alan moore | the m0vie blog

Chris Claremont & Frank Miller’s Wolverine (Review/Retrospective)

Posted on May 28, 2012 by Darren

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

It’s almost hard to believe that Wolverine only earned his first solo miniseries in 1982. The character had first appeared as a foe in The Incredible Hulk in 1974, and was coopted in the X-Men with Len Wein’s Giant-Sized X-Men #1 a year later. During Chris Claremont’s celebrated Uncanny X-Men run, Wolverine emerged a hugely popular character. In fact, I think you could make the argument that Wolverine and Storm were the central protagonists of Claremont’s epic X-Men run. Still, given how ubiquitous the character has become in recent years, it’s impressive that it took so long for him to get a solo adventure. The four-part Wolverine miniseries, written by Chris Claremont and illustrated by Frank Miller, is generally regarded as one of the best miniseries that Marvel ever produced, and I think that it provided a lot of the momentum and characterisation that would sustain the character over three more decades of solo appearances.

Get some…

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Filed under: Comics | Tagged: 20th Century Fox, alan moore, chris claremont, Claremont, Clint Eastwood, dark knight returns, frank miller, HughJackman, James Mangold, japan, Len Wein, wolverine, x-men, X-Men Origins: Wolverine | 4 Comments »

X-Men by Jim Lee and Chris Claremont (and Whilce Portacio) Omnibus, Vol. 2 (Review/Retrospective)

Posted on May 23, 2012 by Darren

Gotta say this for the man — he knows how to make an exit.

– Archangel, X-Men #3 (Claremont’s last issue)

And so, this is the end. The end of Claremont’s quite simply epic run on the X-Men books. It’s amazing to look back on the writer’s output today, and simply try to consider the size of his contribution to the franchise. While he departed the books as they were at the height of their appeal (X-Men #1 famously being the best-selling comic book of all time), it’s hard to argue that X-Men ever would have reached that height without Claremont’s vision and style. While the writer undoubtedly had his weaknesses, I think his contributions to the medium are rather undervalued. While writers like Alan Moore and Frank Miller reinvented comic books, I think that Claremont was an expert at incorporating those radical changes into his work, and a writer who managed to secure the support of his fans by giving the X-Men a sense of pop culture resonance that a lot of subsequent writers tried and failed to capture.

Through X-tremes…

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Filed under: Comics | Tagged: alan moore, chris claremont, Claremont, collected edition, crossroads, cyclops, Gulf War, Iceman, jack kirby, Jean Grey, jim lee, Louise Simonson, magneto, magneto was right, marvel omnibus, mutant massacre, Professor X, rubicon, Savage Land, Shadow King, stan lee, Starjammer, Storm, x-men, x-men #1, x-men omnibus, Zaladane | 5 Comments »

Brian Michael Bendis’ Avengers – Disassembled (Review/Retrospective)

Posted on May 3, 2012 by Darren

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” Today and tomorrow we’ll be taking a look at the two Brian Michael Bendis events that kick-started the writer’s work on the franchise.

Avengers: Disassembled welcomed Brian Michael Bendis to the Avengers franchise. The super-star writer had enjoyed long and well-received runs on Ultimate Spider-Man and Daredevil, but his tenure on the Avengers franchise proved much more divisive. Taking over for a three issue arc on the main Avengers title, Bendis literally destroyed the team. Not only did he demolish a lot of the iconography associated with the bunch of superheroes, he also launched a fairly scathing deconstruction of the stalwart superhero team. Bendis wasn’t just going to adopt a caretaker position on the series, he clearly planned some very serious remodelling. That meant that some walls had to get knocked down. In many ways, Disassembled feels like a brutal demolition.

Things come apart…

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Filed under: Movies | Tagged: alan moore, Avenger, avengers, avengers: disassembled, bendis, brian michael bendis, deconstruction, disassembled, Falcon, grant morrison, hawkeye, iron man, joss whedon, magneto, marvel universe, nick fury, Scarlet Witch, United Nations, Vision | Leave a comment »

Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #5-6) (Review/Retrospective)

Posted on January 17, 2012 by Darren

This January, I’m going to take a look at some of DC’s biggest “events.” You can probably guess which event I’m leading into, but I don’t want to spoil it…

Alan Moore’s Swamp Thing is a run to treasure. I mean, I’m looking forward to getting my hands on Scott Snyder’s new run on the character, especially since DC have decided to release it in hardcover, but Moore’s Swamp Thing remains one of Moore’s longer runs in mainstream comic books, demonstrating that it is possible for an extended in-continuity run on a (relatively) mainstream character to still transcend the expectations of the superhero genre. The eighties were full of fascinating creative ideas in comics, both in miniseries, independent and mainstream books, but I’d still argue that Moore’s Swamp Thing is remarkable due to its work redefining the superhero genre and its impressive length.

Into the sunset...

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Filed under: Comics | Tagged: Adam Strange, alan moore, All Flesh is Grass, batman, books, comic books, dc comic, dc comics, environmentalism, lex luthor, Loving the Alien, Moore, My Blue Heaven, rick veitch, Scott Snyder, swamp thing | 1 Comment »

Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #3-4) (Review/Retrospective)

Posted on January 16, 2012 by Darren

This January, I’m going to take a look at some of DC’s biggest “events.” You can probably guess which event I’m leading into, but I don’t want to spoil it…

I have never read Swamp Thing before. This trip through these lovely (but sadly not oversized or filled with extras) hardcover editions of Alan Moore’s iconic run on the title has been my first encounter with the character. This is Moore’s longest tenure on a mainstream comic book, and the one which introduced him to the mainstream. What’s astounding here is not only how Moore manages to offer something which still stands up as something unique and challenging, but also offers a fairly exciting and well-written book on his own terms.

I have a burning desire to read more...

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Filed under: Comics | Tagged: alan moore, america, american gothic, art, comic book, comic books, Comics, crisis, crisis on infinite earths, dc comics, dc universe, dcu, fiction, John Totleben, Moore, Online Writing, Stephen R. Bissette, swamp thing, United States, watchmen | 4 Comments »

Grant Morrison’s Seven Soldiers of Victory: Zatanna (Review/Retrospective)

Posted on December 17, 2011 by Darren

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Zatanna is undoubtedly the most recognisable DC comics character among Morrison’s seven-character line-up. Sure, Frankenstein is a cultural icon and Mister Miracle is a member of Kirby’s New Gods, but Zatanna is an iconic part of the DC Universe, with her own rich and established history which has played into large events within the fictional universe repeatedly. As such, it’s no surprise that she is the only member of the Seven Soldiers ensemble to have a current on-going series – written by long-time Batman author Paul Dini. Of course, Dini mostly handles his own interpretation of the stage magician, to the point that this little four-issue series might really have never happened. Still, I’m glad it did, if only because Morrison gets to handle some pretty important character beats and acknowledge the character’s rich history at the same time.

I take my hat off to Morrison...

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Filed under: Comics | Tagged: alan moore, arts, comcics, dc comics, dc universe, dcu, grant morrison, Klarion the Witch-Boy, neil gaiman, new gods, paul dini, seven soldiers, seven soldiers of victory, seven soldiers: zatanna, Zatanna, zatara | 1 Comment »

Grant Morrison’s Seven Soldiers of Victory: The Guardian (Review)

Posted on December 13, 2011 by Darren

The Guardian really just gives Grant Morrison a chance to play with a whole bunch of high concept crazy ideas inside a loose superhero framework, while allowing the scribe to play with various outmoded comic book concepts. Of course, there are elements of that within the other stories (and, to be frank, within most other major superhero titles the author has ever written), but The Guardian stands out amongst these Seven Soldiers of Victory miniseries as perhaps the most “Morrison-esque” of them.

Making headlines...

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Filed under: Comics | Tagged: Action Comics, alan moore, art, arts, British Isles, Comics, dc comics, dc universe, dcu, final crisis: legion of 3 worlds, grant morrison, Grantmorrison, jack kirby, Legion of Super-Heroes, Manhattan Guardian, newsboy army, Newsboy Legion, seven soldiers, seven soldiers of victory, Sheeda, superman, the guardian | 2 Comments »

Absolute Planetary, Vol. 2 (Review)

Posted on September 28, 2011 by Darren

With Wildstorm being officially folded into the relaunched DCU (the “DCnU”), I thought I might take a look at some of the more successful and popular Wildstorm titles that the company produced. In particular, Planetary, the which will apparently inspire Paul Cornell’s Stormwatch – easily one of my more anticipated titles of the relaunch.

“We keep the world strange because that’s the way it’s suppose to be.”

– Elijah Snow outlines Planetary‘s mission

I really do love Warren Ellis’ Planetary, a love letter to pulp fiction in all its forms, about a team of crack pop culture archeologists, tracking down and preserving many of the weird and wonderful fictional specimens that we see all too rarely these days, from cowboy vigilantes to kung-fu epics. There’s a genuine love poured into the series by Ellis and his artistic collaborator, John Cassaday, as the pair celebrate some of the truly wonderful fiction of the twentieth century, as we brace ourselves for the twenty-first.

Little drummer boy...

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Filed under: Comics | Tagged: Absolute Planetary, alan moore, arts, comic book reviews, comic books, dc comics, Elijah Snow, Ellis, Garth Ennis, grant morrison, IPad, john cassaday, Paul Cornell, Planetary, randall dowling, review, the four, warren ellis, wildstorm | Leave a comment »

Non-Review Review: Green Lantern – Emerald Knights

Posted on August 11, 2011 by Darren

In many ways, Green Lantern: Emerald Knights can be seen as a counterpart to the earlier Batman: Gotham Knight. Beyond the fact that both contain “knight” in the title, both animated films were released as promotional tie-ins to major motion pictures featuring the characters in question, and both are structured as vignettes rather than one continuous storyline. Don’t let that fool you. Unlike the incredibly uneven Gotham Knight, Emerald Knights is actually quite a worthy little movie.

Good to the Corps...

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Filed under: Non-Review Reviews | Tagged: Abin Sur, alan moore, batman: gotham knight, Christopher Nolan, Comics, dc animated universe, DC Universe Animated Original Movie, DC Universe Animated Original Movies, dcau, dcu, Emerald Knights, geoff johns, green lantern, Green Lantern: First Flight, Movies, non-review review, peter tomasi, review | 2 Comments »

Non-Review Review: The League of Extraordinary Gentlemen

Posted on June 30, 2011 by Darren

The League of Extraordinary Gentlemen is a wasted opportunity. The superb graphic novels by Alan Moore are among the best that comics have to offer, and even the basic concept of picking a variety of public domain character to base an action adventure around has a sort of pulpy thrill to it. It could have been a very witty and a very clever film, or it could have just been an effective big-budget blockbuster. In the end, unfortunately, the film is neither – it ends up feeling more like a waste of effort for all involved.