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Non-Review Review: Quantum of Solace

Note: I have another review of the film here, but this was written as part of “James Bond January”, after watching all 22 films in quick succession. This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Quantum of Solace is a strange film. In many ways, it feels more like a return to the Bond formula than its direct predecessor, and yet it feels like less of a Bond film. It isn’t a case that film takes the franchise in a new direction while retaining its core identity (as Licence to Kill did, for example), but the feeling that there’s been a fundamental shift in the series, occurring under the radar. It feels as if, though the movie can talk the talk, there’s something different in the step – it can’t quite walk the walk, unfortunately.

Don’t leave us dangling…

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Venom Optional: Early Thoughts About Christopher Nolan’s Bane…

When it was first announced last week, the choice of Bane as a Batman villain seemed a little… odd. I had reckoned that Nolan might opt for a modern villain who had yet to appear outside of comics or would return to a classic Batman villain, but I didn’t reckon he’d pick a modern villain who had already appeared on the big screen. Though I honestly doubt we have to worry about Nolan rehashing Batman & Robin, he seemed an odd choice for the sequel’s villain. However, after giving it some thought, he doesn’t seem such a bad choice. The fact that Tom Hardy is playing him certainly helps.

I'm kinda glad Nolan stayed away from the big guns...

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Non-Review Review: Casino Royale

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Casino Royale was breath of fresh air for the Bond franchise. The twenty-first film in the series, it represented something akin to a “back to basics” philosophy, pulling back from the camp excesses of Die Another Day to offer us a version of Bond which was a thriller rather than an action comedy. It’s a familiar pattern for low-key entries to follow over-the-top instalments (after all, the producers followed Moonraker with For Your Eyes Only), but arguably not to the same extent. While other movies made the pretense of operating within the same continuity (with numerous references, for example, to Bond’s marriage from On Her Majesty’s Secret Service), Casino Royale was an attempt to completely start from scratch, with a new actor playing a James Bond who was new to his 00-agent status.

What’s on the cards for Bond?

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Non-Review Review: Morning Glory

Early in Morning Glory, our plucky female lead (TM) is interviewing for a position at a major morning show. Asked to outline her vision, she states that “no story is too high or too low” for the show to tackle. Unfortunately, the film makes it clear that the emphasis on that last part. Because this is exactly what we need – a movie about how morning shows aren’t dumb enough.

It's a news day...

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Non-Review Review: Die Another Day

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

A new watch. Your twentieth, I believe.

How time flies.

– Q and Bond go all meta on us

I next joined Pierce and co at the premiere of Die Another Day in 2002, which marked the 40th anniversary of the series. When asked later what I thought of the film, I merely said “interesting”. In truth I thought it just went too far – and that’s from me, the first Bond in space! Invisible cars and dodgy CGI footage? Please! They gave the public what they wanted, though maybe they too realised there was only so far they could push it before Bond became a caricature of himself, and the funeral directors were called in.

– Sir Roger Moore, who seems like a lovely guy

Truth be told, Die Another Day doesn’t quite deserve the reputation that it has earned over the years. But, then again, I can appreciate A View to a Kill, so what do I know?

Close, but no cigar...

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Captain America? &%#$ No! Thoughts on the Naming Controversy…

Last year, I remarked that – although it was perhaps the least likely of Marvel’s movies to be awesome – Captain America: The First Avenger was going to be the most interesting movie on their slate to follow, at least when it comes to international markets. Predictably enough, Marvel have decided that not everyone on the planet is going to be cool with a movie about a literal American super-patriot. They will be dropping the title “Captain America” completely, simply selling it as “The First Avenger” in Russia, the Ukraine and South Korea. I, for one, am quite disappointed.

Walk tall... and carry a star-spangled shield...

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Non-Review: Lover’s Jump

I had the pleasure of checking out Lover’s Jump, a short film directed by Mark McCombe. It’s a short piece, clocking in at under four minutes – the writing is efficient, but perhaps a little busy (if only it seems that there’s quite a lot going on to fit into four minutes). I won’t spoil it for you by discussing the plot – only to suggest that it is well worth your time. The film distinguishes itself on the technical front, featuring a superbly haunting soundtrack from Rich Keyworth underscoring McCombe’s atmospheric direction. Despite the limited runtime, McCombe efficiently establishes mood – he creates a wonderful impression through a series of carefully chosen shots complimented by the eerie music in the background.

McCombe is undoubtedly aided by his lead actor, Laurence Fuller, who conveys a lot through controlled and restrained body language. There’s a lot of ways to read the scene when it opens, and Fuller manages to keep it open-ended without seeming indecisive. I’m not entirely sure what to make of the short’s ending – it seems so much about mood and emotion that it seems counter-intuitive to stick a twist in (given that there’s really only about a dozen lines of dialogue in total). I suppose that’s probably an unfair criticism to make, given the time constraints – but it still struck me on watching it.

Setting the bar...

Still, it’s the intensity of the short which really makes it work – it conveys a sense of foreboding and dread effectively within four minutes, to the point where the actual dialogue and plot seem almost perfunctory. I can see great things on the horizon for McCombe. He’s certainly skilled. His approach is relatively minimalist, but he gets a lot of impact for that. It’s well worth your time if you can get a look at it. I suspect it will be appearing as a special feature on the DVD of McCombe’s directorial debut soon enough.

Non-Review Review: The World Is Not Enough

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The World is Not Enough is a mess of a film, even by the standards of the Bond films. It proposes some interesting ideas and has some neat concepts, but there’s also some really stupid moments thrown in as well. If Tomorrow Never Dies was Pierce Brosnan doing tribute to later Sean Connery films, this him stuck in homage to Roger Moore – a few smart and emotional moments scattered over a large serving of camp, like vanilla pods mixed into the most bland vanilla ice cream you could imagine. It’s not a terrible film, but it’s so wildly inconsistent that it’s far less satisfying than generally weaker instalments.

That's the crushing weight of expectation, right there...

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Now That’s First Class: X-Men – First Class & Superhero Nostalgia

I have to admit that X-Men: First Class is a movie that I find myself in a wild state of flux over. At times, I’m delighted by the sensational casting, the fantastic director and the wonderful artistic design that we’re seeing. However, I am equally curious as to what the point of a prequel is, or why Bryan Singer jumped ship so quickly. At times, it’s one of my most anticipated movies of the coming year, while at others it’s just another film awaiting release. Somewhat lost amid the announcement that Bane and Catwoman would be the villains of The Dark Knight Rises, Fox released a slew of information about their newest X-Men film last week. looking at eth photos, I can’t help wondering whether the superhero movie genre is on the cusp of the nostalgia-fest which has swept their comic book counterparts in recent years.

He always had a magnetic personality...

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Non-Review Review: Tomorrow Never Dies

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

What the hell is he doing?

His job.

– Admiral Roebuck and M watch Bond do the impossible before the opening titles

I have a confession to make. I unapologetically love Tomorrow Never Dies. It’s the first Bond movie I saw in the cinema, with my dad and brother while on a shopping trip up North. I believe the girls went to see Titanic. It’s my first cinematic Bond experience, a perhaps that’s why I am somewhat fonder memory of the film than most – but, even on reflection, I still hold the movie in high regard. I just think it’s the perfect companion piece to the superb GoldenEye. While Martin Campbell’s film was about deconstructing the spy, showing how useless he was in times of peace and arguing he was “a relic of the Cold War” who needed updating and introspection, this Bond film was about how he can do all the cool stuff he used to, even after the fall of the Berlin Wall. Sure, it’s not as deep, smart or sophisticated as the earlier film, but it’s an unashamed throwback to the classic Bond films – and what’s wrong with that?

By the way, how telling is it that – while Bond used to drive a snazzy sports car in the sixties – he drives a family sedan in the nineties?

I'm pretty sure that the only reason Tomorrow Never Dies is because Bond never tried to kill it...

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