To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.
Let’s Kill Hitler originally aired in 2011.
You’ve got a time machine, I’ve got a gun. What the hell. Let’s kill Hitler.
– Mels drops a title
Well, Steven Moffat made it quite clear from the outset that he was going to play with the structure of his second season as executive producer. The show was split and broadcast in two blocks, straddling the summer. It opened with a rather epic two-part adventure that seemed to show us the end of the Doctor’s journey. Let’s Kill Hitler is positioned in a very strange way. It is simultaneously the light and quirky opening episode of the season’s second block, and also the hour devoted to resolving a lot of the lingering questions overshadowing the arc-driven sixth season of the revived Doctor Who.
It is, in short, a mess. It’s a confident and occasionally brilliant mess, but a mess nonetheless.
Crashing the Nazi Party…
Filed under: Television | Tagged: a good man goes to war, Adolf Hitler, bbc, BBC America, doctor, DoctorWho, Donna Noble, Eleventh Doctor, Good Man Goes to War, Jon Pertwee, Kill Hitler, let's kill hitler, Moffat, review, River Song, steven moffat, Television, time travel | 7 Comments »
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