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X-Men: Operation Zero Tolerance (Review/Retrospective)

To celebrate the release of The Wolverine this month, we’re taking a look at some classic and modern X-Men and Wolverine comics. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

Operation Zero Tolerance is very much an artefact of the nineties. It’s a big bombastic X-Men romp, one that manages to hit on a lot of the key themes and ideas of the franchise (making them resonate with the public mood), while still seeming loud and simply and incredibly hollow. After all, it’s a comic about the prejudice facing a minority in the nineties, with repeated references to the Holocaust. “Zero tolerance?” Senator Robert Kelly asks towards the end of the event. “Isn’t that what the Nazis had for the Jews in the last World War?” The villain, Bastion, is presented as a “wannabe Hitler.”

Operation Zero Tolerance is, in a word, blunt. With so many of the high-profile comics of the nineties, from both Marvel and DC, “subtlety” is an alien concept. This is an X-Men comic where racial intolerance and prejudice are expressed through nothing short of attempted genocide. On the one hand, it’s very clearly the mutant prejudice idea pushed to its logical extreme. On the other hand, the notion of the United States government even passively condoning an attempted genocide feels like it robs the franchise of the social relevance which had made it so compelling and intriguing.

Still, the event’s impact is quite obvious. It’s hard not to see Operation Zero Tolerance as the driving influence on the entire X-Men franchise from House of M through to Second Coming.

Chances of survival are Slim...

Chances of survival are Slim…

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Craig Kyle & Christopher Yost’s Run on X-Force – X-Necrosha (Review/Retrospective)

To celebrate the release of The Wolverine later in the month, we’re taking a look at some classic X-Men and Wolverine comics every Monday, Wednesday and Friday here. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

I have a bit of a soft-spot for Craig Kyle and Christopher Yost’s X-Force. It’s nowhere near as good as Rick Remender’s Uncanny X-Force, and I’m not even sure that it’s good comics. However, it does capture the mood of the X-Men comics between House of M and Second Coming remarkably well.

Being frank, I think that the editorial direction of the X-Men line between House of M and Second Coming was a disaster. In fact, the work of Kieron Gillen on Uncanny X-Men and Jason Aaron on Wolverine & The X-Men following Schism demonstrates that the franchise spent six long years running in a gigantic circle to get back to where Grant Morrison’s New X-Men and Joss Whedon’s Astonishing X-Men had left it.

However, Yost and Kyle’s X-Force captures the mood of the line a lot better than Ed Brubaker or Matt Fraction’s work on Uncanny X-Men, willing to embrace the cynically and nihilitistically nineties vibe of the entire line.

Country of the dead...

Country of the dead…

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