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The Amazing Spider-Man – The Gauntlet: The Vulture – Scavenging (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

The biggest problem with Scavenging is the villain.

The classic Vulture is admittedly a goof design, but – as with most of Steve Ditko’s villains – there’s an undeniable charm. With his silly “villainous green” colour scheme and the image of a super villain old enough to be collecting his pension, the classic Vulture sticks in the memory. Like so many of those classic Amazing Spider-Man bad guys, the Vulture has a sense of character that extends beyond his goofiness. (After all, Electro, Sandman and Mysterio are no less goofy in design.)

Feeding time...

Feeding time…

In contrast, the “new” Vulture featured in Scavenging feels decidedly generic. More animalistic, with a pinsir-like mouth and the ability to spew hot bile, the character is dressed in red – as if to suggest the classic costume design is more menacing in that colour. Introduced by Mark Waid in the 24/7 arc of Brand New Day, there nothing memorable at all about this version of the character, and he feels like an awkward fit for The Gauntlet, which traverses Spider-Man’s iconic selection of foes.

There is a reason that the character ended up as C-list fodder at the start of Greg Rucka’s Punisher run.

The Vulture has landed...

The Vulture has landed…

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Daredevil: End of Days (Review)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

The Dark Knight Returns casts a pretty long shadow. In many ways, the definitive work from writer and artist Frank Miller, and – along with Watchmen – one of the books that singularly defined mainstream comics. Written by a superstar team of former Daredevil writers and artists – and a slew of in-jokes and references to a rake of others – End of Days can’t help but stand in that shadow.

The Dark Knight Returns gave us a look at a retired Bruce Wayne donning the cape and cowl once again. End of Days has a similar set-up, beginning immediately following the murder of Daredevil by his arch-foe Bullseye, and allowing us to watch the investigation conducted by dogged reporter Ben Ulrich.

This is the end...

This is the end…

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Ultimate Spider-Man – Vol. 12 (Hardcover) (Review)

You know, Jeph Loeb actually managed to make quite the impression on Marvel’s Ultimate line of comics. While his Ultimatum was intended to serve as a “shot in the arm” to a comic book line with waning sales and interest, it’s telling that Marvel organised another event almost directly afterwards, with The Death of Spider-Man serving to reorganise that fictional universe once again. This collection, the twelfth in the Ultimate Spider-Man line, sees author Brian Michael Bendis guiding the book between Ultimatum and The Death of Spider-Man. (Indeed, the next book in the set is the Death of Spider-Man omnibus collection.)

As such, it’s not too surprising that these fourteen issues feel a bit disjointed and uneven, as Bendis deals with the aftermath of one radical status quo change while gearing up for another. That said, I still think that Ultimate Spider-Man represents the single most consistent run on the title, and Bendis still manages to keep things interesting, even if this collection doesn’t quite compile the author’s strongest run of issues.

Spider-Men…

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Avengers Disassembled: Captain America & Falcon (Review/Retrospective)

If any of the Avengers: Disassembled tie-ins make a case for the drastic shake-up that took place amid Marvel’s Avengers-themed titles in 2004, it’s probably Captain America & Falcon. By the time the tie-in to the event began, the book was only on its fifth issue, but it had already found time for the juvenile and shallow conspiracy-theory mongering that would make John Nay Rieber and Chuck Austen’s Captain America proud. Still stuck in a hamfisted attempt to tie into the post-9/11 zeitgeist, the book offers some of the worst examples of comic book storytelling at Marvel at a time when their Avengers line wasn’t particularly strong to begin with.

Not a smashing success…

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