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Star Trek: Terok Nor – Day of the Vipers by James Swallow (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Star Trek: Deep Space Nine comes with back story. A lot of back story. In fact, the opening scene of Emissary establishes the show in the context of The Best of Both Worlds, Part II, introducing a lead character whose tragic origin is rooted in an encounter that we had only fleetingly glimpse in Star Trek: The Next Generation. Due to the setting and nature of the show, history and continuity were major parts of Deep Space Nine‘s identity, and a large part of what set the show apart from its predecessors. (And successors, for that matter.)

Although the Klingons would dominate the show’s fourth season and remain a presence throughout the show’s run, and the Romulans might occasionally be glimpsed lurking in the back ground, the series largely focused on two alien races that had been introduced in The Next Generation. The Cardassians had been introduced in the show’s fourth season, in The Wounded, and the Bajorans first appeared during the fifth season in Ensign Ro.

Officially part of The Lost Era series of novels designed to flesh out the history of the shared Star Trek universe, the Terok Nor trilogy exists as a bridge into Emissary, something of an extended history lesson that contextualises the events of Deep Space Nine by providing an account of the Occupation of Bajor, an atrocity that only ended shortly before Emissary actually began.

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Non-Review Review: Riddick

Riddick is remarkably candid about the trouble with The Chronicles of Riddick. “Somewhere,” Riddick tells us in his introductory monologue, “I lost my way.” The movie sees Riddick trying to get back to his roots – literally and figuratively. He abandons the trappings of The Chronicles of Riddick, casting Karl Urban aside after little more than a cameo and a convoluted back story. He longs to return home.And, in a way, he does.

Eschewing the scale of The Chronicles of Riddick, the movie finds Riddick and the crews of two ships locked in combat on the surface of a planet, discovering that the elements are against them – and the monsters hiding therein. The movie is acutely aware of how tightly it’s mirroring Pitch Black. At one point, before an alien onslaught begins, one co-star asks how many survivors emerged from the crash at the start of Pitch Black. “As many as are in this room,” Riddick replies, underscoring the similarities.

However, Riddick is strongest when it tries to recapture the mood of Pitch Black, rather than trying to connect more directly with its predecessors. The decision to hang the back story of the film on a minor character from a movie released a decade ago feels like a miscalculation, and the movie’s introduction suffers from an indecisiveness about whether it’s breaking free of or following on from its direct predecessor.

Apocalypse how?

Apocalypse how?

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Hannibal – Savoureux (Review)

That was one impressive first season. Hannibal has developed from something that seemed like an idle curiosity – a police procedural based around the over-used cannibalistic serial killer? – into one of the best new American dramas of the past season. I suspect a lot of that is down to the decision to structure the season across thirteen episodes, instead of a larger (more traditional) network structure of twenty-or-more. To be fair, there were a few missteps early in the first season as Hannibal tried to balance the expectations of a procedural drama with the demands of an intimate character study, but it found its feet almost half-way through the season and it has never looked back.

Hannibal has been tightly plotted and cleverly constructed from around about Coquilles, and it’s remarkably how the show has found a way to weave its “serial killers of the week” into the over-arching plot. For example, Georgia from Buffet Froid winds up being a vital piece of Hannibal’s plot to incriminate Will. The clock that the sinister psychiatrist asked Will to draw in that episode is used to generate some exquisite tension here. Everything seems to have been building towards this point, and Bryan Fuller has done a simply tremendous job constructing a thirteen-episode Rube Goldberg machine that pays off beautifully.

Portrait of the killer?

Portrait of the killer?

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Win! Tickets to the Jameson Cult Film Club Screening of DieHard!

The Jameson Cult Film Club is returning to Dublin for their biggest and most electrifying double screening to date. Continuing on from this year’s successful screenings of Intermission and LA Confidential, the Jameson Cult Film Club promises to transport the audience right into the world of the high suspense action classic, Die Hard (1988), which will be screened at a secret Dublin location on Tuesday 17th and Wednesday 18th September 2013. Jameson Cult Film Club screening of Die Hard This special screening promises to transport the audience right into the world of this cult classic for an unforgettable viewing experience. Attendees will be treated to much more than a typical screening, as actors, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening. Check out www.jamesoncultfilmclub.ie for details and register for the chance to win free tickets to one of the screenings on either 17th or 18th September.

So if you would like to win one of two sets of TWO TICKETS to the screening on WEDNESDAY 18th SEPTEMBER answer the following question:

The competition is no closed. Winners will be notified shortly.

All entrants must be over 18. You must be available to attend the screening. The contact details above will only be used to contact the winners of the competition.

DH-265 Die Hard © 2013 TCFHE LLC Available on Blu-ray & Digital HD™

Die Hard DVD Jameson-CFC-Landscape-WHITE copy

jamesondrinkaware 1 line 18pt

Jameson Film Club: Die Hard Double Screening!

Due to popular demand, the Jameson Cult Film Club is returning to Dublin for their biggest and most electrifying double screening to date. Continuing on from this year’s successful screenings of Intermission and LA Confidential, the Jameson Cult Film Club promises to transport the audience right into the world of the high suspense action classic, Die Hard (1988), which will be screened at a secret Dublin location on Tuesday 17th and Wednesday 18th September 2013.

Jameson Cult Film Club screening of Die Hard

If you want to get your ‘Hans’ on some tickets, register now on www.jamesoncultfilmclub.ie. These free events are more than just your typical screening, as characters from the movie, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening.

DH-265

The venue is only revealed to ticket holders and will be completely transformed into a series of sets from the film.  DJ Aidan Kelly will be spinning the sounds from the movie before and after the screening while guests are treated to ‘Yippee-Ki-Yay’ burgers and refreshing Jameson, Ginger and Lime long drinks.

Die Hard DVD Jameson-CFC-Landscape-WHITE copy

jameson drinkaware 1 line 18pt

Star Trek (DC Comics, 1989) Annual #2 – Starfleet Academy!

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

Multimedia franchises tend to have very strange lives. These iconic pop culture characters rarely seem to ride off into the sunset in any real way. Their story might end, but there’s always a new beginning just waiting for them. When veteran Star Trek writer Ronald D. Moore took charge of the reboot of Battlestar Galactica, he even wove the idea into the fabric of the show. “All of this has happened before and will happen again,” the characters repeated.

It’s been a Hollywood fad for the last decade, with high-budget reboots like Batman Begins and The Amazing Spider-Man suggesting that icons never die, they just get reinvented. However, it has always been a feature of the pop culture landscape. Think of how many adaptations of Batman have run their course, or how many times in how many different media Sherlock Holmes has played out his game of wits. Life for these iconic properties is something of a spinning wheel. It seems that no sooner are you off one side than you are back on the other.

So, with the release of Star Trek: The Undiscovered Country in 1991, it seemed the ideal time for Star Trek author Peter David to venture back to the very beginning, and to explore Kirk’s time at Starfleet Academy!

"By the way, I like David as a name..."

“By the way, I like David as a name…”

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Star Trek: Mirror Universe – Shards & Shadows: The Greater Good by Margaret Wander Bonanno

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

If Star Trek and Star Trek: Into Darkness proved one thing, it’s that it sucks to be Christopher Pike, in any universe. The first captain of the USS Enterprise not only had to wait until 1988 to see his pilot (The Cage) finally broadcast on television, he also got shuffled off-screen unceremoniously in the franchise’s first two-parter (The Menagerie) and was never really mentioned again. When JJ Abrams’ Star Trek introduced us to a rebooted Christopher Pike played wonderfully by Bruce Greenwood, he observed of George Kirk was captain of a starship for eight minutes. It seemed like Pike ended up in command of the Enterprise for only slightly longer than that.

It seems that even mirror!Pike can’t catch a break, as Margaret Wander Bonanno demonstrates in her short little glimpse into how exactly mirror!James Tiberius Kirk took control of the ISS Enterprise.

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Non-Review Review: Star Trek (2009)

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

Star Trek was not in a healthy place at the end of the first decade of the twenty-first century. The last film, Star Trek: Nemesis, had been box office poison – partially due to the terrible script and direction, and partially due to the monumentally stupid decision of opening it during a winter season including The Lord of the Rings: The Two Towers, Harry Potter and the Chamber of Secrets and Die Another Day.

On television, things hadn’t been much brighter. Ratings had been in decline since Star Trek: Voyager hit the air, and Star Trek: Enterprise went through both a re-tool and a creative shift before becoming the first Star Trek television show since the eighties to be cancelled before running a full seven seasons. Even the most ardent Star Trek fan would have to concede that the franchise did not appear to have a bright future at that point in time.

And yet, against all odds and despite all the goodwill the franchise had lost, JJ Abrams and Paramount managed to reinject both an energy and a vitality into the film, producing one of the best blockbusters of the decade.

A commanding Enterprise....

A commanding Enterprise….

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Hannibal – Relevés (Review)

For a show about a serial killer and the FBI’s Behavioural Analysis Unit, Hannibal is often surprisingly deep. That’s not much of a surprise, given the quality of the staff working on it, but the show is absolutely stunning meditation on identity and personality. In a way, that’s one of the smartest things about Fuller’s first thirteen episode season, building on the foundations set by Thomas Harris to construct something that fits quite elegantly while remaining its own distinct entity.

Relevés is the penultimate episode of the first season, and the point where – having used Roti to clear away some of the clutter – the show starts tying up a lot of those loose ends. Perhaps one of the most impressive things about the episode is the amount of suspense that Bryan Fuller and his staff can wring from the set-up – despite the fact that we know how this story ends, Hannibal manages to engage us so completely in the telling that what we already know seems almost irrelevant.

Things are heating up...

Things are heating up…

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Star Trek (DC Comics, 1984) Annual #1 – All Those Years Ago…

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

It’s weird to think that the original cast of Star Trek didn’t get a proper on-screen origin story until JJ Abrams rebooted the franchise in 2009. The show produced two pilots – The Cage and Where No Man Has Gone Before – and even the pilot episode that wound up airing was broadcast as the third episode of the first season. Given the realities of sixties television, it’s probably not too surprising. Rather famously, Gilligan’s Island scrapped its origin story pilot, reworking some of the footage (along with re-shot footage) into a later episode – deciding to skip the story of how everybody got here and just get to the meat of the story.

And you can understand why this approach worked with the original Star Trek. Structurally, the series was a product of its time, largely episodic. Sure, there were recurring alien races and even a few recurring guest stars outside the senior staff, but there was a sense you could jumble the viewing order of most of the episodes up and not notice anything strange.

At the same time, the lack of an origin leaves a vacuum. After all, each of the four following spin-offs opened with a two-hour special about putting the crew together to take their place on the final frontier. In hindsight, having had years to grow old with these characters and watch their friendships (and personalities) deepen and broaden, it occurs to us that we never really say them come together for the first time.

All Those Years Ago... isn’t nearly as elaborate or as sophisticated as Vonda M. McIntyre’s Enterprise: The First Adventure, but it does hint at a growing curiosity about how the team came to work together.

Second star on the right...

Second star on the right…

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