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Wallander: Sidetracked (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

In hindsight, it’s very hard to divorce Wallander from The Girl With the Dragon Tattoo. Both are Swedish murder mysteries exploring the darker side of what one character here terms “the great social experiment”, both involve uncovering old secrets buried in the past, and both are adapted by the production company Yellow Bird. In fact, the BBC adaptation of Henning Mankell’s novels actually debuted a year before the theatrical release of that other hugely influential Scandinavian thriller. Featuring a blistering centre performance from Kenneth Branagh and absolutely superb production, I think that the BBC’s production of Wallander actually stands in fairly good company.

Out in the field...

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Film Festival Fatigue & True Cinematic Love…

I had the pleasure of attending the Jameson Dublin International Film Festival a few weeks back, and it was an intense pleasure. Two weeks of the celebration of the best of film, both new and old, national and international, big and small. However, as I caught thirty different film-related events over ten days, while still working regular hours, I couldn’t help but fight a sense of fatigue – getting up early to commute to Dublin for the festival and getting home at the strangest hours to write a few words and nod off for a few hours before beginning again. Don’t get me wrong, I wouldn’t trade it for the world, but I do wonder if that sort of thing could ever get so tiring that I might sired of writing about or watching movies? I wonder if I’ll ever suffer what might be described as “film fatigue.”

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Non-Review Review: Project X

Project X is a mess, but it’s a high-octane and energetic mess, with an incredible youthful exuberance and a desire to throw anything it can at the wall to see if it sticks. Though it starts out a bit slow, it accelerates pretty quickly, with the film managing to hold itself together as the party on-screen starts to fall apart. The best way to describe Project X might be to define it as Superbad‘s hyper-active, less focused, more crass, more direct and less sweet younger brother. It lacks the heart that defined that other recent coming-of-age teenage comedy, but it more than makes up for its relative shallowness with an enthusiasm that’s infectious and hard to resist.

Razing the roof...

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Non-Review Review: Courage (Wymyk)

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Courage is a fascinating little Polish film, with an interesting dramatic hook. Director Greg Zglinski offers a searing portrait of masculinity and impotence in the twenty-first century, where ever moment and action and decision seems to be documented for future use – our private failures of judgment ultimately become public spectacles, and in this era of globalisation and instant media connections, it’s impossible to escape the consequences of one bad split-second decision. While Zglinski’s film might overstay even its relatively short runtime, it does raise some interesting and challenging ideas about heroism in the twenty-first century.

Oh, brother!

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February 2012 (Jameson Dublin International Film Festival) In Review

Well, it’s been a fun month. I’ve been blogging from Dublin’s annual movie festival, the Jameson Dublin International Film Festival, which ran for the eleven days leading up to the Oscars. I saw twenty-five films in the festival, two films outside it, and took part in two of the special movie-related events. It was quite a month of high-intensity movie-going experiences, and I think that the entire group responsible for organising the festival deserve considerable credit for pulling off. I thought it might be handy to centralise all my reviews and articles relating to the festival in one place, just for ease of reference. Some of these might be opening near you soon, some may get more limited releases, and some are already out, but these are the films I saw as part of the Jameson Dublin International Film Festival 2012.

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Non-Review Review: This Must Be The Place

This film was seen as part of the Jameson Dublin International Film Festival 2012. It was the second “surprise” film.

This Must Be The Place is a film that has several interesting components, but keeps them so thoroughly isolated from one another through almost deft use of road movie clichés that nothing ever clicks. Paolo Sorrentino hasn’t so much made a movie as he has stapled a bunch of holiday snapshots together, treating us to a holiday slideshow full of half-finished anecdotes, banal details and no real sense of structure. That’s not to say that there aren’t moments of brilliance scattered through the over-long and self-indulgent mess of a film, but the fact is they can’t add enough flavour to salvage the film.

Here's lookin' at you, punk...

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Non-Review Review: Hard Labour (Trabalhar Cansa)

This film was seen as part of the Jameson Dublin International Film Festival 2012.

The problem with Hard Labour is that it doesn’t seem to know what it is? Is it a tough economic drama about a family struggling to survive in a harsh economic climate? Is it a horror story about the legacies of slavery and the beastly side of human nature? The problem isn’t just that the film can’t decide – the problem is that the film appears to have no interest in deciding. Or even on following through on either idea.

It left me cold...

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Non-Review Review: Death of a Superhero

This film was seen as part of the Jameson Dublin International Film Festival 2012. This was the closing gala.

Cancer is a tough topic to address in film, if only because mortality offers a thin line to walk between sincere reflection and blatant emotional manipulation. It is an even greater problem when you’re dealing with a younger protagonist, one who has barely had a chance at life before the disease conspires to rip them away from the world and their loved ones. Death of a Superhero is far to schmaltzy for its own good, often pandering to its audience while trying to distract away from its cloying manipulations with predictable doses of humour and a wry cynicism that the hero must vanquish before his untimely passing.

Holding out for a hero...

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Non-Review Review: Hunky Dory

This film was seen as part of the Jameson Dublin International Film Festival 2012.

There’s very little in Hunky Dory that we haven’t seen before. It’s a story set in the past about a young and idealistic teacher attempting to give her students a more rounded and useful education before they enter the big bad world. It’s set in Wales in 1976, giving the movie a bit of character and contextualising this period as the calm before the storm. Margaret Thatcher, that most divisive and controversial of British Prime Ministers, can be heard faintly on the television in the background; tough economic times lie ahead; skinheads roam the streets; and the Falklands War is just around the corner. As Vivienne, our young drama teacher, attempts to offer some guidance to students who might otherwise slip through the cracks, the sinister forces of the establishment seem to conspire against her.

Joyeux de Viv!

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Jameson Cult Film Club: Reservoir Dogs & A Talk With Michael Madsen (JDIFF 2012)

This event was held as part of the Jameson Dublin International Film Festival 2012.

Last year’s Jameson Dublin International Film Festival served as the launch of the Jameson Cult Film Club, with a screening of The Usual Suspects with Kevin Spacey in attendance. To celebrate the first anniversary of that launch, the guys organised a special treat for movie fans in the capital – a screening of Reservoir Dogs, with Michael Madsen in attendance. It goes almost without saying that the Jameson folks threw one hell of a shindig, converting Dublin’s CHQ into the warehouse from Tarantino’s iconic debut – a film that had hosted its Irish premiere as part of the festival twenty years ago, a screening that host Rick O’Shea remembered fondly. It was a great evening, organised with the same impeccable style as ever.

Note: This is just an article about the wonderful screening held by the Jameson Cult Film Club, including an interview with the man himself, Michael Madsen. I’ll be running a review of Tarantino’s masterpiece sometime next week, when I’ve had a bit more sleep.

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