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Archie Goodwin’s (& George Tuska’s) Run on The Invincible Iron Man – The Invincible Iron Man Omnibus, Vol. 2 (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

The second omnibus contains both the tail end of Stan Lee run on Tales of Suspense and the Archie Goodwin run on The Invincible Iron Man. To make matters easier, I’ve split the review in half. This half covers Archie Goodwin’s Iron Man.

Archie Goodwin is one of the best editors to work in comic books. During his time working at DC, the editor was responsible for The Long Halloween and also James Robinson’s long-running Starman. While Goodwin was an exceptional editor, he was arguably a weaker writer. As his run on The Invincible Iron Man demonstrates, Goodwin has a very clear idea of what concepts work and won’t work with the character, and how to start “fixing” some of the more obvious flaws present in the character from his inception during Stan Lee’s Tales of Suspense run. However, Goodwin isn’t quite as deft when it comes to story construction or plot mechanics. He lacks Lee’s flair for soap opera angst and interpersonal drama.

However, his run on The Invincible Iron Man remains quite impressive, and just as influential and formative as anything written by Stan Lee. I’d argue that Goodwin’s conceptual model of the character is a lot closer to the modern version of Iron Man, and that his version of Tony Stark bleeds through the work of later writers and also into the massive billion-dollar film franchise as well. So Goodwin’s work on The Invincible Iron Man is quite iconic. It’s just some of the nuts-and-bolts scripting that seems to catch him, from time to time.

That's why they call him the Invincible Iron Man...

That’s why they call him the Invincible Iron Man…

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Avengers Disassembled: Iron Man – The Singularity (Review/Retrospective)

And so I’ve finished my trek through the tie-ins to Avengers Disassembled. And it was surprisingly painful. Sure, Robert Kirkman’s Captain America at least made sense if you looked at it from the right angle, and Mike Oeming’s Thor was one of the best stories to feature the character, but the Invincible Iron Man and Captain America & Falcon tie-ins serve to illustrate just how lost some of Marvel’s top books were at the time. The Invincible Iron Man actually had two arcs tying into the big event, from two very different creative teams, perhaps illustrating that Marvel was aware of this fundamental dysfunction. Unfortunately, neither is especially impressive, and both feel like they are simply treading water, waiting for Avengers Disassembled to put the book out of its misery.

Things look Stark…

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