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No Venom Intended: Thoughts on the Inevitable Amazing Spider-Man Spin-Off…

Apparently Sony is pressing full speed ahead with this Spider-Man license. I suspect they looked at the massive success that Marvel, Paramount and ultimately Disney have had with their series of Avengers films. Releasing a series of relatively independent superhero films that all tied together proved to be quite the financial success, becoming one of the biggest earners of all time. It’s easy enough to understand why other studios might want to follow the business model. The problem? Sony only really has the license to Spidey and his supporting cast. How do you build a multi-character franchise when you only own the rights to one admittedly iconic? You spin-off his supporting characters, of course. In this case, it’s the villain Venom, who is reportedly getting a film from director Josh Trank, who made quite the impression with his début directing Chronicle, and possibly tying into the sequel to The Amazing Spider-Man.

He’s coming right at you!

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Captain America: The New Deal (Review/Retrospective)

Oh, God — How could this happen here?

– Steve Rogers, Captain America #1

It seemed inevitable that Captain America would have to respond to September 11th. After all, the terrorist atrocities were an attack on the American way of life, and the iconic superhero was perhaps the hero best equipped to explore the scars left by the still-recent attacks upon the American psyche, much as his Secret Empire plot allowed him to respond to the Watergate Scandal. Unfortunately, John Ney Rieber’s work on the character is – while well-intentioned – clumsy, awkward, groan-inducing and cliché-ridden. Even the fantastic artwork of John Cassaday cannot salvage the run from its own tired and trite pseudo-philosophical ramblings.

Subtle.

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The Avengers: The Crossing Omnibus (Review/Retrospective)

“One of the nineties’ most notorious narratives!”

– well, the back cover wasn’t lying

The Crossing has become a watch-word for nineties excesses. Essentially a gigantic crossover between The Avengers and the various Iron Man books (including War Machine and Force Works), it is renowned for its clumsy editorial mandate: the event was designed to replaced Tony Stark with a younger version of himself. Fans have come to reflect on The Crossing as one of the most awful comic book storylines ever concocted, an example of the mess that Marvel had made of their line of books during a decade not exactly renowned for its taste.

I know it’s fashionable to trash The Crossing, and I know that it is every bit as ridiculously nineties and forced as its editorial mandate would suggest, but I can’t help but think there are some nice ideas to be found here, if one wades in deep enough into the crap. Don’t get me wrong, there’s not nearly enough to justify the tangled bloated mess of a plot, and I’m not going to argue the consensus is wrong, but I do think the massive catastrophic failure of The Crossing was one of execution, rather than one of ideas.

Shockingly bad?

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A Film By Any Other Name: The Art of Stupid Movie Branding…

I have a confession to make. I did not go to see The Avengers. I went to see Marvel’s Avenger’s Assemble. I didn’t mention this before because… well, that’s a stupid name and people aren’t idiots. If I talk about “The Avengers” and mention details like a “giant green rage monster”, “Nick Fury”, “box office records” or even “enjoyable”, odds are that you will know the film that I am talking about. I’m normally quite reluctant to attack particular movie practices as silly or illogical, if only because I’ve no direct experience of how the industry works.

To be fair, I’ll generally assume that the studios know what they’re talking about when it comes to making movies. However, when it comes to slapping silly names on their posters and insisting that the audience refer to a movie by a convoluted, generic and awkward focus-group-crafted title, I do feel like I have an opinion. The Avengers is the most recent high-profile example, but I’ve found myself increasing irritated by this somewhat pointless branding.

Silly titles make Darren angry!

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The Avengers: The Kree-Skrull War (Review/Retrospective)

The Kree-Skrull War is perhaps the grandaddy of great Avengers story. A series of interconnected one-shots with subplots congealing into an arc, it allowed writer Roy Thomas to really define the Avengers. Written towards the start of the seventies, the saga feels like something of a transition from the innocence of the classic Silver Age superhero sci-fi zaniness and a more sombre and mature Bronze Age. Despite its age, the adventure still holds up remarkably well, partially because Thomas has some very clever ideas that are still reverberating around modern comics, and also because Neal Adams’ artwork hasn’t aged a day.

Thomas had quite a Vision for the title…

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Avengers Disassembled: Iron Man – The Singularity (Review/Retrospective)

And so I’ve finished my trek through the tie-ins to Avengers Disassembled. And it was surprisingly painful. Sure, Robert Kirkman’s Captain America at least made sense if you looked at it from the right angle, and Mike Oeming’s Thor was one of the best stories to feature the character, but the Invincible Iron Man and Captain America & Falcon tie-ins serve to illustrate just how lost some of Marvel’s top books were at the time. The Invincible Iron Man actually had two arcs tying into the big event, from two very different creative teams, perhaps illustrating that Marvel was aware of this fundamental dysfunction. Unfortunately, neither is especially impressive, and both feel like they are simply treading water, waiting for Avengers Disassembled to put the book out of its misery.

Things look Stark…

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Avengers Disassembled: Captain America & Falcon (Review/Retrospective)

If any of the Avengers: Disassembled tie-ins make a case for the drastic shake-up that took place amid Marvel’s Avengers-themed titles in 2004, it’s probably Captain America & Falcon. By the time the tie-in to the event began, the book was only on its fifth issue, but it had already found time for the juvenile and shallow conspiracy-theory mongering that would make John Nay Rieber and Chuck Austen’s Captain America proud. Still stuck in a hamfisted attempt to tie into the post-9/11 zeitgeist, the book offers some of the worst examples of comic book storytelling at Marvel at a time when their Avengers line wasn’t particularly strong to begin with.

Not a smashing success…

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Avengers Disassembled: Thor (Review/Retrospective)

Thor: Disassembled is easily the strongest solo arc to stem from the events in Brian Michael Bendis’ Avengers Disassembled. It’s  full of interesting and clever ideas about the nature of stories, and serves to wrap up Thor’s story fairly efficiently, leading into the big reshuffle of the Marvel Universe. Rather than merely treading water waiting for J. Michael Straczynski’s Thor, writer Mike Avon Oeming takes advantage of the unique set of circumstances before him to present that rarest type of superhero story: one with an ending.

Thunderbolts and lightening, very, very frighteningly…

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Avengers Disassembled: Iron Man – Turf War (Review/Retrospective)

It’s probably true that in comics, like in any other medium, you have a preference towards the stories that brought you into that medium. While I think Marvel was doing some truly exceptional stuff during the early part of the 2000s, like Morrison’s New X-Men or Waid’s Fantastic Four or Garth Ennis’ Marvel Knights: Punisher, I think that the Avengers line of books were all struggling to find a direction. While I have some issues with the clunky crossover- and tie-in-reliant nature of the period, I do think that there was a lot more energy for the Avengers-related titles after Brian Michael Bendis’ Avengers Disassembled. Ed Brubaker’s Captain America and J. Michael Straczynski’s Thor can stand alongside the best interpretations of the characters, with Matt Fraction’s later Invincible Iron Man run also standing as a classic Iron Man run.

These Disassembled tie-in issues offer a pretty solid indication of where Marvel’s Avengers comic book line was just before the crossover, and most of them seemed to be in very serious trouble. There are two arcs from The Invincible Iron Man collected here, from two very different teams, and neither seems to know exactly what it is doing.

Iron Man decompressed?

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Avengers Disassembled: Captain America (Review/Retrospective)

The fourth volume of Captain America had a brief but troubled run. Launched on the Marvel Knights imprint by John Nay Rieber, the book was originally intended to follow the eponymous hero as he attempted to make sense of the world after the September 11th attacks. It was precisely as heavy-handed and awkward as you might imagine. After Rieber departed the series, supposedly due to differences with editorial, Chuck Austen arrived to write a story where the US government apparently conspired to freeze Captain America in the block of ice because the hero had discovered plans to use a nuclear weapon. So, when Robert Kirkman was assigned the task of helping the series limp across the finish line so that it could be relaunched as Ed Brubaker’s Captain America, it felt somewhat appropriate that the writer cast the story as a much more conventional and goofy superhero adventure.

A punchy little run?

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