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Berry Your Head in Shame: Watching The White Dwarf Stars In Slow Motion…

Speedman is a dying star. A white dwarf headed for a black hole. That’s physics. It’s inevitable.

– Les Grossman, Tropic Thunder

Fame is like anything else. It’s like money or luck. It comes and it goes. Still, as the poster for Halle Berry’s latest film, Dark Tide, arrive, it’s hard not to feel a little bit sorry for those performers who have watched their fame and popularity slip out from underneath them.

Halle Berry won an Oscar for Monster’s Ball. She played one of the few James Bond characters to be considered for a spin-off, appearing in Die Another Day. She got a considerable pay increase for showing her breasts in Swordfish. She headlined one of the very few female-centric superhero films, the dire Catwoman. Not all of those were good films. In fact, being harsh, I’d argue that one of them was a good film, and the rest were significantly flawed, if not outright terrible. Still, it’s quite sad to see the former Oscar-winner relegated to appearing in the latest film from the director of Blue Crush and Into the Blue.

She did make some Berry questionable choices...

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Jameson Dublin International Film Festival 2012 Highlights

The Jameson Dublin International Film Festival have released their programme for 2012. Taking over the city centre from the 16th through to the 26th of February 2012, the team have been working tirelessly to put together a schedule offering something for everybody. I have to admit, I’m quite looking forward to a number of these films, and have included some of my own choices and preferences below.

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Negotiating Potential Hazards: The Art of Movie Negotiation…

I’m kinda looking forward to Man on a Ledge, if only because it looks like the sort of high-concept thriller that could be fascinating viewing – I’m hoping for something similar to Phone Booth or Buried or other movies that take a fairly simple situation and centre a thriller around it. I’m a sucker for a good negotiation thriller. There’s something about that sort of film that just intrigues me. Whether it’s a hostage situation, a botched bank robbery or something else entirely, I think that those kinds of movies that manages to combine large-scale epic drama with a more intimate personal conflict. I think that’s a dynamic that’s somewhat hard to mess up, there’s just something inherently compelling about such a small-scale interaction with such large-scale consequences that it’s very hard not to get sucked up in the drama of it all.

High stakes game...

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Generation Next: The Changing of the Cinematic Guard…

There are times when I feel quite young. I was born on the same day that The Joshua Tree was released. My dad took me to the cinematic re-release of Star Wars. I was mainly introduced to the great directors through video and DVD. Hollywood as it exists today is not markedly different from the Hollywood that I grew up with. However, as I sat in the cinema last week, it occurred to me: perhaps I have sat through my first real changing of the cinematic guard, so to speak. It’s an occurance so subtle and gradual that I never really noticed it, and yet it must, by necessity, be part of Hollywood’s seasonal cycle.

Putting the older generation out to feed?

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Non-Review Review: Ocean’s Thirteen

I have a soft spot for Soderbergh’s Ocean’s Thirteen. Yes, it’s big and vacuous and ultimately empty, with a bunch of celebrities sitting around and enjoying each other’s company, but it’s also fun and diverting, composed by a director with a wonderful eye. I’d argue that it’s almost as solid as Ocean’s Eleven, and a damn sight stronger than Ocean’s Twelve.

In con men circles, that would be called "the Selleck"...

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Non-Review Review: Paranormal Activity 2

Paranormal Activity 2 feels like a massive disappointment. While the original film left me tossing and turning in my bed, I can’t help but feel like I’ll have forgotten this by the time I rest my head against the pillow this evening. It almost feels like the on-screen hauntings were conducted by two very different poltergeists (or demons). If the original film was the work of a stone-cold profession with the world record in terror, just flexing his creative muscles, it almost feels like this film was the work of the office intern, clumsily trying to emulate what came before, but never really succeeding.

Watered down?

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Curse of the Starving Class (at the Abbey Theatre)

You know, just once I’d like to see a play about a functional American family living within their means and completely satisfied with their circumstances. Still, Sam Shepard’s Curse of the Starving Class is a fairly solid deconstruction of the American Dream, a play that was – when produced – a prescient condemnation of a society living well beyond their means. Indeed, there are more than a few uncomfortable laughs during the play that suggest it’s just as relevant today (especially when certain characters trumpet land as a solid investment which only increases in value). Curse of the Starving Class is a solid production from the Abbey that handles a well-respected play in competent manner, but isn’t necessarily exceptional.

On the fence about it...

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To The Devil His Due: Why I Don’t Begrudge Classic Actors “Selling Out”…

I happened to catch a few minutes of Anger Management on television last night. Not enough that I’d feel comfortable reviewing it, but enough to remember most of what I needed to about the movie – which was a perfectly standard Adam Sandler comedy notable for affording the comedian the opportunity to play opposite Jack Nicholson. Nicholson who was an autopilot for the most of the film, but managed to deliver one of the most awkwardly creepy-and-hilarious moments in recent cinematic history as his eyebrows urge Sandler’s character to deliver the line, “I’m sorry I was so rude before… but… it’s difficult for me… to… express myself… when I am on the verge of… exploding in my pants.” Aside from that surreal perv-y old man moment, Nicholson seemed to be in the film mostly for the pay check, which seems to be a recurring trend these days for all manner of respected veteran actors. It’s easy to label performances by Al Pacino in Righteous Kill and 88 Minutes or Robert DeNiro in Little Fockers as classic actors “selling out”, but is it really that big a deal? Is it something we can begrudge these one-time icons?

Most of his paychecks get made out to "Jack Nicholson's eybrows"...

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Non-Review Review: Apocalypse Now

Apocalypse Now was what might be described as a “troubled” production. Francis Ford Coppola was never intended to direct the film, which ran into trouble with local weather and local politics, undergoing script changes on a daily basis, an overweight and overpaid Marlon Brando who refused to read either the script or the book it was based on (leading Coppola to read it to him), Dennis Hopper’s drug addiction and countless other factors. Actor Martin Sheen at one point had a massive heart attack and had to walk a quarter of a mile for help, which Coppola had to cover up (claiming he collapsed due to exhaustion and filming with extras and voice doubles) for fear of losing funding. Al Pacino had been considered for the role, but had the foresight to turn it down, with Coppola suggesting, “Al would do the film, if we could film it in his apartment.” If that’s true, he might be the smartest person associated with the production.

I mention this, because I think a significant amount of that trouble seems to feed through the film. There’s a sense that isn’t a safe production, which is somewhat fitting, given the subject matter.

Up the creek...

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Non-Review Review: The Offence

The Offence was reportedly one of the pictures that MGM agreed to fund for Sean Connery in order to get the veteran actor to sign on to reprise the role of James Bond in Diamonds Are Forever. While the film is too slow, methodical and restrained to really qualify as an undisputed classic, I do sleep just a little bit better for knowing that something good came from Connery signing on to play Bond once more. (Although, to be fair, he also donated his salary to charity, so that speaks to his character as well.)

Gripping drama...

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