the m0vie blog

New Escapist Column! On the Forgotten Nineties Pulp Superhero Boom…

Posted on April 10, 2022 by Darren

I published a new piece at The Escapist this evening. With the looming release of Doctor Strange in the Multiverse of Madness, it seemed like a good opportunity to take a look at Sam Raimi’s first superhero movie: Darkman.

Darkman is notable because it belongs to a wave of early nineties superhero movies that were heavily influenced by the pulp heroes of the thirties and forties: Batman, Dick Tracy, The Rocketeer, The Shadow, The Mask, The Phantom. This is a fascinating and often overlooked trend in the history of what would become the biggest genre in Hollywood. It’s interesting to look at these movies collectively, to place in the wave of a broader cultural nostalgia for the pop culture of the era.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: batman, Darkman, dick tracy, escapist, sam raimi, the escapist, the mask, the phantom, the rocketeer, the shadow, tim burton | Leave a comment »

New Escapist Column! On How “The Motion Picture” Gave the “Star Trek” Universe Room to Breathe…

Posted on April 8, 2022 by Darren

I published a new In the Frame piece at The Escapist this evening. With the release of the recently remastered Director’s Edition of Star Trek: The Motion Picture, it seemed like a good opportunity to take a look at the first feature film in the Star Trek franchise.

The Motion Picture is often derided by its critics as “the Motionless Picture”, reflecting the film’s slow pacing and simplistic plot in contrast to its more relaxed runtime. These criticisms are entirely valid, but they also ignore one of the central appeals of The Motion Picture. Just two years after George Lucas welcomed viewers to “a galaxy far, far away” with Star Wars, The Motion Picture made the Star Trek universe truly tactile and tangible. The film is perhaps best understood as an experience rather than a narrative, a window into the franchise’s fictional universe.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: in the frame, Robert Wise, special effects, star trek, Star Trek: The Motion Picture, the escapist | Leave a comment »

New Escapist Column! On “Star Trek: Picard” and “Star Trek IV: The Voyage Home”…

Posted on April 7, 2022 by Darren

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Picard, which is streaming weekly on Paramount+. The sixth episode of the second season released this week, and it seemed like a good opportunity to take a look at the series.

One of the interesting aspects of the second season of Star Trek: Picard has been the way in which it has been drawing more overtly from classic Star Trek tropes, with the season taking a number of cues from Star Trek: First Contact. However, the season has drawn most overtly from Star Trek IV: The Voyage Home. What is interesting about this is that the show understands that The Voyage Home isn’t just about time travelers from an imaginary future, but about fugitives from television.

You can read the piece here, or click the picture below.

Filed under: Star Trek | Tagged: future, hope, idealism, Mental Health, picard, star trek, star trek iv the voyage home, star trek: picard, Television, time travel, utopianism, Voyage Home | Leave a comment »

New Escapist Column! On How “Moon Knight” Offers an Interesting Solution to the MCU’s Villain Problem…

Posted on April 6, 2022 by Darren

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Moon Knight, which is streaming weekly on Disney+. The second episode of the show released this week, and it seemed like a good opportunity to take a look at the series.

One of the more consistent criticisms of the Marvel Cinematic Universe is the idea that it suffers from a “villain problem.” While this is perhaps an over-simplification of the situation, there is some truth to the suggestion. Part of what makes Moon Knight so interesting is that the streaming series posits an interesting solution to this long-standing issue. It offers a superhero who can legitimately serve as his own worst enemy.

You can read the piece here, or click the picture below.

Filed under: Television | Tagged: disney, ethan hawke, fascism, harrow, marc spector, marvel, marvel villains, mcu, moon knight, Oscar Isaac, steven grant, villain problem | Leave a comment »

New Escapist Column! On How the Fate of the MCU Rests on “Doctor Strange in the Multiverse of Madness”…

Posted on April 4, 2022 by Darren

I published a new In the Frame piece at The Escapist this evening. With the looming release of Doctor Strange in the Multiverse of Madness, it seemed like a good time to reflect on how so much of the fate of the Marvel Cinematic Universe came to rely on he sequel to Doctor Strange.

Doctor Strange was a solid midtier entry in the Marvel Cinematic Universe. It was warmly, but not raptuously, received by both audiences and critics. However, there is something fascinating in how the studio has positioned Doctor Strange in the Multiverse of Madness as essentially the franchise’s first true “event” movie since Avengers: Endgame. Indeed, there’s a surprising amount riding on the film, following the performance of the previous three Marvel Studios films and the success of Spider-Man: No Way Home and The Batman.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: doctor strange, doctor strange in the multiverse of madness, escapist, in the frame, marvel, Marvel Cinematic Universe, Marvel Studios, mcu, the escapist | Leave a comment »

New Escapist Column! On “The Falcon and the Winter Soldier” and the New Age of Disposable Media…

Posted on April 3, 2022 by Darren

I published a new piece at The Escapist yesterday. One of the big news stories of this week concerned the apparent (albeit accidental) censorship of an episode of The Falcon and the Winter Soldier on Disney+.

While the matter was eventually resolved following news coverage and outcry on social media, there is something unsettling about how easily that mistake happened and how readily it could have been missed or overlooked. It underscores the risks of trusting companies like Disney to serve as the digital curators of their own legacy, particularly in a landscape where so much of film and television has alreayd been lost. In some ways, it suggests that the transition to streaming has rendered film and television truly disposable in a way that they haven’t really been in almost half a century.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: censorship, corporations, disney, film preservation, legacy media, ownership, physical media, piracy, preservation, streaming | Leave a comment »

281. Idi i Smotri (Come and See) (#106)

Posted on April 2, 2022 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Lee Murkey, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Elem Klimov’s Idi i Smotri.

As the Second World War rages, the inhabitants of Belarus prepare for the sweeping advance of the Nazis from the West. A young boy named Flyora dreams of joining the local partisans so that he can fight in the guerilla war against the hostile invaders. However, Flyora quickly discovers that war is not a place for heroes, and that any childhood innocence will soon be left behind.

At time of recording, it was ranked 106th on the list of the best movies of all time on the Internet Movie Database.

Continue reading →

Filed under: The 250 | Tagged: antiwar, come and see, elem klimov, holocaust, idi i smotri, lee murkey, nazis, russian film, soviet cinema, tarkovsky, The 250, war | Leave a comment »

New Escapist Column! On How “Fantastic Beasts” Fails to Capture the Magic of “Harry Potter”…

Posted on April 1, 2022 by Darren

I published a new In the Frame piece at The Escapist this evening. With the upcoming release of Fantastic Beasts: Secrets of Dumbledore, it seemed like a good opportunity to take a look back at one of the more inert major franchises of the past decade or so.

The success of the Harry Potter movies made the extension of the franchise inevitable; and the intellectual property has expanded into theme parks and stage shows. However, the attempts to expand the world into feature films has met with frustrating results. So far, the Fantastic Beasts franchise has felt a little lifeless and inert, a blockbuster franchise driven by exposition and apocalyptic spectacle, rather than allowing the audience to really immerse themselves in the world as they did with the earlier stories.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: brand extension, fantastic beasts, franchise, harry potter, intellectual property, JK Rowling, wizarding world, wizards | 2 Comments »

New Escapist Video! “Sonic the Hedgehog 2 is an Adequate ’90s Family Movie”

Posted on March 28, 2022 by Darren

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Sonic the Hedgehog 2, which is in theatres in the U.K. and Ireland on Friday and in the United States next week.

Filed under: On Second Thought | Tagged: 3mr, review, sonic 2, sonic the hedgehog, sonic the hedghog 2, the escapist, three minute review | Leave a comment »

279. The Conversation (#—)

Posted on March 27, 2022 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Ciara Moloney and Dean Buckley, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Francis Ford Coppola’s The Conversation.

Harry Caul is one of the best surveillance operators in America. However, when Harry finds himself in possession of a potentially inflammatory recording with very real consequences, he finds hismel at a crossroads. Can the professional eavesdropper remain a passive observer in the drama unfolding around him, or will events force him into a more active role?

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.