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Alice: A Feminist In Wonderland?

Alice in Wonderland opens this weekend, and we were lucky enough to tag along to the Irish premiere. Since we came out of the cinema, we kinda suspected that this would be a polarising film – as the Rotten Tomatoes score seems to demonstrate. However, taking a moment to step back and appreciate the breadth and depth of the critical response, is it possible that we’ve all completely missed the point? Rather than being a fantastically realised gothic fantasy that strays just a little bit closer to The Lord of the Rings rather than its own source material, has Tim Burton produced a uniquely feminist fantasy film?

Should feminists be up in arms?

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Has the Email Controversy Hurt The Hurt Locker’s Chances?

Well, balloting is official closed. The deadline has passed and, by the time you read this, counting will more than likely be under way. It’s been an interesting Oscar season, and – since this is my last post before the ceremony – I should probably make some sort of generic observation about the competition. In truth, the acting races seem to have been sewn up since before nominations were even announced, but it looks like there’s a genuine race on for the Best Picture Oscar. In the interest of objective journalism (okay, blogging), I should concede that I have a €10 bet with my brother on the race. He expects Avatar to win because (and I quote) “it looks awesome”. I was backing The Hurt Locker, but part of me wonders if the anti-Avatar fiasco means that I should just give him the tenner now and be done.

Chartier attempts to defuse the situation...

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Non-Review Review: Harry Brown

Forget your Anti-Social Behaviour Orders and your neighbourhood watch, the only real way to stop the downward trend in modern society is to give Michael Caine a gun and let him clean house. It’s fun to see Michael Caine back in leading role and it’s fun to see that the whole ‘gritty urban vigilante’ subgenre is still alive – it’s like The Brave One in a British housing estate. The film comes apart at the end, perhaps succumbing from a need to answer the iconic question ‘what’s it all about?’, and disconnecting the movie from its initially intriquing premise, but Harry Brown is a respectable old-school law-in-the-lead-characters-hands drama.

Michael Caine is... browned off...

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Is Picking a Bad Guy the Biggest Hurdle In Getting The Flash to Screen?

The rumour is that the Flash is the next Green Lantern. By which I mean the character looks set to move to the centre of DC’s universe – on panel and on screen – in the next few years. Geoff Johns relaunched Hal Jordan with Green Lantern: Rebirth about four years ago and since then he’s guided the character through arguably two of the best received event comics of the past decade (Sinestro Corps War and Blackest Night), launched a direct-to-DVD animated feature and is getting the big screen treatment from Martin Campbell, the man who saved Bond (twice). All this from what a character who was a second stringer a few years ago. It appears that the Flash is on a similar trajectory. A relaunch of the comic book was completed last month with the final issue of Flash: Rebirth and there are rumours of a big screen treatment already in the works. Part of me wonders, however, if the character’s foes are ready for the big screen?

They're either a bunch of supervillains, or a very committed eighties concept band...

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What’s so special about The Special Relationship?

I got to see the Irish premiere of Alice in Wonderland at the weekend, thanks to boards.ie and the Jameson Dublin International Film Festival, and afterwards there was a Q & A session with Michael Sheen and Timothy Spall. Michael Sheen casually remarked that we’d be seeing the last of Peter Morgan’s “Blair trilogy”, The Special Relationship, hitting screens in about mid-July-ish. It’s been on my must-see list for a while – and the Internet Movie Database had a release date in 2011 last time I checked – but I have to admit that I’m a bit surprised at this particular companion in the tradition “Tony Blair and x” double act format. The Deal gave us Tony Blair and Gordon Brown. The Queen gave us Tony Blair and… well, take a guess. The Special Relationship gives us Tony Blair and a US President. Which one? Dennis Quaid (yes, Dennis Quaid) as Bill Clinton. Yep, that’s not the US President I was thinking of either.

The "Special" Relationship... It even sounds like a bro-mance...

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Non-Review Review: Zombieland

It takes a certain mindset to enjoy Zombieland. Not everyone can laugh at the fact that a zombie clown’s nose squeaks as you bash its head with a mallet. Fortunately, I discovered, I can.

Tallahassee goes to bat...

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Non-Review Review: The Deal

You know the kind of movie The Deal is. It’s about an over-the-hill writer who decides to screw with the Hollywood system and play it against itself, while seducing a beautiful woman and generally just being a cad. In short, it’s a movie writer’s fantasy. That’s by no means a bad thing, to be honest – when done right, you get the dark comedy Robert Altman’s The Player, a story of a writer’s revenge on a corrupt studio executive; unfortunately, when you do it wrong, you end up with a self-indulgent mess like The Deal.

Deal or no deal?

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$400,000 won’t buy you a good review from Variety, but it will kill a bad one…

Far be it for us to gloat over the misfortune of a major industry publication, but this story of Oscar ‘payola’ caught my eye. Basically Variety has been accused of pulping a bad review for a film which provided the magazine with $400,000 worth of advertising revenue. The film is Iron Cross – don’t worry that you haven’t heard of the would-be Oscar contender. It’s only really claim to awards prestige is that it offered the last performance of Roy Schneider. However, that $400,000 has gone along way – a lot of film nerds now know all about the film, which wasn’t on the radar last week.

Variety sold

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Non-Review Review: The Rock

I think there’s a case to be made for The Rock as a pop culture masterpiece. And, no, I’m not being sarcastic or bitchy – I genuinely believe that. It’s tough to look back no in the era of huge summer blockbusters, but the movie really codified what we should expect from a modern summer tentpole. I remember the gasps of shock when the Criterion – the gold standard of DVD releases – announced that they would be including Armageddon as part of the Criterion Collection, in what was clearly meant to be a nod to the mainstream action movies. Being honest, they should have picked The Rock.

Can you smell what The Rock is cooking?

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What Type of Movie-Goer Are You?

I saw this piece over at The Cinematical and it got me thinking. The article basically looks at how open-minded viewers can and should be:

Too often, moviegoers seem to clump into camps: I only watch romantic comedies; I stick with horror; I gotta have my action fix; I won’t watch anything made after 1950; I won’t watch anything in black and white; I won’t watch anything with subtitles. To some extent, we’re pushed that way by modern media, as niche marketing gets more and more specific. Go to Netflix or Amazon, search for A Room with a View, and suggestions for other similar, period dramas may pop up as recommended choices for you, as determined by computer algorithms. The computer won’t recommend The Crazies.

Are we too close-minded about films?

Ah, the classic "vampire/cop" movie genre...

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