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Flashpoint (Review)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, following a week full of Flash stories.

Our world is in a violent transition of great change.

– President Obama tells us how it is

I really liked Flashpoint. I liked Flashpoint almost as much as I enjoyed Blackest Night, and far more than I enjoyed most big blockbuster “event” comic books. I think that Flashpoint buckles under the weight of the relaunch that followed – I find it quite sad that so many fans initially ignored the event only to jump on at the last minute because it was “suddenly important.” Does Flashpoint offer a fitting send-off to a version of the DC shared universe that dates back to Crisis on Infinite Earths? It doesn’t really, even if it offers some compelling arguments in favour of the relaunch that followed. Still, it’s a fascinating story about the icons who populate this shared universe, and what makes these enduring characters such heroic figures. Or, rather, what doesn’t make them heroic figures.

Flash sideways…

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Geoff Johns’ Run on The Flash – The Dastardly Death of the Rogues & The Road to Flashpoint (Review)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, following a week full of Flash stories.

It’s hard not to look at Geoff Johns’ return to The Flash and wonder what might have been. After all, his original run solidified Johns as a talent to watch in the superhero field, fed into his iconic Green Lantern run and paved the way to his ascent up the DC food chain. And it’s quite clear that DC were putting a lot of energy into pushing The Flash as the next “breakout franchise”, clearly hoping that Johns could find an angle on the character and mythos that would push the book up the sales charts to match the Batman and Green Lantern franchises. That obviously didn’t happen, but it feels like a shame because it very nearly could have happened, had things gone a little differently.

Flash! A-ha! He saves every one of us!

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Flash: Rebirth (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness…

From the outset, Flash: Rebirth was going to be an infinitely more complex endeavour for writer Geoff Johns than Green Lantern: Rebirth had been. Both miniseries aimed to firmly establish an older legacy character (in both cases, the iteration of the character active in the late fifties/early sixties) as the core of that particular franchise, replacing their replacements, as it were. However, Hal Jordan had been absent for about ten years, and had been hovering around the DC Universe in various guises during his absence from the role of Green Lantern. Barry Allen, on the other hand, had been gone twenty years and his appearances had been far scarcer. There had been a whole generation of fans (including the author of this miniseries) who grew up with Wally West as the Flash. Bringing Barry back was always going to be tricky, but here it becomes evident just how tricky.

A darker shade of red?

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Final Crisis: Rogues’ Revenge (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness…

Rumours on the street are that Jesse James bought it. I thought you might be dead, too. Tar pit said Zoom buried you under the Flash Museum. Computron swore you were banished to some kinda war planet. And Double Down bet me a grand the Titans had you locked up in their tower.

But you’re here. You escaped!

– The Trickster just about sums up everything that happened since Geoff Johns left

It was a touch period for the Flash after Geoff Johns finished his rather tremendous run on the character. Although Mark Waid’s first run with Wally West was a celebrated comic book run, his brief tenure on the title following Johns’ departure was not nearly as well received. Wally West was shipped off to an alternate dimension, and then brought back. The teenage Bart Allen was turned into the Flash, and then unceremoniously killed. The Rogues were sent to another planet, and the supporting cast suffered the indignity of Countdown to Final Crisis. All of this happened in a few years, and transformed DC’s Flash comic books from some of the best on the market to something of a joke.

However, Geoff Johns’ Final Crisis tie-in miniseries seems intended to assure the faithful that everything is going to be okay. Even Captain Cold dismisses everything that’s happened as “one %%@#$@-up year.”Let’s just put it behind us.

Cold warriors...

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Geoff Johns’ Run on The Flash – Ignition, The Secret of Barry Allen, Rogue War

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness…

Superman soars above everyone. Batman hides from everyone. Wonder Woman preaches to everyone.

Me? I run right alongside everyone. My name’s Wally West. You probably know the rest.

– The Flash reintroduces himself, The Secret of Barry Allen

Geoff Johns’ run on The Flash can really be split into two distinct sub-runs. The first saw him working with artist Scott Kolins, defining Keystone and building up a supporting cast. The second, following the climax of Blitz, is something of a revised origin for the character – an attempt by Johns to tell his own particular version of an origin story for the character. Of course, it isn’t a literal origin like his own Green Lantern: Secret Origin or Superman: Secret Origin, rather a rediscovery. Although I do have a slight preference for the earlier half the run, there’s no denying that Johns has put together quite a wonderful story during his tenure on The Flash.

What a run...

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The Government Inspector at the Abbey Theatre (Review)

Jimmy Fay’s version of The Resistable Rise of Arturo Ui was one of the highlights of the past few years at the Abbey, so seeing the director handle Nokolai Gogol’s The Government Inspector is an interesting premise. While Fay handles the play wonderfully well, with a (mostly) solid cast and superb staging choices, I can’t help but feel that Roddy Doyle’s translation of the play is just a bit “on the nose”, striving for a bit of forced relevance with countless references to “brown paper envelopes.” Perhaps the best indication of the show comes from the wonderful inset in the programme, illustrated in a pleasant enough style by Irish Times cartoonist M. Turner – a mock-up cut-out selection that includes mock-up heads of Bertie Ahern and Charlie Haughey. One senses that the production might have had a bit more bite a few years back.

Family values...

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Grant Morrison and Mark Millar’s Run on the Flash – Emergency Stop & the Human Race

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness… We’ll start with a tie-in to last month’s theme, with the time Grant Morrison wrote The Flash.

Wally, you are definitely spending too much time around Scottish people!

– Linda bends the fourth wall. Quite frankly (or should that be “Frank Quitely”, referencing Morrison’s long-term collaborator?), I’m surprised it’s still standing by the end of the run.

If you believe everything you read, it was actually Mark Waid’s landmark run on The Flash that inspired Grant Morrison to write Justice League in the first place, a run currently being collected in nice deluxe hardbacks. So, when Mark Waid took a year off from the title to pursue his own interests – including the graphic novel The Life Story of the Flash and JLA: Year One – perhaps comics’ most mind-bending Scotsman would make a logical choice to replace him on a character who has always had a bit of a surrealist bent. And Grant Morrison brought a friend with him – Mark Millar, now better known as the writer of Kick-Ass and The Ultimates, but who originally started out with a string of partnerships with Morrison through the nineties involving a prologue to Justice League and Aztek, along with many others. Their collaborations aren’t exactly looked back upon as comic book gold – despite the fact that the two of them, working separately, have redefined the superhero genre – but their year-long fill-in gap on The Flash is irrelevant and charmingly fun. Nothing more (unless you’re a continuity nut – in which case the pair tease several essential Flash concepts) and certainly nothing less (unless your comic book tastes don’t run towards the “wacky” end of the spectrum).

Chased by a shadow...

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Ten Most Anticipated Movies of 2012

Enough with the best of 2011! That was so last year. Let’s instead reflect on some of the films I am most anticipating in the year ahead. As noted elsewhere, this is all just my opinion, so it’s bound to be a bit crazy and off-the-wall, but hopefully it’s interesting enough.

Hopefully, 2012 isn't a cinematic disaster...

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Ten Best Movie Moments of 2011…

I’ve compile my list of my own favourite films of 2011, but I thought I’d take the opportunity to outline my own favourite movie moments of 2011 – those breathtaking sequences when I was glad to be setting in a darkened room surrounded by strangers. Sometimes it’s easy to forget the raw combination of images and sounds can have such a dramatic effect on you, moving you and bringing you to from the height of joy to the depths of sorrow. I’m very happy with 2011 as a year for cinema, and these are just ten reasons why.

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My Best of 2011: Drive & Neon Noir…

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

Drive is number one. Check out my original review here.

If I drive for you, you give me a time and a place. I give you a five-minute window, anything happens in that five minutes and I’m yours no matter what. I don’t sit in while you’re running it down; I don’t carry a gun… I drive.

Nicolas Winding Refn’s Drive isn’t a revolutionary film. It isn’t bold or original or highly inventive. Instead, it’s just a wonderfully effective neo-noir with its vibrant colours and synth soundtrack calling back to crime films of the eighties, featuring a confident performance from Ryan Gosling as the archetypical male crime lead. Gosling is strong, stoic, silent, yet strangely sensitive as the eponymous stunt driver, who moonlights with various illegal extra curricular activities. Here, Refn manages to out-Mann Michael Mann, producing a film that seems more like the spiritual successor to Miami Vice than Mann’s own film of the same name. It’s a brutal, brilliant and stunning film. And, while it faced stiff competition from the second and third films on this list, it’s with some confidence that I recommend it as my favourite film of the past year.

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