The biggest issue with John Wick: Chapter III – Parabellum is that it lacks an ending.
To be clear, there’s nothing wrong with an ambiguous or open-ended film. Indeed, a large part of the thrill of John Wick: Chapter II was the extent to which it fudged such boundaries. Despite the fact that John Wick offered something of a satisfying conclusion, the sequel picked up mere moments later to offer a coda that audiences never realised was needed. The ending of the first sequel bled (both literally) into the one that would follow. Open-endedness is not an issue of itself.
“So John Wick flees on horseback, the assassin’s after them on a motorcycle and it’s like a battle between motors and horses, like technology versus horse.”
After all, Chapter II belonged to the now-familiar family of “second films in trilogies.” Traditionally, the first film in a series would be relatively self-contained, with a broad teasing ending at best that could provide closure if the box office numbers didn’t work; Star Wars, Back to the Future. In contrast, after those movies were box office hits, sequels were often commissioned in batches of two; Star Wars: Episode V – The Empire Strikes Back bleeds more obviously into Star Wars: Episode VI – Return of the Jedi, Back to the Future II bleeds into Back to the Future III.
However, there tended to be an understanding that closure was necessary at some point. Not necessarily in a definitive or conclusive manner for the series as a whole; Return of the Jedi is not the last Star Wars movie. However, a sense that the single narrative being tidied up. The characters’ journeys may not be completed, but their arc within this particular story is complete. Parabellum feels very much like a cheat on this front. Although building from a premise with a clear ending, it seems to be awkwardly constructing a perpetual motion device.
Shattering expectations.
After all, John Wick’s journey has a clear end point. The character arc that began in John Wick has any number of potential resolutions. Chapter II seemed to offer some clear linear progress to that journey, taking the character from his position in the closing moments of John Wick and escalating the existential stakes significantly. The single biggest problem with Parabellum is that the film doesn’t manage a comparable transformation. Wick’s situation doesn’t seem particularly different between the beginning and the end of the film. At most, the character has run a closed loop.
This is a shame, as that is a lot to like in Parabellum. As with both John Wick and Chapter II, this is a visually stunning film. It is saturated with neon glows of reds and blues, mingling and reflecting into beautiful purples on grimy streets and immaculate sterile sets. The stunt choreography is breathtaking, and a testament to an underappreciated artform, ballet with blades and bullets. Indeed, Parabellum even improves upon the already enchanting heightened operatic (and gloriously melodramatic) storytelling of John Wick and Chapter II, weaving them into an engaging parable.
Getting their just deserts.
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Filed under: Non-Review Reviews | Tagged: film, john wick, Keanu Reeves, Movie, non-review review, review | Leave a comment »
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