two-part episodes don’t given enough room for a season-long arc.

Putting it all together...

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Filed under: Television | Tagged: Alice, Alice Morgan, bbc, british television, dci john luther, Fawlty Towers, Idris Elba, john luther, luther, paul mcgann, police procedural, review, Ruth Wilson, Saskia Reeves, Television, United States | 2 Comments »

Luther: Series 1 (Review)

Posted on July 26, 2011 by Darren

You know, when I wonder why Irish television can’t produce quality drama, I am not looking across the pond towards our American cousins. I realise the sheer scale of the economy and the entertainment industry over there means that any possible point of comparison is just absurd. While the Great Britain is considerably larger, I look at the BBC and wonder why Irish television can’t even be nearly as good as that. After all, we have produced more than our fair share of Nobel laureates for literature, produce great artists, writers and actors in numbers quite disproportionate to our side. And I can’t point to a single Irish television show that is any way iconic – but perhaps that’s too much to expect.

Why can’t we even have something half as good as Luther?