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My Best of 2011: Drive & Neon Noir…

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

Drive is number one. Check out my original review here.

If I drive for you, you give me a time and a place. I give you a five-minute window, anything happens in that five minutes and I’m yours no matter what. I don’t sit in while you’re running it down; I don’t carry a gun… I drive.

Nicolas Winding Refn’s Drive isn’t a revolutionary film. It isn’t bold or original or highly inventive. Instead, it’s just a wonderfully effective neo-noir with its vibrant colours and synth soundtrack calling back to crime films of the eighties, featuring a confident performance from Ryan Gosling as the archetypical male crime lead. Gosling is strong, stoic, silent, yet strangely sensitive as the eponymous stunt driver, who moonlights with various illegal extra curricular activities. Here, Refn manages to out-Mann Michael Mann, producing a film that seems more like the spiritual successor to Miami Vice than Mann’s own film of the same name. It’s a brutal, brilliant and stunning film. And, while it faced stiff competition from the second and third films on this list, it’s with some confidence that I recommend it as my favourite film of the past year.

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