Non-Review Reviews | the m0vie blog

Non-Review Review: Focus

Posted on February 25, 2015 by Darren

Focus is a fun old-fashioned heist movie that suffers from the lack of a central plot.

In some respects, Focus plays as a con itself. While movies about con artists are inevitably built around charismatic rogues and antiheroes, the stories practically structure themselves. Cons are visually interesting and dynamic, they are fun and exciting. Watching characters trying to out-wit one another in rapidly-escalating situations creates instant dramatic tension, and it is easy to see why the genre has remained popular. The beats are familiar – the “big one”, the “revenge con”, the “try to get alive game.”

Off the clock…

Focus keeps teasing the audience with possible plot hooks that might sustain a two-hour film, diverting the audience’s focus and keeping them off-balance. “So what about the big con?” Margot Robbie’s Jess teases Will Smith’s Nicky. “You mean the one where we all make so much money we all retire?” Nicky teases back, dismissively. What makes Focus so interesting – and what also arguably prevents it from working as well as it might – is that it consciously plays against these recognisable elements. There is no big con, there is no story.

This is the long con that Focus plays – and plays very well. For all that it teases the plot-driven trappings of a caper movie, Focus is a good old-fashioned star-driven drama, a movie built around Will Smith’s movie icon charisma. It is one hell of a gamble, and one that doesn’t play off as well as it might, Focus‘ unwavering commitment provides a charm and energy that carries movie through. Offering advice to Jess, Nicky insists, “You never drop the con. Never break. Die with the lie.” It seems that Focus lives by its own words.

A star vehicle…

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Filed under: Non-Review Reviews | Tagged: art of misdirection, con artist, con game, film, focus, margot robbie, misdirection, Movies, review, will smith | Leave a comment »

Non-Review Review: The Second Best Exotic Marigold Hotel

Posted on February 23, 2015 by Darren

The Second Best Exotic Marigold Hotel takes a formula that worked well enough the first time, and tries to figure just how much it can add in on top without throwing everything out of a balance. When producing a sequel, the tendency is to double down on what worked before – to commit to the bits to which the audience responded, sometimes missing the fact that moderation might have been some of the appeal. The Second Best Exotic Marigold Hotel commits to its cast, putting the various star through a wide variety of sitcom premises that look like they might have been lifted from a UK Gold marathon.

In some ways, The Second Best Exotic Marigold Hotel feels a little bit like the ambitious construction and renovation project planned by Sonny Kapoor: sprawling, excessive, unwieldy, overly elaborate. The main cast are not clustered as they were the first time around, meaning that The Second Best Exotic Marigold Hotel feels disjointed at best and haphazard at worst. Richard Gere arrives to lend some extra prestige (and some international appeal) to the film, but seems almost like a distraction from the thespians around him.

Getting into Gere…

There are points where it feels like The Second Best Exotic Marigold Hotel might collapse under its own weight. The character plots don’t really intersect or overlap, so the ensemble frequently finding themselves fighting for space as the movie tries to figure out who warrants the most attention. (The relative name recognition seems to offer a convenient deciding factor, which is a shame in some respects.) While director John Madden does not keep as tight a rein on the film as he might, he prevents the film from completely dissolving into a series of interconnected sitcom episodes.

Still, despite these problems, The Second Best Exotic Marigold Hotel delivers what it promises: a familiar framework for veteran actors to demonstrate that they can still carry a light and entertaining film.

No need to make a song and dance about it…

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Filed under: Non-Review Reviews | Tagged: Best Exotic Marigold Hotel, film, Movies, non-review review, reviews, secodn best exotic marigold hotel, the best exotic marigold hotel, the second best exotic marigold hotel | Leave a comment »

Non-Review Review: Suite Française

Posted on February 19, 2015 by Darren

Suite Française is the name given to a planned series of five novels written by Irène Némirovsky during the Second World War. Living in France during the conflict, Némirovsky was Ukrainian and Jewish descent. She completed the first two novels in the series (Tempête en Juin and Dolce) and had outlined the third (Captivité) before she was arrested as a Jew in 1942. Némirovsky was detained at Pithiviers, before she was transferred to Auschwitz. She died in Auschwitz in August 1942.

The two novels were undiscovered for more than half a century; her daughter – Denise Epstein – only discovered the novels in the nineties. They were written microscopically inside journals. The 140 pages that Némirovsky had written expanded to more than 500 printed pages. There is some evidence that even the two “completed” manuscripts were not quite finished. Notes suggested that Némirovsky was considering revisions to Dolce so as to change the fate of a featured character. More than six decades after her death, Suite Française was eventually published in 2004.

An officer and a gentleman…

Adapting any novel for the screen is tough job, let alone a sequence of five novels – only two of which were ever finished, and published posthumously. Part of the intrigue of Suite Française was the fact that these were novels depicting incredible historical events as they actually occurred. It is impossible to quite convey that sense of urgency and vitality after decades of storytelling about the Second World War. Although it is an adaptation of a novel published only a decade earlier, Suite Française has the weight of considerable expectations baring down on it.

Even allowing for the difficulties with this particular adaptation, Saul Dibb and Matt Charman’s script still feels quite clumsy in execution; despite excising most of Tempête en Juin, the finished script feels curiously over-written. Monologues tend to meander and wander, as if the script doesn’t trust the cast to convey deep emotion through their performances, as if the writers are afraid the audience might miss the key philosophical or moral points of the script. This is a shame, as Suite Française is beautifully acted and looks quite wonderful.

The good German…

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Filed under: Non-Review Reviews | Tagged: film, france, Irène Némirovsky, Matthias Schoenaerts, michelle williams, Movie, Nazi, nazis, non-review review, r eview, second world war, suite fancaise, Suite Française, world war ii | 2 Comments »

Non-Review Review: Cake

Posted on February 18, 2015 by Darren

Cake is very much a performance piece, in the style of Wild. It is a film built around a fantastic central performance that lives or dies based on the strength of that performance. The film itself is almost irrelevant – a collection of familiar emotional and character beats given life by a stellar cast that are all present to support a lead actor offering what is clearly intended to be a career-defining (or even -defying) performance.

Cake is a movie that is carried by Jennifer Aniston’s superb and moving central performance as a woman living with chronic pain – literal and emotional. It is a movie that could easily seem crass or exploitive, focusing on a physically incapacitated and mentally damaged woman who is trying to piece her life back together. Director Daniel Barnz and writer Patrick Tobin find themselves walking a very fine line.

St. Jude, don’t make it bad…

Cake manages to stay on the right side of that line. Barnz might be a little fond of long tracking shots of Jennifer Aniston being driven through areas covered by foliage, and Tobin’s script occasionally seems like it is trying just a little bit too hard, but the film itself is comfortable enough to allow Aniston the spotlight. Cake is very much an actor’s vehicle, and it is unashamedly so.

Aniston does great work here, demonstrating the same credibility and vulnerability that she brought to The Good Girl, another example of the performer playing largely against type. Aniston fleshes out the character of Claire Bennett, taking an arc that is perhaps a little too familiar and too formulaic, and gives the role an emotional core that holds everything together. It is a great performance in a solid film.

It all goes rather swimmingly…

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Filed under: Non-Review Reviews | Tagged: cake, daniel barnz, jennifer aniston, Movie, non-review review, patrick tobin, performance-driven, review | 2 Comments »

Non-Review Review: The Wedding Ringer

Posted on January 29, 2015 by Darren

The bromantic wedding comedy is a fairly reliable comedy subgenre; but it is also one that requires a great deal of care. Producing a comedy about weddings can be something of a minefield; it is very easy to play into the familiar gendered stereotypes the controlling fiancée or the disengaged husband-to-be. The Wedding Ringer is an addition to the rapidly-growing subgenre that focuses on a stereotypically masculine perception of “the big day” – wondering what the groom makes of festivities.

The Wedding Ringer comes packed with awkward gender truisms. At one point, professional best man Jimmy Callahan (head of “TBM – The Best Man Inc.”) is confronted by his assistant Doris Jenkins. Doris explains to Jimmy that male and female relationships work differently; that it is tough for men to acknowledge emotion and to connect with one another. This is perhaps the most dialogue that The Wedding Ringer affords any female character in any one scene.

“Weddings are for the woman,” Jimmy assures his client, Doug Harris, in one scene. It seems like a stock stereotype that the movie is setting up to subvert – that Jimmy and Doug will eventually learn (in a “knowing is half the battle” sort of way) that marriage is a two-person enterprise that becomes shared at the moment of union. Instead, The Wedding Ringer never shifts its position. The Wedding Ringer sticks to its guns, hitting all the plot beats that one might expect from a movie espousing that philosophy.

Kevin Hart works the material as best he can, and The Wedding Ringer works best when it allows itself to drift from its central premise. However, it is weighed down by a clunky script and a decidedly mean-spirited world-view.

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Filed under: Non-Review Reviews | Tagged: film, Josh Gad, kevin hart, Movie, non-review review, review, the wedding ringer | 2 Comments »

Non-Review Review: Inherent Vice

Posted on January 28, 2015 by Darren

In many ways, Inherent Vice resembles its central character – former-hippie-turned-private-investigator Larry “Doc” Sportello.

Inherent Vice is prone to ramble and meander, stumbling across its central conspiracies as much by fate as by actual investigation. The logic is fuzzy, but the genius is clear. Navigating a complex web of seventies paranoia, it often seems as if Inherent Vice is playing a game of free association between its themes, stumbling upon some higher meta-physical plane where all the evils of the world (or, at least, Los Angeles) are connected by threads almost imperceptible.

Bad trip…

Both Inherent Vice and Doc are hooked on their own particular drugs. Over the course of Inherent Vice, Doc makes it quite clear that heroine is just about the only dope he won’t take into his body. Inherent Vice itself is drawn the delightfully trippy far-out prose of Thomas Pynchon, with Paul Thomas Anderson’s script pausing intermittently to dump large quantities of existential musing on to the market. If Pynchon’s prose didn’t flow eloquently from actresses like Katherine Waterston and Jeannie Berlin, the audience might complain.

Running almost two-and-a-half hours, Inherent Vice is more than a little indulgent. Luckily, it is more than a little brilliant as well.

Lawyer up…

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Filed under: Non-Review Reviews | Tagged: cynicism, film, hippies, idealism, inherent vice, los angeles, Movie, non-review review, Paul Thomas Anderson, review, sixties, thomas pynchon | 10 Comments »

Non-Review Review: Selma

Posted on January 20, 2015 by Darren

Selma is a fascinating look at the Civil Rights Movement, and at the life and times of the Reverend Martin Luther King Junior.

Adopting the increasingly common approach of narrowing its focus to a rather tight sequence of events, Selma offers an interesting and insightful glimpse at the protest in Selma, Alabama – culminating in a planned march from Selma to Montgomery in March 1964. That was a pivotal moment for the Civil Rights struggle, as the cameras of the nation focused on the brutally wielded by local authorities against those marching peaceably. Selma focuses on that national moments as a vehicle to explore the Civil Rights movement as a whole.

To be fair, Selma does have its problems. There is a sense that the film is perhaps too concerned with the character of Lyndon B. Johnson, even ultimately affording him something of a heroic moment at the climax. The carefully-maintained period feel is undermined by the decision to dub Yesterday Was Hard On All Of Us by Fink over a crucial moment. In contrast, the period-specific (or close enough) songs by Otis Redding, the Impressions or Duane Eddy add context and texture to the film; the tracks by The Fink and Common (featuring John Legend) feel superficial.

However, these are minor problems. Selma features a tight script, solid direction and a host of fantastic central performances. Eschewing the sentimentality or softness associated with these sorts of prestige pictures, Selma deserves to be considered among the best of the awards season prestige pictures. Its diminished presence on Academy Awards ballots seems sadly telling.

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Filed under: Non-Review Reviews | Tagged: film, Martin Luther King, Movie, non-review review, Oscars, review, selma | 3 Comments »

Non-Review Review: The Kingsman

Posted on January 15, 2015 by Darren

The creators of The Kingsman either really love or really hate the classic Roger Moore Bond films. Probably both.

Another creative collaboration between Matthew Vaughn, Jane Goldman and Mark Millar, The Kingsman is just as juvenile, crass and ultimately charming as Kick-Ass. There is a sense of mischievous and cheeky fun to this classic spy film homage. It is effectively an update of those seventies and eighties spy films with a more cynical and self-aware attitude. There is a sense that The Kingsman is simply more transparent than its inspirations in its infectiously juvenile and borderline offensive sensibilities.

Sound and Firthy…

It is hard to tell how much of this homage is genuine nostalgic affection, and how much is witty subversion. The Kingsman is a spy film that not only uses outdated (and occasionally insensitive) spy movie tropes, it practically revels in them. Although the third act occasionally feels a little too mean-spirited in its riff on classic Bond sensibilities, The Kingsman has enough boundless energy and raw enthusiasm to keep the audience watching. The script is well-observed and the direction is tight. A superb central cast helps to anchor the film.

The Kingsman is an odd beast. It is that rare homage that seems quite likely to shock and offend many fans that otherwise share its nostalgic inclinations. However, those willing to be a bit more adventurous will find much to love in this updated spy caper.

Matthew Vaughn’s fingerprints are all over this…

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Filed under: Non-Review Reviews | Tagged: class, colin firth, film, james bond, kick-ass, mark strong, matthew vaughn, Michael Caine, Movie, non-review review, review, samuel l. jackson, the kingsman | 2 Comments »

Non-Review Review: Night at the Museum III – Secret of the Tomb

Posted on December 13, 2014 by Darren

Night at the Museum III: Secret of the Tomb is fairly inoffensive family fare. It largely sets out to do what it wants to do – providing a sense of closure to the hits series while encouraging its all-star cast to have a bit of family-friendly fun together. The movie is hardly the most compelling adventure; it never manages to generate substantial stakes, it introduces a convenient third-act villain as the plot demands, it is frequently distracted by individual set pieces. At the same time, it feels like the movie largely hits the targets that it sets for itself.

Knight at the Museum…

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Filed under: Non-Review Reviews | Tagged: ben stiller, egypt, films, imperialism, Movies, night at the museum, night at the museum 3, night at the museum: secret of the tomb, non-review review, review, robin williams, secret of the tomb | 2 Comments »

Non-Review Review: Unbroken

Posted on December 11, 2014 by Darren

The true story of Louis Zamperini is absolutely fascinating. It lends itself to this sort of big spectacle. It has everything you need for a movie that might clean up during awards season: a historical setting; a war; a sporting story about triumph of adversity; incredible physical transformations from the cast; a character enduring incredible hardship and coming out the other side. These are the sorts of ingredients that make a Best Picture contender. Unbroken just heaps more and more on top of these already alluring elements.

It isn’t the terrible and messy script that ultimately defeats Unbroken, with beloved filmmakers Joel and Ethan Cohen at the top of the bill. It isn’t the pedestrian unchallenging direction, either. It isn’t Alexandre Desplat’s condescending and patronising score, that doesn’t trust the audience to determine what they should be feeling from one moment to the next. It is not even the cynical Coldplay song playing over the closing credits, to put a pleasant life-affirming spin on events.

The Oscar race is on…

The detail that really shatter Unbroken is the fact that all of this has been very carefully and meticulously calibrated to check off the requisite items on the big Oscar check list. Unbroken is just as mechanical and lifeless a production as Transformers 4, but it happens to be built for a different purpose. There is no energy here, no enthusiasm, no emotion. It is just a bunch of things that have been successful in other stories heaped on top of one another, hoping to hit the high score on that fateful morning in January 2015.

Despite managing to eat up an incredible amount of attention and discussion in the larger Oscar race – taking attention off far more deserving contenders – Unbroken is a complete and utter misfire.