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Non-Review Review: Invasion of the Body Snatchers (1978)

The Invasion of the Body Snatchers is a wonderful science-fiction premise, so it’s really no wonder that the story has been taken to the big and small screens so often. It’s a great example of how a story can strike different notes in different eras, and how something can easily be about one thing in one era, and take on an entirely different meaning in a later one. The 1978 adaptation is a wonderful piece of high-concept science-fiction, which skilfully takes the ideas from the original classic film, and shakes them around just a little bit.

It's a scream!

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Thor & Loki: Blood Brothers (Review/Retrospective)

With the release of Marvel’s big-budget superhero action movie Thor this summer, we’re taking a month to celebrate the God of Thunder. Check back each Wednesday for a Thor-related review.

One of the slew of hardcovers released to coincide with Kenneth Branagh’s epic adaptation of the classic Marvel comic book Thor, Thor & Loki: Blood Brothers is basically just a repackaging of the classic four issue Loki miniseries written by Robert Rodi and painted by Esad Ribic in the nineties. Much like Lex Luthor: Man of Steel, the miniseries was repackaged with a slew of extras and re-released in order to capitalise on a hungry market place. (Luthor, as it was rebranded, was released after the success of the another villain-themed graphic novel from the same creative team, the superb Joker). Still, despite the fact that the “Thor &” part of the title was just stuck on there to tie the book to the film, it’s a lovely little story which perfectly captures a lot of the charm and appeal that the Norse backdrop offers to epic comic book stories.

Commander and (mis)chief...

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Non-Review Review: Batman & Robin

It takes a lot to kill Batman. Just ask Bane. That character broke Batman across his knee, discarded him and claimed Gotham for his own… only to have Bruce claw his way back and reclaim the mantle. The evil New God Darkseid once decided not only to kill Batman, but to send him back to the dawn of time to live through a cycle of death and rebirth in the hopes of destroying the Caped Crusader… Batman just sorta shrugged that one off. He’s a tough nut to keep down, is that Dark Knight.

However, Joel Schumacher managed to nearly knock Batman out for the count (at least on film) with Batman & Robin, the movie which – if it didn’t kill the Batman franchise – at least put it into a coma for several years.

It's some kinda storm (it's not "snow", but it begins with "s")...

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Putting a lot of Sloth into it: Sloth in se7en…

A few months back, I watched the film se7en twice in quick succession, as I knew two people who hadn’t seen it, and thought I might join them. The film actually rewards repeated viewings, which is nice, but I couldn’t stop a particular question from popping into my mind as I watched the film again. The murders in the film, as the title implies, all follow a fairly basic theme, with each based around one of the seven deadly sins. However, I had a bit of difficulty making “sloth”stick.

Dead tired...

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Non-Review Review: The Duellists

The Duellists is the first film from director Ridley Scott. While it certainly isn’t his best remembered or the most highly rated, it is a cracking piece of historical cinema that manages to do a lot with very little. It’s a simple little concept, set against an epic backdrop, elevated by two leads, a wonderful sense of historical fidelity, and a young director with a long career ahead of him.

Ridley Scott's first stab at directing...

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Right Here, Right Now: Thoughts on Kathryn Bigalow’s Osama Bin Ladin Project…

It’s interesting that the piece of news which grabbed me most coming out of the whole news cycle around the assassination of Osama Bin Ladin by US troops in Pakistan wasn’t any of the discussion over the legality of the act, nor the debate over whether assassination is now an acceptable tool of foreign policy. It was the near-instantaneous announcement that Kathryn Bigalow would be working on a feature film adaptation of the killing, an adaptation that reportedly has a mostly finished script and a lead actor already. Perhaps it’s a stunning illustration of just how quick the news and media cycle is, but I wonder how quick we feel the need to turn history into cinema.

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Non-Review Review: Monsters

At this stage it seems almost pointless to reflect on how impressive Monsters is from a purely film-making perspective. Filmed on a ridiculously tiny budget, the film features a wonderful epic scale, beautiful locations and not-half-bad special effects (they’re more The Mist than Avatar, but let’s not complain). It’s the latest “look what modern film directors can do on a shoe string!” picture, one that you drop into conversation when you wonder how a film like Transformers can cost as much as it does. Unfortunately, as bedazzling as these aspects are, and they are very bedazzling, the film has several shortcomings which have nothing to do with budget.

Here be monsters...

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Doctor Who: The Curse of the Black Spot (Review)

Arriving just in time for the latest Pirates of the Caribbean movie (On Stranger Tides), Doctor Who has decided to go all pirate on us – even adopting the episode title The Curse of the Black Spot, to mirror The Curse of the Black Pearl. What we get feels genuinely like “Old School” Doctor Who, with the action confined to a very tight remote location, some corny (but effective) special effects and advanced technology masquerading as superstition. I suppose it was inevitable that a “monster of the week” episode would feel like a bit of a letdown after the superb Day of the Moon, but – while fun – The Curse of the Black Spot never really feels essential.

Not quite a wash-out...

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Non-Review Review: Centurion

I have to admit, I’m a bit disappointed with Neil Marshall. I’ll concede that I genuinely enjoyed Dog Soldiers and The Descent, while acknowledging their flaws. His movies have a tendency to start in the absurd and just keep amping things up until they get unbelievably ridiculous. Even the over-the-top and quite-crap-actually Doomsday still had a lot of energy to carry it through as it gleefully veered through camp straight out into uncharted realms of gratuitous nonsense. On the other hand, Marshall’s latest, Centurion, seems relatively tame. It’s fairly mediocre throughout, which perhaps seems less entertaining because it never has the energy to go too far. And that’s a bit of shame.

The last Fassbender?

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Non-Review Review: Wild at Heart

I’ve always had a soft spot for David Lynch, if only because – much like David Cronenberg – you always got the sense that his artistic vision was pretty unfettered by concerns about broad appeal or studio policy or anything like that. There’s a wonderful sense of freedom, in how he works. There’s a great quote from the guys at Pixar that they don’t make movies for kids, they make movies for themselves – if other people happen to enjoy it, well… that’s great too. That sums up a lot of what I respect about Lynch. Wild at Heart isn’t perhaps one of those moments where Lynch’s interests manage to overlap with truly great cinema (as they do, I would argue, for Mullholland Drive, Blue Velvet and The Straight Story), but it isn’t so completely scattershot as to be impenetrable, either.

Dancing in the... highways?

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