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Non-Review Review: The Thing (2011)

The reflexive reaction to a film like the 2011 version of The Thing is one of scepticism. There’s something very strange about seeing a movie that had been relatively unloved on initial release garnering the remake/prequel treatment, an attempt to cash in on its cult success by turning it into a franchise. And, to be fair, a lot of that cynicism is justified by The Thing. There are times when it seems like – despite the obvious affection for the original horror master piece held by the writers and the director – that nobody really has any idea why John Carpenter’s The Thing has become such an iconic piece of cinematic horror.

There are some nice touches here, and it seems like director Matthijs van Heijningen Jr. is genuine in his love of the classic body horror. Unfortunately, it feels like the finished product is more the result of mechanical number-crunching than honest enthusiasm.

All fired up...

All fired up…

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Doctor Who: Invasion of the Dinosaurs (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Invasion of the Dinosaurs originally aired in 1974.

How are you feeling now?

Hungry, tired and I’ve got a headache.

– Mark asks Sarah Jane how her viewing went. I can empathise.

Ah, ambition. It’s hard to fault it… although there is a point where you simply have to. Invasion of the Dinosaurs crosses that line in the first episode. I know that Doctor Who is a BBC television serial. I understand that the classic series hardly had a huge amount of money to hand when it needed special effects. I am well aware that the special effects for the following season’s The Ark in Space amount to some bubblewrap and green paint. There is an art to watching many of these classic stories, and that art involves being wilfully blind to the fact that the special effects aren’t up to scratch. Beyond that, it’s arbitrary. There’ll always be one silly special effect that undermines an otherwise impressive episode – which special effect and which episode will vary from person to person.

However, Invasion of the Dinosaurs makes the special effects the whole point of the exercise. The title tells you that you should be watching the dinosaurs. Malcolm Hulke was given the brief to write a story about dinosaurs in contemporary London. There might be a plot underneath it all, but the serial expects that you are here for the dinosaurs. And, if you are…

I’m sorry. I’m so sorry.

A smashing time...

A smashing time…

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Non-Review Review: G.I. Joe – Retaliation

I’m actually just a little bit divided on G.I. Joe: Retaliation. It is not, by any measure, a good film. It’s messy, it’s muddled, it’s over-complicated and under-developed at the same time, it’s nonsense, it’s dumb, it’s loud and it’s all over the map. However, some small part of me sort of admired that G.I. Joe: Retaliation had managed to so perfectly evoke the sensation of playing with toys. Had you given my eight-year-old self a box of G.I. Joe toys and told me to play for two hours, my playtime might have been plotted somewhat similarly to this film. I will concede that I admire the way that G.I. Joe: Retaliation feels more like a bunch of kids playing with toys than a carefully constructed action movie.

At the same time, however, I’m not afraid to admit that my eight-year-old self would have directed a pretty terrible action film.

Rock on...

Rock on…

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Doctor Who: The Time Warrior (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Time Warrior originally aired in 1974.

Look, will you excuse me? I’ve got to go and find a young girl. I’ll see you later, I hope.

Young girl? I should have thought he was a bit old for that sort of thing. Oh well.

– the Doctor and Rubeish discover that Jo’s departure isn’t affecting him too much

The end of an era is fast approaching. Jon Pertwee departed Doctor Who after spending five years in the title role. The end of his fourth year saw the departure of his longest-serving companion, Jo Grant. The start of his final year would see the introduction of Sarah Jane Smith, perhaps the most iconic companion of all time. However, watching the first serial of his last year – The Time Warrior – there is a sense of pending change in the air, a sense that show in the cusp of a very significant shift. The Time Warrior isn’t necessarily explicit about this, but you can almost feel it.

Time is running out...

Time is running out…

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Non-Review Review: A Late Quartet

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Watching A Late Quartet, you can almost read the text the text of the “for your consideration” letters, advertisements and press releases. This is, after all, the story of a classical music quartet dealing with the fallout when their cellist discovers that he is suffering from Parkinson’s disease. The cellist’s announcement that he will be departing the group causes each of the other three members to question their role in the ensemble, and even where their lives have brought them. It is, very much, an invitation for melodrama, and the script takes up that invitation with considerable enthusiasm. However, despite (or perhaps because of) the script’s decision to embrace that melodrama, A Late Quartet serves as a fascinating showcase for a rather wonderful ensemble.

Music, sweet music...

Music, sweet music…

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Doctor Who: Utopia (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Utopia originally aired in 2007.

Ooo, new voice. Hello, hello. Hello. Anyway, why don’t we stop and have a nice little chat while I tell you all my plans and you can work out a way to stop me, I don’t think.

Hold on. I know that voice.

I’m asking you really properly. Just stop. Just think!

Use my name.

Master. I’m sorry.

Tough!

– the Master, Martha and the Doctor welcome a new old face back

It’s very hard to talk about Utopia without seguing into talking about The Sound of Drums or The Last of the Time Lords. Certainly the third season finalé is the most ambitious of Russell T. Davies’ end-of-season adventures. It’s a three-part adventure, the equivalent to one of those classic gigantic six-part serials. If you accept that logic, it breaks down neatly into the old two-parter-and-four-parter format that the writers used to use to prevent an extended story from dragging too much.

Utopia, of course, serves the function of the two-parter in this classic structure – the smaller chunk of the episode with its own plot points and characters and settings, but with very definite connections to the rest of the adventure. However, I’d argue that Utopia is a lot more successful than either of the two episodes following, and a lot of that stems from the fact that it devotes a considerable amount of time to quietly setting up plot points and characters that will pay off down the line.

It’s also a powerful subversion of the fundamental ethos of Doctor Who, which makes it particularly effective as we head into two episodes where the Master hijacks not only the TARDIS but the show itself.

No time like the end of the universe...

No time like the end of the universe…

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Non-Review Review: Tower Heist

Hollywood has always had a strange way of reacting to current trends and realities as they exist outside the multiplex. Films tend to take a while to react to shifting cultural phenomena. That said, changes in response to particular incidents can be relatively swift. Gangster Squad was famously re-shot following the Aurora shootings and released less than a year later. Although still in the early stages of its production, Zero Dark Thirty was heavily re-worked after Osama Bin Ladin had been shot and killed. However, it’s the broader changes that Hollywood takes longer to acknowledge.

The Dark Knight was praised by The Washington Times as “the first great post-Sept. 11 film”, but this was in 2008 – almost seven years after the attacks. The 9/11 zeitgeist still lingers over American film and television. However, it’s telling that – only recently – have we seen reactions to the financial crisis creep into contemporary blockbuster cinema, as the studios try to acknowledge the shifting economic reality.

Tower Heist is very clearly an attempt to capitalise on some of the anger and the hurt generated by the failure of banks and official bodies to protect the average citizen from the financial collapse. It’s confused, muddled and a little disjointed, even if the intentions seem noble. It still feels a little disappointing that it took almost half a decade to produce this rather bland reaction.

A crash course in economics...

A crash course in economics…

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Watch! New Star Trek: Into Darkness International Trailer!

The release of Star Trek: Into Darkness is getting closer and closer. So Paramount have released a new international trailer for the highly anticipated sequel. It has everything. Hints about the character played by Benedict Cumberbatch… who might actually be an original character, or at least not a notable pre-existing one! Peter Weller being all stern and awesome! (Although it does make me worry about the absence of Bruce Greenwood.) Anger! Explosions! Uniforms that look like affectionate nods to the decidedly seventies design seen only in Star Trek: The Motion Picture! Cumberbatch being ominously evil! Gratuitous shots of Alice Eve in her underwear, for some reason! Truly something for everyone.

We’ll be doing a whole month of Star Trek related fun to celebrate the release in May, so check back then for more!

Doctor Who: The End of the World (Review)

You’ve seen how dangerous it is. Do you want to go home?

I don’t know. I want… Oh, can you smell chips?

Yeah… Yeah.

I want chips.

Me too.

Right then, before you get me back in that box, chips it is, and you can pay.

No money.

What sort of date are you? Come on then, tightwad, chips are on me. We’ve only got five billion years till the shops close.

-the Doctor and Rose contemplate the mysteries of the universe

If Rose proved that Doctor Who was back for a new generation, The End of the World demonstrates that it’s still the same show that it was all those years ago. The show has always struggled to do “future” on the budget afforded by the BBC, but this second episode of the show offers a glimpse of what the series was capable of. It’s not quite perfect, but has all the ambition that a revived Doctor Who needs in its first season, laying a great deal of thematic groundwork and character development on top of a visual feast. If Rose promised an update to everyone’s favourite Time Lord for the twenty-first century, The End of the World existed to assure viewers that some things never quite change.

... and I feel fine...

… and I feel fine…

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Non-Review Review: Struck by Lightning

This film was seen as part of the Jameson Dublin International Film Festival 2013.

The best thing that Struck by Lightning has going for it is Chris Colfer. As a young writer, Colfer’s script is bristling with all manner of acerbic remarks, bitter humour and overdrawn melodrama. The basic ingredients for any half-decent teenage film, to be frank. However, the worst thing that Struck by Lightning has going for it is also Chris Colfer. A better writer than an actor, Colfer finds himself struggling to convince us that his protagonist is worth our time, and finds himself unable to soften the rough edges of his leading character. The result is a film that is quite sharp and well-observed, but which never quite tempers itself properly.

Get the lead out...

Get the lead out…

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