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The New Batman Adventures – Over The Edge (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. To tie into this morning’s review of Under the Red Hood, I thought I’d take a look at what might happen to Batman if he lost a partner.

Following the success of Superman: The Animated Series, a new bunch of Batman episodes were commissioned by Warner Brothers to compliment Batman: The Animated Series. However, this new series would be animated in the style of the Superman series – typically meaning a lighter animation and fewer lines. The transition was jarring, to say the least. Indeed, many commentators make the observation (whether fair or not) that The New Batman Adventures offered a “lighter and softer” approach to the Caped Crusader and his universe. Though I think that’s not an unfair description, it is also worth conceding that the season also gave us quite possibly the single darkest half-hour in the entire history of the DC animated universe. I refer to Over the Edge.

Those expecting a light story might want to look elsewhere…

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Non-Review Review: Batman – Under the Red Hood

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

You did it! You found a way to win and everybody still loses!

– The Joker

The story of Batman, boiled down to its most essential elements, is a tragedy. He’s a character defined by hurt and loss – the suffering and failures he has endured while fighting simply to stay alive in an uncertain world. The reason that the animated Batman: Under the Red Hood works so well is because it manages to capture that observation perfectly in its relatively tight runtime. Over the course of the movie, Batman has several of his rather glaring failures touted out in front of him and – what’s more – faces the possibility that he may himself end up obsolete.

The joke’s on Batman…

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Batman: A Death in the Family

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. Later on today, I’ll be taking a look at the animated movie Batman: Under the Red Hood, so I thought I might take a look at one of the stories which inspired it.

A Death in the Family holds something of a sacred spot in the line-up of classic Batman stories. It was the moment that Batman failed – and he failed monumentally. The image of Batman cradling a bloody and bruised Robin in his arms is almost iconic, recognisable to any pop culture aficionado. However, the story itself really isn’t anything too spectacular – it’s as if writer Jim Starlin was trying to combine the adventurous take on Batman from the seventies with the more grim-and-gritty crusader of the late eighties, with a frankly inexplicable desire to dabble in global politics. Frankly, despite the power of the rich imagery provided by Jim Aparo, the story is more than just a little bit weak, and certainly not strong enough to support the label of “classic” that is applied so frequently to the story.

Batman will be carrying this with him for quite some time...

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Batman: The Animated Series – The Demon’s Quest (Parts I & II)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. To tie into tomorrow’s review of Under the Red Hood, I thought I’d take a look at the episode which introduced Ra’s Al Ghul to the animated DC universe (and represented the character’s first appearance outside comic books).

If Heart of Ice – perhaps one of the best pieces of Western Animation produced during the nineties – illustrated just how good the creative minds behind Batman: The Animated Series where at innovation (updating and adding depth to previously shallow characters), then The Demon’s Quest perhaps reflects their skill at adaptation. Adapted from Denny O’Neill’s seventies story arc introducing Ra’s Al Ghul as an adversary of the Dark Knight, by the author himself, it’s also a testament to the show’s diversity. This isn’t exactly a conventional Batman story, and certainly not one conforming to the gothic or noir conventions which seemed to grip the character during the nineties. 

"We'll always have your father's desert stronghold..."

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Batman: The Animated Series – Heart of Ice (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. While most of the episodes and comics I look at will tie into the feature-length animated movies, I thought I’d start with perhaps the most beloved piece of animation that the studio produced using DC characters.

I believe that Batman: The Animated Series sorely deserves a place on list compiled of the “best animated series of all time”. It’s certainly perhaps the single best distillation of the Batman mythos into one pure form (although Christopher Nolan’s film series – and especially The Dark Knight – also deserve some acknowledgement). What made the series unique was that, instead of simply borrowing from the comic books, it also actively contributed to them – and not just in a “we need to tie into a popular adaptation” sort of way. Lasting changes to the Batman mythos can be traced back to this particular animated series – the fan-favourite character of Harley Quinn, for example, or several sympathetic origins to well-established characters. Heart of Ice is perhaps the most successful and well-executed of these revisionist takes on Batman’s iconic selection of bad guys – offering as it does an origin for Mr. Freeze.

Dude needs to chill out…

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DCAU Fortnight Kicks Off!

Right, I am taking a little break from work and blogging and everything for the next little while, just trying to clear my head a bit, so I won’t be around quite as much as I would like to be. However, I do have a treat for the nerdier children of the nineties out there – I’m going to take a retrospective look at the animated DC universe, the Warner Brothers cartoons produced during the nineties and into the last decade which gave us Batman: The Animated Series among many other things. Anyone who grew up during the decade can’t possibly have missed these wonderful little shows, which perhaps got me interested in comic books in the first place.

And he always times it juuust right to catch the bolt of lightning...

Note: Over the course of this two week event (and a schedule can be found below), I will occasionally return to cover something big or huge (like our scheduled Tron: Legacy review, for example). I also hope to have more time to get back into reading and engaging with other bloggers. It has been far too long.

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Halloween Costume Fan: Tim Burton’s Superman

With all the buzz around the up-coming Snyder/Nolan Superman reboot, it’s easy to forget that there was a planned relaunch of the franchise in the nineties, at the hands of Tim Burton – who cut his superhero teeth with Batman. Nicolas Cage was planned to play the Man of Steel and Kevin Smith has shared many anecdotes about the ridiculous studio demands (polar bear sentries! giant spiders!). However, special effects creator Steve Johnson has revealed the costume designs he had planned for the character for the nineties reboot (titled Superman Lives!with mandatory exclamation mark!) Check them out below, or visit his facebook page for a closer look.

Is TV the Natural Medium of Comic Book Adaptations?

It recently surfaced that David E. Kelley (creator of Ally McBeal and The Practice) is working on a Wonder Woman television show. Presumably it will be somewhat less campy than the Linda Carter version. Last month news broke that there are plans for a television version of Neil Gaiman’s epic story The Sandman. Later this month we’re see the airing of a live action version of Robert Kirkman’s critically acclaimed zombie comic book The Walking Dead. Part of me wonders if this is the logical shift in the market. After all, comic books arguably have more in common with television than they do with movies. So is this the real future of these adaptations?

It's a Wonder we didn't think of this earlier...

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Batman: Arkham Asylum – A Serious House on a Serious Earth

Batman’s not afraid of anything.

It’s me. I’m afraid.

I’m afraid that the Joker might be right about me. Sometimes… I question the rationality of my actions. I’m afraid that when I walk through those asylum gates… When I walk into Arkham and the doors close behind me…

It’ll be just like coming home.

– Batman explains his unease at going into Arkham Asylum to Jim Gordon

I have to admit, I was somewhat surprised to hear recently that Grant Morrison’s Arkham Asylum is a somewhat “divisive” book. It is, one hand, highly critically praised and the best-selling graphic-novel of all time, yet Morrison scholars are quick to describe it as “much maligned”. I’ll admit that I took my time getting around to reading it – partially due to the fact that DC refused to keep the hardcover in print – but I eventually buckled and got myself the softcover 15th Anniversary Edition. What I found was one of the most densely challenging, cleverly constructed and brilliantly gothic depictions of the Dark Knight I have ever encountered (indeed, it might even be “simply the most” rather than a safer “one of the most”). It’s beautiful, it’s dark and it’s tough – but it’s also immensely rewarding. Come with me into the Asylum.

Batman comes home…

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Wednesday Comics: Batman

Earlier this week I reviewed Wednesday Comics, a rather spanking anthology from DC Comics. I kinda figured, however, it might be worth my while to break out some of those fifteen stories on their own (but not all of them) and discuss them, as it’s easy to lose sight of a particular writer/artist’s work in an anthology. And I thought that the opening strip deserved a bit of discussion, as it’s perhaps come under a bit of fire for a lot of flaws that are present through a lot of the stories collected.

Batman is the story arc which opens Wednesday Comics. Indeed, it was the story which would find itself peering out at the reader week-on-week. Perhaps it was unfortunate that Brian Azzarello’s take on the Caped Crusader went first, because it’s typically drawn a lot of criticism that the stories told failed to take advantage of the format. A lot of the criticism of the story can also be directed at a lot of the subsequence serials, but the Dark Knight draws the brunt of the negativity. Which is a shame, because – despite its conventional nature – Azzarello and artist Eduardo Risso offer a pretty effective snapshot of the Caped Crusader.

Go with a bang...

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