arts | the m0vie blog

12 Movie Moments of 2012: The Dark Knight Returns (The Dark Knight Rises)

Posted on December 26, 2012 by Darren

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #6…

Ireland got an IMAX screen this year. Well, it had an IMAX screen before, but it shut down before The Dark Knight kick-started the whole “watching cool movies in IMAX” thing. Evidently, watching Liam Neeson talk about Everest wasn’t nearly as exciting as watching Batman flip over an articulated lorry. Christopher Nolan shot a large percentage of The Dark Knight on IMAX, but he shot even more of The Dark Knight Rises using the special cameras.

As such, I was delighted that Cineworld and The Irish Times organised a special screening of The Dark Knight Rises in early December, even though the cinema had only reopened after Nolan’s epic was available on blu ray. It’s an oft-cited criticism that the third part of Nolan’s Batman trilogy featured surprisingly little Batman. I’d disagree, and instead suggest that the film made excellent use of its large cast – and when Batman appeared on screen he carried the weight that he deserved.

The sequence in which Bruce leads the Gotham Police Department on a merry chase while pursuing Bane and his terrorists is the perfect example, a fantastically constructed action sequence that tells us pretty much everything we need to know about the cast at that moment in time.

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Filed under: Movies | Tagged: arts, avengers, bane, batman, batman begins, British Isles, Bruce, Christopher Nolan, ChristopherNolan, dark knight, Dark Knight Rises, Everest, film, gotham city, imax, liam neeson, Movie, New York City, nolan, reviews | 5 Comments »

My 12 for ’12: The Master & The American Century

Posted on December 26, 2012 by Darren

I’m counting down my top twelve films of the year between now and January, starting at #12 and heading to #1. I expect the list to be a little bit predictable, a little bit surprising, a little bit of everything. All films released in the UK and Ireland in 2012 qualify. Sound off below, and let me know if I’m on the money, or if I’m completely off the radar. And let me know your own picks or recommendations.

This is #6…

It’s very weird being a popular culture nerd who lives outside the United States. A significant portion of pop culture is exported directly from the United States. I grew up on Star Trek and Batman, two iconic American franchises. I probably know more about American history – filtered through feature films, television shows and other popular forms of entertainment – than school taught me about the origins of my own nation. Even then, it still feels a little strange to watch American film makers commentating on American situations, and to not only recognise but almost understand how those references work within the American subconscious.

The Master is a fascinating exploration of post war America, the period where America well and truly emerged as the defining global power, where the country embraced economic prosperity and manifest destiny no longer referred to expansion out west, but a bold adventure into a promising future. In an article published shortly before America entered the Second World War, Henry R. Luce argued that the twentieth century was “the American century.” If it seemed that way before the conflict, it was all but certain afterwards. Of course, economic prosperity does not always bring with it a sense of peace and tranquillity, and The Master explores the sense of existential ennui that took root in a way that is, if you’ll pardon the pun, masterful.

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Filed under: On Second Thought | Tagged: arts, batman, British Isles, Church of Scientology, Dodd, Feature film, film, Freddie, games, Ireland, January, Lykke Li, Master, Movie, Paul Thomas Anderson, Scientology, star trek, United States, world war ii | 2 Comments »

My 12 for ’12: Silver Linings Playbook & Earning Your Happy Ending

Posted on December 25, 2012 by Darren

This is #7…

The term “uplifting” is thrown around a lot these days. Happy endings are very funny things. They seem to be a given for most major Hollywood films, and so there’s a degree of predictability to them. And yet, despite that, there’s also usually a sense that they are somewhat contrived or manipulated or otherwise the result of a rigged game. In order to raise the stakes, films will generally put our characters in peril, and create a massive sense of jeopardy for our heroes to overcome in order to secure the inevitable happy ending. However, as time goes on, we become increasingly cynical and sceptical, so those stakes get higher and higher. The ending remains guaranteed, so making the threat so much more menacing means we have to suspend greater and greater levels of disbelief in order to accept that everybody involved lived happily ever after.

Your ability to accept Silver Linings Playbook will directly correspond to your ability to accept an improbably neat happy ending. However, what distinguishes David O. Russell’s latest film from the bulk of the other “uplifting” examples of modern cinema is the fact that the stakes manage to seem far more emotional and psychological than literal and tangible, and that the characters involved feel so much more real.

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Filed under: On Second Thought | Tagged: A Farewell to Arms, Academy Award, arts, bradley cooper, British Isles, Cinema of the United States, David O'Russell, David O. Russell, film, Happy ending, hollywood, Ireland, January, Jennifer Lawrence, Lykke Li, Movie, Pat, robert deniro, Silver Linings Playbook, The Silver Linings Playbook: A Novel, Tiffany | Leave a comment »

Star Trek: The Next Generation – Conspiracy (Review)

Posted on December 24, 2012 by Darren

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Conspiracy stands out from the first season of Star Trek: The Next Generation. In fact, it stands out from pretty much the majority of the Star Trek canon, feeling distinctly unpleasant and unnerving throughout. It is not just the gore – which remains one of the most weirdly graphic scenes in Star Trek history, to the point where it was edited out of the original BBC broadcast of the show.

There’s something more unnerving and uncomfortable about Conspiracy, as it represents the first time we’ve really seen the Federation and Starfleet so thoroughly corrupted and subverted. Sure, we’ve had rogue officials, obfuscating bureaucrats and meddling administrators, but Conspiracy represents a thoroughly cynical examination of some of the core concepts that Star Trek takes for granted.

It isn’t indicative of what The Next Generation would eventually evolve into, even seeming considerably darker than Star Trek: Deep Space Nine normally delved, but it does represent something bold and new, something that we never would have seen in the original Star Trek. I think that is what makes it such a fascinating episode in this rocky first season, even ignoring its sizeable flaws.

A can of worms…

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Filed under: The Next Generation | Tagged: arts, Beverly Crusher, Federation, gene roddenberry, Next Generation, picard, Prime Directive, science fiction, star trek, Star Trek Next Generation, star trek: deep space nine, star trek: the original series, Starbase, Starfleet, Starfleet ranks and insignia | 12 Comments »

12 Movie Moments of 2012: Running (Shame)

Posted on December 24, 2012 by Darren

It is quite common to see New York presented in an unpleasant light. After all, Martin Scorsese’s films capture the metropolis at its very best and its very worst, and there are countless gangster films devoted to exploring the dark underbelly of a city that is easily one of the most recognisable in the world. I have never been to New York, and yet I feel like – through years of film-watching – I have come to know the city almost as if I have lived there.

As such, I was surprised when Shame managed to offer me a somewhat novel take on New York itself. The city is as much a character in the film as any of Steve McQueen’s supporting cast. (Indeed, Carey Mulligan even gets to perform an extended version of “New York, New York” in tribute to her co-star.) McQueen manages to craft a distinctly unpleasant and uncomfortable exploration of the city without resorting to any of the trite clichés that one associates with the horrors of urban living.

Indeed, one long single-take shot of Brandon running within the confines of the city offered a more powerful sense of urban anomie and isolation than I have ever seen before, presenting a cold blue city completely indifferent and unaware of the millions of people living within the city limits.

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Filed under: Movies | Tagged: arts, avengers, Brandon, Carey Mulligan, christmas, Dark Knight Rises, film, gangs of new york, Hobbit, Jack Reacher, martin scorsese, McQueen, Michael Fassbender, Movie, Movies, new york, New York City, NewYork, Sean Bobbitt, Shame, steve mcqueen, United States | Leave a comment »

The Spirit Archives, Vol. 24 (Review/Retrospective)

Posted on December 24, 2012 by Darren

And so, the end is near. The Spirit Archives, Vol. 24 is a bumper-sized edition, collecting every Spirit weekly strip published in 1952, from January through to October. It’s nice of DC to put out a slightly larger collection to finish out the weekly strip, rather than breaking the final year of the comic into two smaller (possibly more profitable) volumes. This collection devotes its cover to The Outer Space Spirit, but that storyline only emerges towards the end of the book. Given how much attention Wally Wood and Jules Feiffer’s reinvention of the masked crimefighter has generated, it’s interesting that it’s actually a fairly small contribution in terms of page count. Still, reading those adventures now, it’s easy to see why the storyline has attracted such a strong following, even if you practically see the weekly strip dwindling as you approach the final pages.

And we’re flying to the moon and back…

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Filed under: Comics | Tagged: art, arts, dc comics, Eisner, Ellen, Fantagraphics Books, Jules Feiffer, Spirit, T.H.U.N.D.E.R. Agents, United States, Wally Wood, Washington D.C., Will Eisner, William Birch, world war ii | Leave a comment »

My 12 for ’12: Moonrise Kingdom & The Virtues of Eternal Childhood

Posted on December 24, 2012 by Darren

This is #8…

I’ll freely confess that I am not a huge Wes Anderson fan. I admire the fact that he has managed to maintain a distinct and consistent aesthetic, one quite different from that found elsewhere, but I’m not necessarily fond of his entire body of work. I harbour a fondness for Rushmore, The Fantastic Mr. Fox and – now – Moonrise Kingdom. They are, in theory at least, three very different films – one of them is a stop-motion animated adaptation of a classic Roald Dahl story, for instance. However, the linking theme among (what I perceive to be) Anderson’s strongest work is a romantic sense of childhood. Anderson’s characters are often children, no matter their actual age or how far they’ve travelled, and I think that Anderson’s work is at its very best when it embraces that sense of perpetual childhood.

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Filed under: On Second Thought | Tagged: Anderson, arts, avengers, Bill Murray, Bob Balaban, British Isles, Darjeeling Limited, fantastic mr. fox, Fantastic Mr. Fox (film), film, Fox, Ireland, January, Lykke Li, Moonrise Kingdom, Movie, New England, Royal Tenenbaum, Royal Tenenbaums, Rushmore, Sam, Suzy, The Life Aquatic with Steve Zissou, wes anderson | 2 Comments »

Star Trek: The Next Generation – We’ll Always Have Paris (Review)

Posted on December 23, 2012 by Darren

It’s hard to believe that we got this far into the show without a Picard-centred episode. Sure, the original Star Trek was reluctant to probe too deeply into Kirk’s background, but Star Trek: The Next Generation had already demonstrated that it was more willing to probe the histories of characters like Data (Datalore), Worf (Heart of Glory), Yar (Code of Honour and The Naked Now) and Troi (Haven). Star Trek shows, by they nature, tend to gravitate around their leading actor, and Patrick Stewart has been shown to hold the show together through sheer force of will at certain points. However, We’ll Always Have Paris marks the first time we’ve really delved that deeply into the character of Captain Jean-Luc Picard.

While we don’t peer nearly deeply enough, it’s fun to base an episode around Patrick Stewart, and time-travel was always a fun story-telling device on The Next Generation.

Picard's love life is solid as a rock...

Love on the rock…

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Filed under: The Next Generation | Tagged: arts, Heart of Glory, Holodeck, jean-luc picard, kirk, Naked Now, Next Generation, patrick stewart, picard, star trek, Star Trek Next Generation, star trek: the original series, Starfleet, William Riker | 3 Comments »

My 12 for ’12: Jeff Who Lives at Home & Living in Hope

Posted on December 23, 2012 by Darren

This is #9…

The eponymous Jeff, from Jeff Who Lives at Home, feels like something of a cousin to the Judd Atapow “manchild” that we’ve seen popularised in films like Knocked Up of The 40 Year Old Virgin. He’s unreliable, lazy and smokes a not inconsiderable amount of pot. His mother can’t even count on him to fix a shutter door on her birthday, although he is quick to offer seemingly vacuous philosophical insights garnered from Star Wars and Signs. His brother Pat is hardly a run-away success, trapped in a failing marriage and prone to sit around Hooters all day, but at least he has thrived when compared to Jeff. Jeff is, by all accounts, a fool whose own naivety leads him to get beaten and mugged within the first half-hour of the film.

However, at the heart of Jeff Who Lives at Home, is a surprisingly romantic idea. There’s the notion that the universe is somehow a far more compassionate and understanding place than we might suspect. Jeff’s logic and reasoning might be far from convincing, and it’s easy to be cynical. However, Jay and Mark Duplass craft a story that suggests sometimes things work out just right.

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Filed under: On Second Thought | Tagged: 40 Year Old Virgin, arts, British Isles, christmas, Christmas music, Father, film, Filmmaking, Hooters, Ireland, Jeff, Jeff Who Lives at Home, Knocked Up, Lykke Li, Mark Duplass, Movies, Oh God!, Pat, Sharon, Short film, star wars, twitter | Leave a comment »

12 Movie Moments of 2012: Joseph Gordon-Levitt Makes It Big (The Dark Knight Rises, Premium Rush, Looper)

Posted on December 22, 2012 by Darren

I know that Joseph Gordon-Levitt has been around a while. I was fond of the actor back when he was appearing on Third Rock From the Sun, which already seems like a lifetime ago. More recently, he appeared in perhaps the best romantic comedy of the last decade, (500) Days of Summer. He has been running his own production company, hitRECordjoe since 2009. Even last year the actor was headlining movies like 50/50. As such, it feels a bit disingenuous to suggest that he really burst on to the scene this year, but 2012 has been a great year for the actor, and it’s always great to see a deserving young talent emerge.