I, Tonya is a biopic for the post-truth era. It is also brilliant.
The subject of I, Tonya will be casually familiar to most viewers, the figure skater Tonya Harding who was implicated in an attack on fellow figure skater Kerrigan. The incident was a flashpoint for the nascent twenty-four hour news cycle in the early nineties, although most people remember it as a warm-up for the O.J. Simpson case only shortly afterwards. As such, I, Tonya feels like the perfect window through which to examine the modern era’s obsessive celebrity-focused culture and the desire to turn our heroes into monsters for the audience’s viewing pleasure.
Putting her own spin on it.
I, Tonya is fascinating on that level alone. Its characters repeatedly break the fourth wall in an attempt to steer and control the narrative, but occasionally do so to indict the audience for their complicity. I, Tonya is a film that understands it cannot be about this media maelstrom without being part of this media maelstrom. There’s a canny knowingness to I, Tonya, an understanding that a movie about culture’s slipping grip on the idea of reality cannot be too earnest or too sincere.
I, Tonya repeatedly suggests that its story may stray into the realm of fantasy and fiction, but the movie still packs a real punch.
Get your skates on, mate.
Filed under: Non-Review Reviews | Tagged: biopics, fake news, film, i tonya, irony, margot robbie, Movie, news, non-review review, post-truth, random, review, Sebastian Stan, subjectivity | 2 Comments »
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