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Magneto’s Magnetism…

Another day, another superhero movie. Still, the long-rumoured X-Men Origins: Magneto is a project which has aroused quite a bit of my interest, if only because it has the potential to be unlike any other film in that genre. And if – as it appears – the superhero film is here to stay, we should at least welcome those that are willing to deviate from the norm, even a little bit and even if they don’t work out. Still, I wholeheartedly accept that it could end up being as pointless and soulless as Wolverine was, so I won’t be priming my hopes too much.

"You shall not recast!"

"YOU SHALL NOT RECAST!"

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What Constitutes a Spoiler?

What constitutes a spoiler? I mean, really? Is discussing anything about the ending of a film a spoiler? What about talking about a twist earlier on, or an underlying theme or premise that pays off at the end? Is that a spoiler? How long does a movie have to be out before you can talk about it without worrying that you’ll spoil the ending for some poor unsuspecting individual who deserves to see the movie and take it in without having their perception coloured? Some stuff got me thinking about this and I’m not really sure I know where the line falls.

I see a twist coming...

I see a twist coming...

Spoiler: This article contains spoilers. Lots and lots of spoilers. But that was kind of obvious from the header, wasn’t it? I wonder if anyone ever actually heeds these warnings. Tell you what, cycle down to the end of the article and leave a comment if you do. Nah, I’m just kidding, but still… spoilers ahoy!

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Does Hype Ruin Good Films?

So, how was Avatar Day for you?

The word so far has been a resounding ‘meh‘, but still a somewhat enthusiastic one. Still, it’s nothing compared to the hype that has built up around the movie. A ‘game changer’, Avatar was rumoured to redefine movies themselves – ushering in the golden era of three-dimensional filmmaking. How does a film live up to that hype? In fairness, most of the comments on the preview footage have been relatively positive, but most seem a little disappointed. So, has the Hollywood hype machine spoiled a perfectly good movie?

Is James Cameron still king of the world?

Is James Cameron still king of the world?

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Non-Review Review: X-Men

It’s the movie that started it all. We wouldn’t have this tight-spandex-wearing superhero craze in Hollywood today were it not for Bryan Singer’s ambitious adaptation of the Marvel wonder team (okay, Sam Raimi’s Spider Man played a part too). I don’t know what’s more surprising: that it worked at the time or that it still holds together quite well today.

No claws for alarm...
No claws for alarm…

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Ultimate Spider-Man Collection (Hardcover Volumes #1-3) (Review/Retrospective)

In 2000, Marvel did something genuinely bold with one of its pop culture icons. Of course, the early part of the last decade saw a breath of fresh air at the House of Ideas, with iconic and influential (and occasionally iconoclastic) runs on books like New X-Men, Fantastic Four, Amazing Spider-Man, X-Statix, Punisher and other titles like Daredevil or Alias. However, the formation of the Ultimate line of comics was perhaps the most significant creative gamble taken at the time. The idea was simple, and the timing perfect. With Sam Raimi’s Spider-Man around the corner, and Bryan Singer’s X-Men proving that superheroes were the stuff of summer blockbusters, it seemed like a perfect opportunity to launch a line of books that would be easily accessible to new readers, free from decades of tangled continuity and plot developments.

And, appropriately enough, the character chosen to spearhead this new line was arguably Marvel’s most iconic character, Spider-Man.

spidey

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The Ultimates by Mark Millar and Bryan Hitch Omnibus (Review/Retrospective)

The Ultimates got me into comics. I’d read a couple beforehand, of course, and picked up a stray issue in the nineties, but it was The Ultimates that convinced me that superhero comic books could be something bold and innovative and clever, rather than generic and plain. Looking back, I think that The Ultimates stands as one of Marvel’s crowning accomplishments of the last decade, with only New X-Men and Daredevil ever really coming close. A lot of people argue that it’s the cynical world view that sets Mark Millar’s origin story apart, and gives it a broad appeal, but I’d disagree.

I think that Millar’s story doesn’t work because it dismantles the conventional superhero narrative through glib nihilism and cool apathy, but rather because it vindicates that ideal by passing it through a crucible. In many ways, The Ultimates is perhaps the most optimistic superhero story I’ve ever read, if only because the idealism is truly earned.

Holding out for some heroes…

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Non-Review Review: Romeo + Juliet

I’m baaaaack!

Is it a spoiler to say that Romeo + Juliet is a tragedy? You never know these days (I’m reminded of that great Simpsons’ quote, “It started out like Romeo & Juliet, but it ended up in tragedy” – I remember a few people being surprised when I laughed at that, leading me to explain the joke). Still, the opening monologue lays it all out on the table, as does the fact that Shakespeare only ever wrote comedies or tragedies – and this ain’t a comedy. Anyway, I must confess I hate the play, as I hate hell, all Montagues and thee. Okay, not really, but it was drilled into my head for my Junior Certificate exam (as Macbeth would be drilled into my head for the Leaving Certificate). I remember my English teacher – a very nice old lady, by all accounts – steadfastly refusing to show us the Baz Luhrmann ‘reimagining’ of the play. To this day I’m not sure if she made the right call. 

Get used to those wings...

Get used to those wings...

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Hell Hath No Fury Like a Critic Scorned…

So, G.I. Joe didn’t get screened for critics as part of Paramount’s unusual marketing. I’m miffed. I’m ticked off. I think it’s a bad omen.

I’m also (apparently) a damnsight more professional than the huge number of film critics out there. Apparently the fact that most of them haven’t seen a frame of it, a huge number of professional film critics are panning the movie.

Are critics a bigger threat to Joe than Destro?

Are critics a bigger threat to Joe than Destro?

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the m0vie blog goes on holidays

Hey, just to let you guys know I’m heading off on holliers for the next few weeks. I should have internet access, so I might be able to offer some coverage or some feedback, but there’ll obviously be a lot less of it.

Anyway, take it easy. See you soon.

Absolute Sandman: Volume III

All things must end. I have to admit appreciating this volume a lot more reading through it again. It’s odd that the penultimate volume in a collection should reward repeated reading more than the early editions, but so it is. All-in-all, the collection is possibly the weakest of the four, but only barely. It’s still a damn good read and an excellent chapter in a compelling saga.

Quoth the Raven, "Nevermore."

Quoth the Raven, "Nevermore."

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