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What Will Be This Decade’s Underappreciated Masterpiece?

It seems to happen at least once a decade: the critic consensus emerging immediately after the release of a film turns out to be wrong, swayed by the tides of retrospect and history. Initial reviews of The Shining criticised it for being slow – today we regard its pace as being one of its many virtues. It wasn’t greeted with triumphant applause, but a resounding ‘meh’. Blade Runner was dismissed as a wannabe sci-fi epic, now we consider it to be one of the high watermarks of the genre – a masterpiece. The Wizard of Oz equally divided critics between those who considered the movie to be a game changer, and those who thought it was just light and fluffy entertainment. You could make the case that Fight Club debuted to a hugely divided critical opinion, but that belies that fact that the acknowledgement of the movie as a modern classic is grudging at best. So is there a film from the last ten years that is likely to feature a similar historical revision, considered a retrospective masterpiece?

Harrison Ford knew how to "persuade" critics...

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Battlestar Galactica: Razor

It’s strange what we carry with us past the end of the world. In The Road, it’s hope for our children carted around inside an old shopping trolley; in 28 Days Later, it’s whatever humanity we can find hiding amid the ruins. For Admiral Helena Cain, what she carries with her after the destruction of her home is what she’s carried with her her whole life: a razor she picked up as a small child to defend herself after the loss of her younger sister. She carries that until she can’t – then she passes it on to her surrogate daughter, who carries it until she can’t. The razor itself is lost with Kendra Shaw, and maybe that’s a good thing. The last member of Cain’s inner circle dies taking all that hatred and aggression and lust for validation and vengeance with her. It’s an important transition. It’s also particularly insightful – given how Battlestar Galactica has generally focused on rebuilding after the fall of society – establishing a functioning democracy, a legal system and even rebuilding Caprica in a form – that this television movie focuses on the flipside of the coin: what humanity takes with it after the fall.

Talk about retro chic...

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Could Quentin Tarantino Make “Daredevil”?

Last week it surfaced that Quentin Tarantino was invited to make Green Lantern before Martin Campbell took on the project. Being honest, I am actually more interested in what his Casino Royale would have looked like – he was interested in directing the project and keeping Brosnan in the leading role. It certainly would have been different from Campbell’s reimagining of the Bond series. But during the interview, Tarantino revealed that he might once have been interested in the idea of directing a comic book movie, but that has passed:

So there’s a little part of me that’s like, ‘Wow, if I was in my 20s, this would be the genre I’d want to specialize in’. But they weren’t making them then, or at least not the right ones. But there also is an aspect where I’ve kind of outgrown that a little bit.

I don’t think I’m alone in thinking that Green Lantern – with it’s massive space opera tapestry, inevitable reliance on hockiness that really won’t stand up to deconstruction and newl-emerged status as an A-list comic book hero – would not be ideally suited to Tarantino’s unique skillset. I racked my head thinking of some – Black Panther, Ant-Man, Starman – but I think I kinda settled on the hero would perhaps best suit his style. Daredevil.

Can Tarantino save Daredevil?

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Who Killed The Golden Compass Franchise?

It’s like a Hollywood blockbuster murder mystery brought to life. I can see it now: Bruce Willis as a cocky private detective investigating the dispatching of a controversial emerging star. A lot of people are mumbling in their drinks, but everyone’s afraid to say what they know. That is, until a surly-voiced stranger straightens up and says what’s on everyone’s mind. Cue Sam Elliot:

The Catholic Church happened to The Golden Compass, as far as I’m concerned. It did ‘incredible’ at the box office, taking $380million. Incredible. It took $85million in the States. The Catholic Church … lambasted them, and I think it scared New Line off.

Did the Catholic kill The Golden Compass, a potentially viable fantasy franchise in the mould of Harry Potter or The Lord of The Rings (or at least as far as fans would have you believe)? Let’s investigate.

An un-bear-able crime?

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All Along The Watchtower – The Perfect Anthem For Battlestar Galactica…

I just published my review of the third season of Battlestar Galactica and I thought I’d keep it rather short by divorcing this aspect from my discussion of that year. Basically, anyone familiar with the show should be familiar with the use of All Along The Watchtower at the climax of the third season finale, Crossroads, Part II. Basically four members of the crew start hearing it and quoting it and humming, drawn together by some sort of invisible force, realising that they are indeed four of the five hidden Cylons (the fifth would not be revealed until the final season). What makes the Bob Dylan classic such a perfect song for this fantastic space opera?

What's the score?

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Battlestar Galactica – Season 3

“There must be some way out of here,” said the joker to the thief,
“There’s too much confusion, I can’t get no relief.”

– The “Mysterious” Song, Crossroads, Part II

The series continues to be one of the most interesting television phenomenon of the last decade as it enters what is, technically at least, it’s penultimate season. This is the point where mythology-based shows typically come apart, crushed under their own weight – the point where they have to start answering at least some of their own questions, rather than simply posing them to the audience. The problem is, as many shows have found out, answering questions isn’t nearly as fun as posing them. Battlestar Galactica, seemingly afraid of the potential comfort that giving those answers would offer, instead opts to delve even deeper into the rabbit hole – picking answers to questions suggested by earlier events and then using that to move the show forward in a fascinating momentum. Because of this weird combination of answers and deeper questions, the show somehow manages to increase its complexity and its fascination year-after-year.

Full of nebulous concepts...

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Non-Review Review: Role Models

There’s nothing really wrong with this movie – per se. At least nothing that isn’t wrong in just about every comedy that’s been released in the past few years. Taken in context, Role Models is a slightly above average slice of amusement. It’s not particularly memorable, but it should bring more than a few smiles to you’re face, provided you’re not expecting anything groundbreaking. It’s a by-the-numbers comedy, the kind of movie which an average movie-goer could tell exactly what’s happening (and what’s going to happen), even with the sound turned off.

Suit up!

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The History of the “R” Rated Blockbuster

It looks like The Wolfman, the first monster movie reboot due from universal, has just secured an ‘R’ rating State-side. In Ireland and the UK, we’re used to blockbusters receiving higher film ratings (12s, 15s, 18s), but in the US it’s unheard of for a major motion picture intended to make loads of money to go out with a rating higher than PG-13. It’s bizarre, as technically an adult can take a child to see an R-rated movie, whereas over here, back in the old days, it didn’t matter who you were with – if you weren’t the age on the poster, you didn’t get in. So what’s with this recent trent towards selling big budget movies with the R rating on them serving not as something to be downplayed by the studio, but actually used as a major selling point? Hell, we’re even seeing more redband trailers.

Because red is just sexier...

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Daredevil by Frank Miller Omnibus Companion

I’ve always seen Daredevil as a peculiarly Catholic superhero. Don’t ask me why. Maybe it’s the devil imagery. Frank Miller clearly sees the character as an Irish Catholic (he admitted that he believes the character practices) in an interview at the end of the first omnibus. It just seems to fit. There’s just something so human and organic about the character – so vulnerable and flawed – that he seems like some sort of lost soul amidst the pantheon of god-like superheroes. A man torn between heaven and earth. The fact that probably the greatest story told using the character is titled Born Again and his mother is a nun (as close as you can plausibly get to a virgin, I suppose) doesn’t exactly hurt, either.

Daredevil puts a novel twist on flag-burning...

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Daredevil by Frank Miller & Klaus Janson Omnibus

Comics twenty-five years ago were a very different place. Wackiness was more than welcome – it was encouraged. Deus Ex Machina endings were so common it was a wonder that they ever put the god back into the machine in the first place. The thought bubble hadn’t quite faded from use. But – most importantly – the colours were all bright and cheerful and the phrase “grim and gritty” hadn’t yet entered mainstream vocabulary.

Enter Frank Miller.

Frank Miller wasted no time making his mark on the character...

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