• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

New Escapist Column! On “Atlanta” as One of Television’s Great Liminal Spaces…

I published a new In the Frame piece at The Escapist this evening. With Atlanta wrapping up its final season earlier this month, it seemed like a good opportunity to take a look back at one of television’s great liminal spaces.

Creator and lead actor Donald Glover frequently compared the show to Twin Peaks and The Sopranos, two very interesting choices for a show that has the basic structure of a sitcom built around four central characters. However, over the course of its four season, Atlanta became a surrealist study of millennial Black life in the United States, in particular the constant sense of being stuck “between” places without a firm status quo. Atlanta is a show that largely unfolds in shopping centres, nightclubs and hotels, and parties and in altered states. It’s a show that often feels dreamlike, its characters drifting through a chaotic world.

You can read the piece here, or click the picture below.

79. Mandariinid (Tangerines) – This Just In (#247)

Hosted by Andrew Quinn and Darren Mooney and with special guests Jason Coyle and Ronan Doyle, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Zaza Urushadze’s Mandariinid.

At time of recording, it was ranked the 247th best movie of all time on the Internet Movie Database.

Continue reading

Hannibal – Relevés (Review)

For a show about a serial killer and the FBI’s Behavioural Analysis Unit, Hannibal is often surprisingly deep. That’s not much of a surprise, given the quality of the staff working on it, but the show is absolutely stunning meditation on identity and personality. In a way, that’s one of the smartest things about Fuller’s first thirteen episode season, building on the foundations set by Thomas Harris to construct something that fits quite elegantly while remaining its own distinct entity.

Relevés is the penultimate episode of the first season, and the point where – having used Roti to clear away some of the clutter – the show starts tying up a lot of those loose ends. Perhaps one of the most impressive things about the episode is the amount of suspense that Bryan Fuller and his staff can wring from the set-up – despite the fact that we know how this story ends, Hannibal manages to engage us so completely in the telling that what we already know seems almost irrelevant.

Things are heating up...

Things are heating up…

Continue reading

Hannibal – Buffet Froid (Review)

Buffet Froid is the most strikingly horrific episode of Hannibal to date. Of course, the show is very much a horror story and enjoys its fair share of grotesque imagery. This is the series, after all, that gave us the makeshift angels, the do-it-yourself cello and the human totem poll. However, Buffet Froid plays most obviously on the imagery and iconography of horror. This is the episode where people have no faces and skin comes off at the slightest touch and the serial killer is waiting for you under your bed.

As you might imagine for a show with such complete control of its own atmosphere, Buffet Froid works very well indeed – providing what might be the most horrific episode of the show to date.

The doctor will see you now...

The doctor will see you now…

Continue reading

X-Men: Operation Zero Tolerance (Review/Retrospective)

To celebrate the release of The Wolverine this month, we’re taking a look at some classic and modern X-Men and Wolverine comics. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

Operation Zero Tolerance is very much an artefact of the nineties. It’s a big bombastic X-Men romp, one that manages to hit on a lot of the key themes and ideas of the franchise (making them resonate with the public mood), while still seeming loud and simply and incredibly hollow. After all, it’s a comic about the prejudice facing a minority in the nineties, with repeated references to the Holocaust. “Zero tolerance?” Senator Robert Kelly asks towards the end of the event. “Isn’t that what the Nazis had for the Jews in the last World War?” The villain, Bastion, is presented as a “wannabe Hitler.”

Operation Zero Tolerance is, in a word, blunt. With so many of the high-profile comics of the nineties, from both Marvel and DC, “subtlety” is an alien concept. This is an X-Men comic where racial intolerance and prejudice are expressed through nothing short of attempted genocide. On the one hand, it’s very clearly the mutant prejudice idea pushed to its logical extreme. On the other hand, the notion of the United States government even passively condoning an attempted genocide feels like it robs the franchise of the social relevance which had made it so compelling and intriguing.

Still, the event’s impact is quite obvious. It’s hard not to see Operation Zero Tolerance as the driving influence on the entire X-Men franchise from House of M through to Second Coming.

Chances of survival are Slim...

Chances of survival are Slim…

Continue reading